This paper seeks to analyze the three earliest Confucian thinkers and the foundational texts associated with them. In studying these texts this paper attempts to discover how these early Confucian thinkers conceived of Tian. This paper claims the early Confucian thinkers did not make as radical of a departure from the Ancient Chinese religiosity as many modern scholars have suggested. It has often been asserted that the tradition presented by these Confucian thinkers was entirely humanistic, altogether separate from the Ancient Chinese religiosityThis paper contests such claims,instead insisting that the early Confucian spirituality still viewed Tian as God and that the three earliest thinkers actually introduced new concepts which expanded, rather than diminished, upon the role of Tian.

Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2004. / Includes bibliographical references. Also available in electronic version. Access restricted to campus users.

Thesis (Ph.D.)--The University of North Carolina at Greensboro, 2010. / Directed by Denise Baker; submitted to the Dept. of English. Title from PDF t.p. (viewed Jul. 7, 2010). Includes bibliographical references (p. 132-143).

Culture and politics are inseparable. How to realize the cultural factors of Chinese traditional politics and its influence and enlightenment on the contemporary era has been one of the most important issues with great concern of the academic community. Starting from Confucianism, this paper uses qualitative analysis and Marxist theory of cultural criticism to provide an in-depth interpretation of traditional Chinese politics. The main content of the paper is divided into three parts. The first part provides a systematic study of the background of the emergence of Confucian political philosophy in the pre-Qin period. Its main content covers the economic, political, and cultural aspects of the Warring States period. The second part analyzes the values of pre-Qin Confucian political philosophy. This part mainly deals with the theories of heavenly and human nature of three Confucian scholars, Confucius, Mencius, and Xunzi. The third part interprets traditional Chinese politics in the context of Confucianism by focusing on the blood patriarchal culture, the social-based culture, the ethical culture, and the political culture of the sages, respectively. Through a summary of the characteristics and contradictions of traditional Chinese politics, an objective understanding of the emergence, development,...

The spotted lanternfly, Lycorma delicatula (White) (Hemiptera: Fulgoridae), is a new invasive insect from Asia that is currently spreading in the Mid-Atlantic region of the US, where it has become a pest of economic concern for many industries in their invaded range. The purpose of this research was to document L. delicatula phenology in Virginia, their feeding impact to trees, and to test a rearing protocol in quarantine laboratory conditions. First, using field plots and weekly observational surveys, L. delicatula phenology was documented in 2019 and 2020 in Winchester, Virginia. I showed that L. delicatula were active from late April into November for each sampling year, and that the timing of life stage events varied only slightly between years. I also calculated cumulative average growing degree days for each life stage event using a lower developmental threshold of 10°C. Additionally, I confirmed that the host range of L. delicatula narrows as they progress through development. These results will help growers and land managers develop integrated pest management plans targeting L. delicatula. Second, dendrochronological methods were used to quantify L. delicatula feeding injury to Ailanthus altissima (Miller) Swingle (Sapindales: Simaroubaceae), Juglans nigra L. (Fagales: Juglandaceae), and Liriodendron tulipifera L. (Magnoliales: Magnoliaceae). Two sites in Pennsylvania that have experienced high populations and heavy feeding pressure from L. delicatula since 2016 were used to collect tree cores for analysis. I found evidence suggesting L. delicatula is capable of reducing the growth of A. altissima, but did not find the same evidence in the wood of the other tree species tested. Additionally, I found evidence that systemic insecticide treatments may reduce or prevent damage to A. altissima fed on by L. delicatula. Additional dendrochronological studies on the damage inflicted by L. delicatula feeding could shed light on the long-term impact of this new invasive tree pest. Lastly, a protocol for rearing L. delicatula was tested inside Virginia Tech's Insect Quarantine Laboratory. Three different cuttings of A. altissima (apical meristems, epicormic shoots, and field collected foliage) were tested to determine the best food source for L. delicatula in quarantine laboratory conditions. Overall, I did not find a significant difference between food treatments, however a greater proportion of third instars developed into fourth instars in the apical meristem treatment. I suggest future L. delicatula rearing research include the use of potted plants and/or multiple species. Though I had low success in rearing adult L. delicatula to produce egg masses, this method may prove useful for rearing early instars from eggs or sustaining field collected specimens for short durations. Research expanding our knowledge of L. delicatula will help us reach our goal of more effectively managing this pest species in the future. / Master of Science in Life Sciences / The spotted lanternfly, Lycorma delicatula (White), is a new invasive pest species impacting the eastern and northeastern regions of the United States. This insect uses its straw-like mouth parts to feed on the sap of many different plants including fruit trees, grapes, and several important ornamental and timber trees. Though they do not bite or sting, feeding can result in wilting, the growth of sooty mold, and sometimes plant mortality, making them an economic and nuisance pest in their invaded range. This research primarily focused on studying the timing of the spotted lanternfly's life cycle, feeding impact to trees, and a method for raising them in the laboratory for research purposes. The life-cycle of the spotted lanternfly was documented over two growing seasons in Winchester, VA and the timing of each life stage was shown to be similar between years. Additionally, it was confirmed that the spotted lanternfly feeds on fewer host species as it develops into an adult. Tree-ring analysis was used to identify spotted lanternfly feeding injury to tree-of-heaven, black walnut, and tulip poplar. I found evidence suggesting spotted lanternfly feeding can cause reduced growth in tree-of-heaven, but did not find similar evidence in the other species tested. A laboratory colony of spotted lanternflies would prove beneficial for additional research on this insect. I tested three different types of branches cut from the tree-of-heaven to identify the best food source for spotted lanternfly in laboratory conditions. The findings of this research will help develop pest management strategies to reduce the impact of this new pest in the US.

