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Master of Arts / Department of History / David R. Stone / This paper examines the influence of Hannibal of Carthage on the art of war over time. Hannibal’s war with Rome provides a complex example of strategic and tactical successes and failures that have been modeled and studied throughout military history in one fashion or another. The method of research was a literature review organized into chapters with relevant examples from ancient through modern history. The primary finding was that Hannibal’s examples have been interpreted according to the needs of each observer. There was no uniform conclusion of lessons drawn from Hannibal’s campaigns. Perceptions were drawn by each author based on time and particular circumstances. For instance, Machiavelli pillories Hannibal’s use of mercenaries as the antithesis of a virtuous society. Alfred von Schlieffen studied the tactical battle of Cannae and attempted to construct a strategic level plan for war in Europe based on lessons drawn from his study. Victor Hanson cites Hannibal’s war with Rome as a metaphor for the West’s current conflict with Islam, implying that the West will be ultimately victorious in this latest confrontation owing to the superiority of its institutions. The main conclusion that can be drawn is that Hannibal’s successes and failures are still relevant for study by historians and practitioners of the military arts even though there is no one set of definitive lessons learned.

La musique est étroitement liée à la pratique liturgique des Grecs de l’Antiquité. Un scrupuleux examen des sources confirme l’omniprésence de l’aulos au sein du sacrifice sanglant, un fait qui semble ne pas s’accorder avec certains propos anciens dépréciateurs de l’instrument. Grâce aux sources textuelles et surtout iconographiques, on constate que l’importance attribuée au rôle de la musique, et plus spécialement de l’aulos, dans le sacrifice varie d’une étape rituelle à l’autre. Certaines actions cérémonielles, comme la procession, s’accomplissent au son de la musique, alors que d’autres, comme l’immolation, semblent en être dépourvues. Puis, en observant quelques représentations de sacrifices humains, on remarque que la musique est abordée différemment en fonction du contexte et de la nature du rituel sacrificiel dans lequel elle s’insère. Ainsi, la façon dont on traite la musique dans les sources peut fournir des indices quant aux principes idéologiques relatifs aux différents rituels. / In Ancient Greece, music was closely linked to religious practices. In fact, scrupulous examination of sources confirms the use of the aulos in bloody sacrifices, a fact that contradicts some ancient texts which belittle the instrument. Through study of textual and iconographical sources, the importance accorded to music in sacrifices, and more specifically to the aulos, varies from one ritualistic step to another. Some ceremonial actions, like the procession, were performed with music, while others, like the actual sacrifice, were not. Furthermore, observation of some sacrifices showed that music was treated differently, according to the nature of the ritual. Therefore, the way music was dealt with in sources may provide valuable information about the ideological principals linked to various rituals.

Le bassin oriental de la Méditerranée à l’âge du bronze égéen est un ensemble hétérogène où s’entremêlent plusieurs cultures : Égyptiens, Hittites, Minoens et Mycéniens se côtoient et interagissent à divers degrés. Un examen méticuleux des sources archéologiques et épigraphiques permet de mettre un peu d’ordre à cette mosaïque chaotique afin de mieux apprécier les interactions entre ces cultures. La culture mycénienne est celle à laquelle s’intéresse particulièrement cette présente étude. Bien que son coeur soit unanimement localisé en Grèce continentale, la culture mycénienne se répand également de l’Italie jusqu’au Levant et de la Thrace à l’Égypte. Selon l’importance et la nature des vestiges, l’archéologie ordonne en trois catégories les régions où se retrouve la culture mycénienne, alors que les sources épigraphiques hittites et égyptiennes permettent de remettre en question la société mycénienne et de localiser les frontières politiques de cette culture. / The Eastern Mediterranean region in the late Bronze Age is a heterogeneous entity composed of several interwoven cultures: Egyptians, Hittites, Minoans and Mycenaeans mingle and interact on many levels. A meticulous survey of the archaeological and epigraphic evidence can restore some order in this chaotic picture in order to clarify the various interactions between these cultures. This study focuses especially on the Mycenaean culture. Although mainland Greece is unanimously considered as the core location of this culture, Mycenaean artefacts are found from Italy to the Levant and from Thrace to Egypt. According to the importance and nature of these artefacts, archaeology organizes the regions penetrated by Mycenaean culture in three classes, while Egyptian and Hittite documents challenge our conception of the organization of Mycenaean society and the localisation of its borders.

The dissertation investigates the concept of ethnicity and race in three related cultures from the ancient Eastern Mediterranean by analyzing key ethnological terms, in their original languages and contexts, in order to determine their similarity to and difference from a modern anthropological definition of ethnicity. It employs an ethno-symbolic approach to social identity in order to evaluate the similarity and difference of terms for so-called "ethnic groups" in Ancient Greek, Biblical Hebrew, and Middle Babylonian. The evaluation is carried out using a historical comparative approach, first in three individual case studies and then synthetically. The study attempts to provide a documentary foundation for the critical, theoretical use of ancient documents in social and identity research, and the results suggest that a named collective of people from the first millennium BCE or later could be an ethnic group in the modern sense of the term (an ethnie), but that such terminology is generally imprecise before 1000 BCE.

