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En etik för odödliga : Faderskap och begär i Stephenie Meyers Midnight Sun / Ethics for immortals : Fatherhood and desire in Stephenie Meyers Midnight SunFolkesson Norberg, Julia January 2023 (has links)
This paper analyzes the concept of immortality as expressed in Stephenie Meyer’s vampire romance novel Midnight Sun (2021). By way of a comparison with the authors Mormon faith, I intend to highlight how the main characters portray key parts of LDS soteriology. Using Synne Myreböe’s notion of actualization (aktualisering) the paper considers Mormonism as a lens rather than as an institutionalized religion. Although Midnight Sun makes use of numerous religious themes, it is in my opinion not to be regarded as a theological text. After all, Meyer is a novelist. Her religiosity motivates the questions posed by the study, but the connection between her writing and explicit Mormon theology is established by me. By making the Mormon concept of immortality a lens through which I view the material, I intend to highlight aspects of the narrative which otherwise would be less apparent. Midnight Sun is a paraphrase of Meyer’s earlier work Twilight (2006). The latter tells the story of Bella, a student who falls in love with an ancient vampire called Edward. In Midnight Sun the story is inverted, making Edward the main narrator. Due to Midnight Sun’s disposition, my work relies on a resource not available to prior studies on Twilight, namely Edward’s voice. In this paper, I examine how the character relates to his father figure, thus paraphrasing the Mormon concept of priesthood.
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The Sheela-na-gig and the creation of her history : a comparative analysis of two theories concerning the mysterious medieval figurePettersson, Joanna January 2017 (has links)
After scholars started conducting research on the medieval Sheela-na-gig carvings, a number of theories regarding the purpose and origin of the figure have been suggested. The question has been tackled through many different approaches, but still remains unfinished as there are no written records explaining what the Sheela-na-gig figure actually is. Scholars have divided into different areas, approaching the discussion from different disciplines: art history, medieval social history, and religious history (both Christian and pre-Christian) to name a few. As the figure is usually found on Christian buildings but is distinguished by very sexual imagery, it leaves the door open for many interpretations. This thesis looks at two common theories on what the Sheela-na-gig is; one which is viewing her as a Romanesque warning against lust and sin, and one which argues that the figure is a folk deity used as an amulet for childbirth, symbolising both life and death. By using discourse theory and a comparative method, this thesis compares the descriptions and arguments of the different theories, and studies the intention behind them. The thesis then shows how the theories choose to focus their search for evidence in order to support their own perspective, while also excluding information which does not serve their particular agenda.
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