Historical monuments are the most invaluable reflections of our architectural heritage and cultural identity, both of which have significant roles to create a strong link between the past and the present. They should be conserved in their own settings with their original characteristics or with as minimum changes as possible. However, natural or man-made hazards cause a serious risk for the survival of historical monuments. While some of them require to be strengthened only, some should be relocated to a new site since there are no means to save them without transporting. In this study, an innovative methodology is developed in a general sense for transporting historical masonry monuments without destructing their unity. In the proposed methodology, which is applicable especially to the slender historical structures, it is aimed to transport the structure by tilting it up to a horizontal ground level without dismantling into pieces. Due to the fact that masonry is a very brittle material, externally located prestressed cables are used to strengthen the structure against tension forces, which occur at the time of tilting. Hasankeyf, which is the cradle of various civilizations, is an impressive medieval city located in Mesopotamia region in Turkey. Unfortunately, this unique heritage will be flooded by the reservoir of Ilisu Dam unless the project is cancelled. Therefore, a masonry minaret located in Hasankeyf is selected as a case for this study. Because of the non-homogeneous characteristics of the structural material, Finite Element Method, as a powerful analytical modeling tool, is used in order to evaluate the validity and effectiveness of the proposed methodology. Finally, it is certified that this methodology is successfully applicable for the relocation of historical masonry monuments.

The diploma´s purport is to verify the care of historical monuments results and citizen´s, local government´s and administration´s position. Diploma feeds the view of the grant´s programms, which available in rural areas are. Further the care of historical monuments in Czech Republic is described. Diploma is sight on villages Hradešice, Kanice, Klenčí, Ostřetice, Pocinovice, Poleň, Stráž, Trhanov and Velké Hydčice.

The object of the diploma was to analyse cultural and heritage tourism in the region Telčsko. The research was made, which helped to recognise common characteristics of visitors and to recognize why do they come to region and which atractivities are the most visited. The result of the research problems gives us some problematic areas and it was made a suggestion of the solutions of this problematical points.

Max Ingrand (1908-1969) fut l'un des maîtres verriers français les plus célèbres du XXe siècle. Après ses études à l'École nationale des arts décoratifs, il entre en 1927 dans l'atelier de Jacques Gruber (1870-1936). Dès 1931, il commence une carrière personnelle de maître verrier décorateur et réalise de nombreux décors civils en glaces gravées. Il crée les vitraux de l'église Sainte-Agnès de Maisons-Alfort et participe au projet des verrières de la nef de Notre-Dame de Paris qui sont présentées au pavillon pontifical de l'Exposition de 1937. Mobilisé en 1939, il reste cinq ans prisonnier dans un Oflag en Allemagne. A son retour, il devient l'un des verriers les plus actifs des chantiers de la reconstruction où il réalise notamment l'ensemble monumental de l'église d'Yvetot. Le service des Monuments historiques lui confie des chantiers prestigieux : cathédrales de Rouen, de Beauvais, de Saint-Malo, de Strasbourg, chapelles des châteaux de Blois, d'Amboise, de Chenonceau, églises de La-Charité-sur-Loire et des Jacobins de Toulouse. Au milieu des années cinquante, sa notoriété lui vaut des commandes importantes à l'étranger, notamment aux États-Unis, au Canada et en Amérique du sud. Il poursuit parallèlement une œuvre de décorateur et de designer. Il assure pendant treize ans la direction artistique de la firme italienne Fontana-Arte pour laquelle il crée de nombreux modèles de luminaires. Il participe au décor de paquebots parmi lesquels le Normandie et le France. Il conçoit des fontaines lumineuses, notamment pour les Champs-Élysées à Paris. Dans ses dernières années, il réoriente sa carrière vers l'architecture d'intérieur et l'éclairage. Il meurt brutalement en 1969, peu après avoir confié la direction de son atelier à son collaborateur Michel Durand. / Max Ingrand (1908-1969) was one of the most famous French glassmakers in the twentieth century. He studied at the National School for Decorative Arts and joined Jacques Gruber’s studio (1870-1936) in 1927. He began his own career as a glass designer in 1931 and produced many engraved glass decorations, both in public and religious buildings. He created the stained glass windows of Saint-Agnes Church at Maisons-Alfort and took part in the project of the windows executed for the nave at Notre-Dame de Paris, which were first displayed inside the papal pavilion of the 1937 Exhibition. An officer in the French armed forces in 1939, he was made a prisoner and jailed for five years in a camp in Germany. When he returned home, he became one of the most active glassmakers in the whole country, being involved in the reconstruction effort and working, in particular, to the project of a monumental church in Yvetot (Normandy). He was part of prestigious projects led by the French Heritage in cathedrals (such as Rouen, Beauvais, Saint-Malo and Strasbourg), in castles (such as the chapels of Blois, Amboise, Chenonceau), in churches (such as La Charité-sur-Loire and the Jacobins in Toulouse). Due to his fame, he won a large amount of orders abroad in the mid-fifties, especially in the United States, in Canada and in South America. He acted at the same time as a decorator and a designer. He was, for instance, an art director for thirteen years at the Fontana Arte, a big design company in Italy, and created many lighting fixtures for them. Before and after World War II, he was involved in the decoration of liners as important as the Normandy and the France. He also designed lit fountains in public spaces, the best known being along the Champs-Élysées in Paris. He had to change career dramatically in his late years and stopped glassmaking. He then specialized in architectural design and lighting fixtures. He died suddenly in 1969, a few months after he had passed his workshop on to his associate Michel Durand.