This exegesis examines the landscape of heaven depicted in the contemporary novel, The Lovely Bones by Alice Sebold. I examine the various characteristics of the heaven (or 'afterlife') depicted in Sebold's novel, with the aim of ascertaining the narrative effects of using this device. Using Ingrid Daemmrich's analysis of the paradisiacal motif in literature as a framework (Daemmrich, I 1997, Studies on Themes and Motifs in Literature: Enigmatic Bliss, The Paradise Motif in Literature, Peter Lang, New York), I reveal characteristics in The Lovely Bones that are both consistent with and challenge traditional literary representations of heaven and which therefore demonstrate that the text utilises the established literary motif of heaven for symbolism and meaning, but in a contemporary context. I explore the growing trend of contemporary literary heavens by reviewing two other literary heavens that are relevant to this scholarship. I examine where as writers and readers, we ascertain our concept of heaven (in society's religious foundations and from prior literature), and for the relevance of the key text, I briefly discuss the author's likely cultural influences. Having established the novel's lack of alignment with a religious version of heaven, I then examine the nature of and the narrative effect of, the personalised heaven depicted in the novel, The Lovely Bones. In doing so, I explore one of the new portraits of heaven in literature, an example which represents a growing trend away from portraying a classic edenic heaven shared by all humanity (and traditional to literary representations of heaven), toward a contemporary, personalised heaven that seeks to meet the wants and desires of the individual in our modern society. With reference to literature's ability to reflect back to us, our society's beliefs and values, I examine what this new portrait of heaven reveals about society. Access to the project examined in conjunction with this exegesis has been restricted due to copyright.

