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1	Att förklara ett misslyckat krig : Svensk krigspropaganda i den officiella pressen under det pommerska kriget 1805-1807 / Explaining a failed war : Swedish war propaganda in the official newspapers during the Pomeranian war 1805-1807 Andersson, Hannes January 2024 (has links) This study seeks to illuminate the Swedish propaganda effort during the first years of Swedish participation in the Napoleonic wars, known as the Pomeranian War (1805-1807) in Swedish historiography. This is accomplished by analysing the reporting off the Swedish war effort in the official newspapers Stockholm Post-tidningar and Inrikes tidningar with a model of wartime propaganda previously put forward by Anna Maria Forssberg. The sources used, classified as “official Swedish war reporting”, are the published materials written either explicitly by official Swedish sources or other texts from an entirely Swedish perspective. A classification motivated by the heavy press regulations and state censorship of the late Gustavian era. The study covers the entirety of the period of Franco-Swedish warfare in northern Germany up to and including the evacuation of Swedish forces from Rügen in September 1807 but ends before the formal conclusion of peace in 1810. During this period several other important themes besides the fighting are covered in the official propaganda. These include a conflict with Prussia in 1806 and the Swedish alliances with Russia, Britain and, later, Prussia. The role of the image of the king in the authoritarian Gustavian political system and the way that the propaganda tries to paint a positive picture of Swedish military endeavours, mostly setbacks, with great emphasis on the preservation of military honour is also discussed. Propaganda official newspapers Napoleonic wars Pomeranian war Gustav IV Adolf Gustavian era History Historia
2	”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet / Social dance in the eighteenth century : Dancing between the age of rank and the age of class Mellin, Saga January 2009 (has links) <p>The purpose of this paper is to examine how the arrival of class society is expressed in the social dance of high society during the second half of the eighteenth century. The study is based on the idea that culture and society develope in interaction; that changes in the economic, political and social life determine the cultural expressions as well. What I wish to examine is whether cultural themes from the developing bourgeois culture – individualism, to be precise – is expressed in the social dance during the second half of the eigthteenth century. // The study shows that public balls definitely gave people a chance to show off on the dance floor in spite of social rank. The assemblies were open to everyone, and there were no formal distinction between the estates. The equality was enforced furthermore in the bal masques. // In spite of this formal equality, there are also signs of public assemblies not being quite the arenas for individual triumph beyond the boundaries of estate that they could be. Comments about dance and individuals are for example way more common in connection to private gatherings than public. When writing about public balls focus is primarily on the attender’s social rang, and more seldom on the dance at all. It’s clear that the mixing of estates was a source of agitation, and also that it was hard for peasants and merchants to compete with the nobility on their home ground. In theory the dance culture was boundary-crossing, but in reality the rift between the estates was still wide.</p> dance social dance eighteenth century class society social life individualism Gustavian era the Age of Liberty culture analysis dans sällskapsdans 1700-tal ståndssamhälle klassamhälle nöjesliv individualism gustaviansk tid frihetstiden kulturanalys History Historia
3	”Anorna hafva mer välde i contradans än växelbref” : Sällskapsdans och klassamhällets ankomst vid slutet av 1700-talet / Social dance in the eighteenth century : Dancing between the age of rank and the age of class Mellin, Saga January 2009 (has links) The purpose of this paper is to examine how the arrival of class society is expressed in the social dance of high society during the second half of the eighteenth century. The study is based on the idea that culture and society develope in interaction; that changes in the economic, political and social life determine the cultural expressions as well. What I wish to examine is whether cultural themes from the developing bourgeois culture – individualism, to be precise – is expressed in the social dance during the second half of the eigthteenth century. // The study shows that public balls definitely gave people a chance to show off on the dance floor in spite of social rank. The assemblies were open to everyone, and there were no formal distinction between the estates. The equality was enforced furthermore in the bal masques. // In spite of this formal equality, there are also signs of public assemblies not being quite the arenas for individual triumph beyond the boundaries of estate that they could be. Comments about dance and individuals are for example way more common in connection to private gatherings than public. When writing about public balls focus is primarily on the attender’s social rang, and more seldom on the dance at all. It’s clear that the mixing of estates was a source of agitation, and also that it was hard for peasants and merchants to compete with the nobility on their home ground. In theory the dance culture was boundary-crossing, but in reality the rift between the estates was still wide. dance social dance eighteenth century class society social life individualism Gustavian era the Age of Liberty culture analysis dans sällskapsdans 1700-tal ståndssamhälle klassamhälle nöjesliv individualism gustaviansk tid frihetstiden kulturanalys History Historia

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