The cultural relics represent an integral part of the tourism that has become a global phenomenon in the recent years. The influence of the the cultural monuments over the region can be examined through the tourism. Every year a large amount of money is spent on the restoration and care of the cultural monuments therefore a part of the thesis deals with the development of the funds provided by the Vysočina Region during 2004 - 2009. The thesis is particularly focused on the current state analysis of the cultural relics situated in the Jihlavsko microregion. The analysis is implemented from the perspective of the town Jihlava citizens and the mayors of selected member municipalities situated in the Jihlavsko microregion. The town Jihlava takes pride in a large number of religious monuments therefore especially a cognitive tourism prevails here. The questionary survey examined the satisfaction of the town Jihlava citizens with the cultural monuments state and the services related to the tourism. The graphic and verbal comments were used by the evaluation of the survey. The thesis also includes the analysis of the strategic document called "The Microregion Jihlavsko Strategy of Development".

This thesis analyzes the possibilities of financing the rehabilitation and maintenance of historical buildings in the Czech Republic with the practical application of the city Vimperk. The theoretical part discusses the importance of cultural heritage and the preservation of monuments, including its legislation and the manner of its organization. Various options for financing of survival sights both from domestic and foreign sources are discussed in detail. First the South Bohemian town Vimperk is introduced with monuments in its territorial jurisdiction in the practical part. Furthermore, this part approaches the system of the performance of local public administration and system for implementing conservation at the level of the city and South Region. A large space is devoted to the analysis and evaluation of sources of funding utilized conservation in this city, there are also recommended other appropriate support options. The subsidy programs of the South Bohemian Region, the Ministry of Culture, European and other foreign funds are mentioned. The amount of tables and graphs are added especially in this part for the better illustration. Information needed for the development of this work were obtained from the literature, Internet resources and personal consultations at the municipal office Vimperk and ROP Southwest.

Founding and Development of the Town of Jemnice; the Town's Cultural Heritage Protection PhDr. Martina Indrová THESIS ABSTRACT Jemnice, a smaller town with approximately five thousand inhabitants, lies near the border encountering of three historic lands - Bohemia, Moravia and Austria. Similar to places of this sort, this fact influenced strongly its appearance and the life within the town walls. We are poorly informed about the foundation of this town. In recent years, Jemnice however attracted the attention of experts; so the new fragments can be added to the mosaic of the town history. There were more reasons why Jemnice stayed away from the main interest of researchers. The most influencing circumstance appeared after World War II, when, for its location near the Austrian frontier, Jemnice found itself at the edge of a new border area. That fact of the matter substantially limited and delayed the town forwarding. The source basis for the history of Jemnice demands very careful and critical attitude. The so called Boček forgeries influenced expert opinions on the beginnings of the town for a long time. In 1832, the town suffered fire damage that destroyed not only many architectural monuments, but also most of old municipal books and documents. Perhaps this event made Antonín Boček to manufacture some...