This exegesis examines the landscape of heaven depicted in the contemporary novel, The Lovely Bones by Alice Sebold. I examine the various characteristics of the heaven (or 'afterlife') depicted in Sebold's novel, with the aim of ascertaining the narrative effects of using this device. Using Ingrid Daemmrich's analysis of the paradisiacal motif in literature as a framework (Daemmrich, I 1997, Studies on Themes and Motifs in Literature: Enigmatic Bliss, The Paradise Motif in Literature, Peter Lang, New York), I reveal characteristics in The Lovely Bones that are both consistent with and challenge traditional literary representations of heaven and which therefore demonstrate that the text utilises the established literary motif of heaven for symbolism and meaning, but in a contemporary context. I explore the growing trend of contemporary literary heavens by reviewing two other literary heavens that are relevant to this scholarship. I examine where as writers and readers, we ascertain our concept of heaven (in society's religious foundations and from prior literature), and for the relevance of the key text, I briefly discuss the author's likely cultural influences. Having established the novel's lack of alignment with a religious version of heaven, I then examine the nature of and the narrative effect of, the personalised heaven depicted in the novel, The Lovely Bones. In doing so, I explore one of the new portraits of heaven in literature, an example which represents a growing trend away from portraying a classic edenic heaven shared by all humanity (and traditional to literary representations of heaven), toward a contemporary, personalised heaven that seeks to meet the wants and desires of the individual in our modern society. With reference to literature's ability to reflect back to us, our society's beliefs and values, I examine what this new portrait of heaven reveals about society. Access to the project examined in conjunction with this exegesis has been restricted due to copyright.

This thesis examines the dissemination of visions of the otherworld in the long thirteenth century (c.1150-1321) by analysing the work of one enthusiast for such visions, Helinand of Froidmont, and studying the later transmission of three, contrasting accounts: the vision of the monk of Eynsham (c.1196), the vision of St. Fursa (c.656) and the vision of Gunthelm (s.xiiex). It relies on a close reading and comparison of different versions of these visions as they appear in exempla collections, religious miscellanies, history chronicles and sermons. In considering the process of redaction, it corrects two imbalances in the recent scholarship: a focus on searching for, then discussing ‘authorial’ versions of the narratives and a tendency among students of literature to treat visions of the otherworld as an independent sub-genre, prefiguring Dante’s later masterpiece. Instead, by looking at the different responses of a number of authors and compilers to visions of the otherworld, this thesis shows how they interacted with other elements of religious culture. On one hand it reveals how all medieval editors altered the narratives that they inherited to fit the needs and rules of genre. These rules had an important influence on how visions were spread and received by different audiences. On the other, it explains how individual authors demonstrated personal or communal theological and political motivation for altering visions. In doing so, it notes a divergence in the way that older monastic communities and travelling preachers responded to the stories. By explaining these variations, this study uncovers a range of complex reactions to trends in thirteenth-century eschatology (particularly the development of the doctrine of Purgatory) and how they interacted with wider religious concerns such as pastoral care. Finally, it shows how an examination of the pattern of a vision’s dissemination can lead to a re-consideration of the earlier texts themselves and the religious milieu from which they emerged.

The thesis summarizes conclusions of exegetical studies of all fourteen texts containing a word "treasury" (thesauros) according to concordance of the Greek New Testament, and furthermore in three instances substitutes for treasury, using lingual and textual analysis and accessible Czech and foreign language commentaries. As far as other terms are concerned, a term "talent/mina" is used in the Gospel of Mathew and Luke in The parable of the talent/minas, where "talent/mina" fulfills all internal and external attributes for "treasury". In the Gospel of John, where we find no term "treasury", there is chosen "ointment" in the story of Anointing in Bethany for its symbolic meaning and relation to the Easter, where John's version is compared with description of the story in the synoptic gospels. Classifying of concluding interpretational frames of all seventeen texts, we get several fundamental models characterizing the role of "treasury" in the New Testament from the point of view of substance, allegory, symbolism or connotation. The treasury is the image of something precious, strange to the world, something we have a very small experience with, because we usually have not opportunity to be confronted with it. Therefore we need to be led by the values, we have accepted by feeling of Holy Spirit as ours. The...

The aim of this study is to examine the relationship between author, text and user-generated modifications in the context of the computer game Civilization 4. These relationships are studied in part by analyzing how the game mechanics have been modified, and in part through analyzing the communication taking place between players of Civilization 4 in the CivFanatics online forums. The study concludes that fans as creators are increasingly leaning on each other and their self-produced accumulated body of knowledge in the generation of new and further changes to the narrative universe, and that the original creators of the game have all but faded from view. This suggests that fan creativity is not situated against or directed at particular authors (original or otherwise), but a community effort quite independent from original intent.