In this thesis I detail how large-scale public entertainment, in the form of gladiatorial games (munera) and dramatic festivals (ludi), could function as a tool for social control in the Roman West. Using late-Republican and imperial Pompeii as a test case, I argue that these spectacular performances provided local notables with a rare and powerful platform for mass messaging. The chief purpose of this communication within the arena and theatres of Pompeii was not to transmit particular words or gestures from wealthy benefactors to their captive audience, but rather to arrive at a public consensus that implicitly acknowledged the legitimacy of local political, religious, and cultural institutions while also underscoring existing social hierarchies and power relations within the unified community. The local laws, traditions, and setting conditioned the behaviour of the entertainers and spectators, who played central rôles in a series of formulaic rituals at these regular events. The processions that preceded games, for example, and the prize-giving ceremonies after munera were staged as dialogues between benefactor and spectators, structured in ways that celebrated the prosperity, civic identity, and political stability of the community. Such a function was particularly important to ensure stability in periods of great uncertainty. I suggest that the construction and renovation of venues for public entertainment should also be understood in terms of crisis communications, as part of a response to political turbulence following the wars of the late Republic and a string of local catastrophes under Nero. In the highly urbanized regions of early imperial Italy, however, the emphasis on civic politics at mass spectacles risked inflaming tensions between neighbouring rivals. This system of social control was not, however, limited to the duration and location of mass spectacles. The Pompeian council limited freedom of association and the production of formal texts and images concerning mass spectacles to the margins of the city. The unofficial forms of expression that clustered here, often in dialogue with one another, suggest that individuals continued to identify with their rôles as consensus-building spectators beyond the games. In spite of its rich and varied dossier of evidence for quotidian life, genuinely original or subversive content that is independent of official messaging appears only rarely in the archaeological record at Pompeii.

This thesis investigates the problem of contemporary historiography and regime representation in Flavian Rome through a close study of a text not usually read for such purposes but which has obvious promise for a study of this theme, the Jewish War of Flavius Josephus. Having surveyed the evolution of our conception of Josephus' relationship to Flavian power, taken a broad account of issues of political expression and regime representation in Flavian Rome outside Josephus and examined questions relating to the structure and date of the work, I will provide a series of thematically-focused readings of the three senior members of the Flavian family, Vespasian, Titus and Domitian, as represented by their contemporary and client Josephus. Key topics to be explored include the level of independence of Josephus' vision, his work's relationship to how the regime is depicted in other contemporary sources, how Josephus makes the Flavians serve his own agenda (which is distinct from the heavy focus of most previous scholarship on how Josephus served their agenda), and the viability and usefulness of certain types of reading practices relating to figured critique which have recently become influential in Josephan scholarship. The thesis offers a new approach to Josephus' relationship to the Flavian Dynasty and sheds new light on contemporary historiography and political expression in the Early Principate.

Abstract In this dissertation I draw on the Nessana papyri corpus and relevant comparable material (including papyri from Petra and Aphrodito and inscriptions from the region) to argue that ethnic, linguistic and imperial identities were not significant for the self-definition of the residents of Nessana in particular, and Palaestina Tertia in general, in the sixth- to the seventh- centuries AD. In contrast, this dissertation argues that economic considerations and local identities played an important role in people's perceptions of themselves and in the delineations of different social groups. The first chapter, is intended to provide a basis for further discussion by setting out the known networks of class and economics. The second chapter begins the examination of ethnicity, which is continued in the third chapter; but the second chapter concentrates on external definitions applied to the people of Nessana, and in particular on the difference between the attitude of the Byzantine Empire to the village and the attitude of the Umayyad Empire. Building on this ground, the third chapter tackles the issue of ethnicity to determine if it was at all operative in Nessana, determining that though ethnonyms were applied in various cases, these served more as markers of outsiders and were situational. Chapter four moves to the question of language use and linguistic identity, examining the linguistic divisions within the papyri. An examination of the evidence for Arabic interference within the Greek leads to the conclusion that Arabic was the vernacular, and that Greek was used both before and after the Muslim conquest for its connotations of power and imperial rule rather than as a marker of self identity. The conclusions reached in this chapter reprise the discussion of imperial identity and the questions of centralization first raised in chapter two. This return to previous threads continues in chapter five, which deals with the ties between Nessana and neighboring communities and local identities. The chapter concludes that the local village identity was indeed very strong and possibly the most relevant and frequently used form of self-identification. Overall, it appears that many of the categories we use in the modern world are not relevant in Nessana, and that in those cases where they are used, the usage implies something slightly different. / Dissertation

This paper seeks to explain the existence of wealthy and socially influential slaves in the fourth century BCE at Athens, Greece. I describe what went on at Athens from the late seventh century until the early third century and show that transformation in the land to labor ratio combined with cultural, legal and political changes led to a period of time where slaves acquired wealth and power. First, changes in the land to labor ratio at a time when Athens was going through vast political change led to a culture where it was socially unacceptable for a free Athenian to work for another free Athenian. Slaves could then work in sectors unavailable to free Athenians, which led them to gain wealth and eventually societal power.

Thesis (Ph. D.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Available also from UMI Company.