This diploma thesis called "Public Administration Reform and its influence on an agenda of the government care of historical monuments" studies possible reasons of reduced quality of arbitrating in the agenda of the government care of historical monuments after delimitation of this agenda to municipal offices by a municipality with expanded competency. To premise, I consider the public administration reform in my thesis only as an instrument to refer to its possible effects on the agenda of the government care of historical monuments. The diploma thesis points at frequent influence exertion of very powerful local elements by political representatives in ORP leadership who are supported by various lobby interest groups. Just the influence of the mentioned lobby pressure groups is possibly more powerful factor for arbitrating on the level of lower territorially municipality than the influence of the government (legal rules). This study also explores questions of a model functionality of an agenda of the present government care of historical monuments under various outer and inner impacts of the public policy (especially specific interests of its participants in a system of penetrating areas). The work also suggests a variety of potential solutions, which tries to present possible setting of the...

La destruction des villes et des monuments historiques a connu une ampleur sans précédent durant la guerre 1939-1945. La reconstruction après 1945 s’inscrit dans un moment de profonde mutation pour l’histoire du monde. La restauration post bellica des monuments historiques s’inscrit dans le vaste chantier de la Reconstruction territoriale et politique de l’Europe ; il s’agit l’intervention architecturale sur la ruine produite par la guerre. Il existe "mille façons", de protéger, de détruire, puis de restaurer les œuvres d’art et d’architecture lors des conflits armés. Le sujet de cette thèse réside dans ces trois actions : protéger, détruire et restaurer. Elles sont un travail de l’homme. Deux actions, protéger et restaurer participent à des enjeux positifs pour les sociétés indépendamment du lieu ou du temps. L’action, "détruire", porte des signes négatifs, hier comme aujourd’hui, l’action de détruire dépend ou procède de conséquences géopolitiques très complexes. Le sujet de cette thèse concerne notamment deux aspects de la restauration des œuvres d’art et des œuvres d’architecture de 1945 à aujourd’hui. Le premier aspect peut être nommé "les théories", le second aspect "les pratiques". Les deux sont indissociables, dans un processus réflexif où la pratique vient valider ou invalider la théorie, tandis que la théorie se base sur la pratique dans son élaboration. De l’intention d’étudier ces deux aspects, découle la problématique à laquelle je me suis particulièrement attaché ; celle-ci consiste à comprendre en quoi les destructions de la Seconde Guerre mondiale ont contribué à renouveler les théories et les pratiques en matière de restauration des monuments historiques ? J’ai identifié ce renouvellement pour ensuite le définir et le documenter, dans différents contextes spatio-temporels, à travers les 5 chapitres de ce travail. La restauration des monuments historiques après 1945 en Europe, est à la fois le sujet, le terrain et le corpus de cette thèse. Pour rester réaliste j’ai choisi de travailler cette question principalement dans trois pays d’Europe : l’Allemagne, la France et l’Italie. Il s’agit de 3 pays qui ont une longue tradition dans ce domaine. La restauration des monuments historiques après 1945, s’appuie sur l’acceptation ou le refus du drame de la perte. En Europe elle se développe selon quatre périodes que j’ai identifiées comme suit: de 1939 à 1945 la période bellica ; de 1946-1972 la période chaude de la Reconstruction; de 1973 à 1989 la période intermédiaire ; de 1990 à 2015 la nouvelle période chaude ou "le patrimoine à l’état gazeux". Le long chantier de la restauration des monuments historiques après 1945 est un laboratoire européen ou un "collège invisible". Dans ce laboratoire et à partir de la pratique de la restauration, travail alors colossal, urgent et nécessaire, sont élaborées des techniques et des théories toujours valides aujourd’hui. J’ai ici organisé l’analyse de la restauration post bellica autour de la question des lacunes, d’abord analysée d’un point de vue théorique. Ensuite, j’ai imaginé, de façon nouvelle, une typologie des lacunes en architecture afin d’expliquer d’un point de vue pratique et constructif ce qui vient après : la réparation ou "la réintégration des lacunes". J’ai identifié différentes familles de lacunes qui affectent les édifices anciens pris