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1	Det konstnärliga servisglaset : En kvalitativ och kvantitativ undersökning av servisglas från Orrefors – mellan 1960 och 1990 / The artistic stemware : A qualitative and quantitative study of stemware from Orrefors – between 1960 and 1990 Berglund, Pia January 2022 (has links) This essay explores the correlation between the design of stemware and the production of artistically produced glassware at the Swedish glassworks Orrefors, between the years of 1960 and 1990. The aim of this investigation is to see in what way the artistic glass has influenced the design of the stemware. Furthermore, the essay discusses in what way this change in design can be due to factors like competition with cheaper stemware from IKEA, the aesthetic trends of different decades and the economic situations of the glassworks. This essay also investigates in what way this change in design and aesthetics correlates to a change in pricing of the exclusive stemware produced at Orrefors. These subjects have been investigated using both a qualitative and a quantitative method, with the aim of understanding their correlations. The result of this study has shown that the artistically produced glassware has had a noticeable impact on the design of stemware, particularly from the mid 70´s and onwards. This is concluded to be due to a combination of factors, such as the ones stated above. Art history stemware glassware Orrefors Swedish glass design crafts IKEA more beautiful everyday goods Gregor Paulsson William Morris Konstvetenskap servisglas Orrefors svenskt glas formgivning design konsthantverk IKEA vackrare vardagsvara Gregor Paulsson William Morris Art History Konstvetenskap
2	Greta Magnusson Grossman : Från funkis till California Modern Magnusson Harling, Emma January 2024 (has links) This thesis explores the architecture, interior design and furniture design of Greta Magnusson Grossman (1906-1999), a pioneering Swedish Modernist who emigrated to the United States in 1940 and became part of the design movement California Modern in Los Angeles. Despite a productive and acclaimed career, her work was more or less forgotten until rediscovered in the early 2000’s.In this thesis, Greta Magnusson Grossman’s broader context is understood through literature studies of the 1930 Stockholm Exhibition, the introduction of Swedish Modern at the 1939 New York World’s Fair, the postwar design movement California Modern, and the International Competition for Low-Cost Furniture Design organized by the Museum of Modern Art in New York in 1948. Similar needs for well designed, low cost housing and furniture in the two countries are found.To further examine the work of Magnusson Grossman, her 1949 residence at Waynecrest Drive in Los Angeles is visually analyzed and compared with contemporary Case Study House #8 by American design couple Charles and Ray Eames from 1949, and Swedish furniture designer and architect Bruno Mathsson’s Exhibition Hall from 1950. Several correlations between the three environments are identified, and confirms Greta Magnusson Grossman’s progressive contributions in the fields of architecture, interiors and furniture design. Art History Architecture Design Interior Design Furniture Design Modernism Swedish Modern Functionalism California Modern Women Architects Greta Magnusson Grossman Charles and Ray Eames Bruno Mathsson The Stockholm Exhibition of 1930 New York World’s Fair 1939 Case Study Houses New Deal Folkhemmet the People’s Home Gunnar Asplund Sven Markelius Uno Åhrén Gregor Paulsson Per Albin Hansson Franklin D. Roosevelt Le Corbusier Frank Lloyd Wright Walter Gropius Bauhaus Art History Konstvetenskap

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Det konstnärliga servisglaset : En kvalitativ och kvantitativ undersökning av servisglas från Orrefors – mellan 1960 och 1990 / The artistic stemware : A qualitative and quantitative study of stemware from Orrefors – between 1960 and 1990

Greta Magnusson Grossman : Från funkis till California Modern