dans la guerre. Il m’a alors semblé possible de parler de lacunes à différentes échelles et indépendamment du type d’artefact touché. J’ai voulu guider le lecteur, dans le labyrinthe de la restauration post bellica, avec la lacune comme fil d’Ariane. Le trou ou la chute d’un fragment d’enduit dans une peinture murale, l’impact de mitraillette dans une façade en pierre, la chute des voûtes et des charpentes d’une église, les cassures dans les travées rythmiques d’une façade, l’écroulement complet de la nef ou de l’abside d’une église, la destruction de tissus urbains autour d'un monument... / Restoration of historical monuments after 1945 is based on the acceptance or the rejection of the drama of loss. I identified for major periods of restoration in Europe after WWII : 1939-1945; 1946-1972 ; 1973-1989 ; 1990-2015. In France, as opposed to Germany or Italy, historiography in architecture still does not deal much with the history of restoration post-bellica, ie with historical monuments destroyed during WWII and progressively restored afterwards. The historiographical task at hand is to study within different contexts (Germany, France, Italy, ex-Yugoslavia, etc) the practices of restoration once peace is back, ie the architectural intervention on the ruins produced by war. Although ferments of restoration (for both works of art and architecture) can be identified, in the current sense of the term, as early as the 1930’s, the discipline is going to mature under the impetus of the immense workshop of post-bellica restoration. Methods, techniques and theories, still valid today, are then produced and applied. My suggestion is that such a workshop can be considered as an European lab within which a kind of "invisible college" is at work, centered around a few major international experts. Architects, historians of art, superintendents, archeologists, natural and social scientists share their experiences and points of view. Research laboratories, universities, museums, churches, international organizations are involved from all over Europe. But Italy is at the heart of the « invisible college ». I have organized the analysis of the post bellica restoration around the question of "lacunes" (deficiency, gaps; shortcomings), first from a theoretical point of view. Then I imagined a new way, a typology of architectural shortcomings in order to explain a practical point of view and constructive comes after the repair or "reintegration of lacune (gap)". I identified different families of "lacune" (gaps) affecting older buildings caught in the war. It’s then possible to speak about "lacune" at different scales and regardless of the type of hit artefact. I wanted to guide the reader through the maze of post bellica restoration, with the "lacune" used as a red string. The hole or the fall of a fragment of plaster in a mural painting, the impact of machine gun in a stone facade, falling arches and a church structures, fractures in the rhythmic span of a facade the complete collapse of the nave and the apse of a church, the destruction of the urban fabric around a monument and the demolition of an old stone bridge are all shortcomings that make us react. That's faces these shortcomings, different each time, what post bellica restoration thought martyr heritage, subject of this thesis.

The diploma thesis, entitled ?Milevsko. Its history, personalities and historical monuments?, is concerned with a South Bohemian town situated between Tábor and Písek, which is, unfortunately, quite neglected. It outlines the history of Milevsko from prehistory up to the present with respect to the latest research. More attention is paid to the foundation of Milevsko in the twelfth century and the Premonstratensian Monastery because it?s a national cultural monument which has a great importance for the town. The Thesis includes even other historical monuments and attractions which deserve attention. All accessible information about their origin, development, present condition and purpose are compiled in appropriate passages. Both cultural heritage of the town and contemporary relationship of town representatives to this heritage and their effort to restore and preserve it is presented on the basis of bibliography. The other part of the Thesis deals with famous and, till this time, not so famous personalities from this region. Information is obtained from witnesses to history and thanks to their witness it was possible to get less known or unpublished information. More attention was paid to famous personalities, with no monographs so far, because their benefit and importance in various fields are necessary to present and highlight.