李少恩. / "2002年1月" / 論文 (哲學碩士)--香港中文大學, 2002. / 參考文獻 (leaves 153-163) / 附中英文摘要. / "2002 nian 1 yue" / Li Shao'en. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002. / Can kao wen xian (leaves 153-163) / Fu Zhong Ying wen zhai yao. / 撮要 --- p.iii / Abstract --- p.iv / Chapter 1. --- 導言 --- p.1 / Chapter 1.1 --- 論題定義 / Chapter 1.2 --- 研究範圍與目的 / Chapter 1.3 --- 過去的研究概況 / Chapter 1.4 --- 研究方法 / Chapter 2. --- 香港粤曲創作史略 --- p.14 / Chapter 2.1 --- 班本時期：鴉片戰爭至十九世紀末（1840-1900) / Chapter 2.2 --- 「理想班本」時期：辛亥革命前後（1900-1920) / Chapter 2.3 --- 粤曲時期：省港大罷工前至中華人民共和國成立後（1920-1960) / Chapter 3. --- 當代香港社會與粤曲撰曲者 --- p.55 / Chapter 3.1 --- 當代香港社會與粤曲發展 / Chapter 3.2 --- 三位當代撰曲者的簡介 / Chapter 3.3 --- 小結 / Chapter 4. --- 當代香港粤曲的創作 --- p.83 / Chapter 4.1 --- 撰曲者對粤曲的已有知識及撰曲動機 / Chapter 4.2 --- 從構思到首演 / Chapter 4.3 --- 個案研究：一次粤曲首演的觀察 / Chapter 4.4 --- 小結 / Chapter 5. --- 當代香港粤曲的結構分析 --- p.109 / Chapter 5.1 --- 當代粤曲的音樂素材 / Chapter 5.2 --- 板腔音樂素材的運用 / Chapter 5.3 --- 「小曲」的選用 / Chapter 5.4 --- 小結 / Chapter 6. --- 結論 --- p.134 / Chapter 6.1 --- 總結 / Chapter 6.2 --- 當代香港粤曲撰曲者的創作路向 / Chapter 6.3 --- 當代香港粤曲撰曲者及作品的承傳 / Chapter 6.4 --- 進一步研究的建議 / 附錄 --- p.144 / 參考書目 --- p.153

張琬琪. / "2008年2月". / "2008 nian 2 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 119-121). / Abstract also in English. / Zhang Wanqi. / Chapter 第一章 --- 導論 --- p.1-11 / Chapter 1. --- 粤語歌唱片的硏究價値 --- p.2-3 / Chapter 2. --- 本土粤語歌唱片硏究槪說 --- p.3-8 / Chapter 3. --- 歌唱片類型硏究的意義 --- p.8-11 / Chapter 第二章 --- 類型來源與構成 --- p.12-38 / Chapter 1. --- 香港電影史與「歌唱片」的起源 --- p.13-15 / Chapter 2. --- 解構「全部歌唱片」 --- p.15-25 / Chapter 3. --- 歌唱片戰後復興的外緣因素 --- p.25-30 / Chapter 4. --- 類型混合：「全部歌唱片」及其後之「歌唱喜劇」 --- p.30-37 / Chapter 5. --- 總結 --- p.37-38 / Chapter 第三章 --- 音樂風格與歌曲敘事 --- p.39-68 / Chapter 1. --- 粤曲：從舞台到電影 --- p.41-44 / Chapter 2. --- 全部歌唱：粤曲代替對白 --- p.44-49 / Chapter 3. --- 撰曲人在歌唱片中所扮演的角色 --- p.49-55 / Chapter 4. --- 電影與粤劇：從分裂到整合 --- p.55-58 / Chapter 5. --- 粤劇音樂的電影化 --- p.58-66 / Chapter 6. --- 總結 --- p.66-68 / Chapter 第四章 --- 角色典型化與演員形象 --- p.69-96 / Chapter 1. --- 演員、角色與類型電影 --- p.71-73 / Chapter 2. --- 粤劇對歌唱片角色塑造的影響 --- p.73-74 / Chapter 3. --- 芳艷芬：「賢妻良母」形象的一致性 --- p.75-80 / Chapter 4. --- 任劍輝：「女扮男裝」的戲迷情人 --- p.80-88 / Chapter 5. --- 演員形象的社會作用 --- p.88-95 / Chapter 6. --- 總結 --- p.95-96 / Chapter 第五章 --- 結論 --- p.97-109 / Chapter 1. --- 粤語歌唱片與粤劇文化 --- p.98-100 / Chapter 2. --- 歌唱片由盛轉衰的原因 --- p.100-102 / Chapter 3. --- 歌唱片對日後電影的影響 --- p.102-109 / 附錄：電影廣告 --- p.110-118 / 參考書目 --- p.119-121

黃小蓉. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 411-430) / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Huang Xiaorong.

Please read the abstract in the 00front part of this document / Thesis (DLitt (English))--University of Pretoria, 2007. / English / unrestricted

published_or_final_version / English / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

This study examines the relation between gender and genre in four novels that chart the development of American domestic life from the Colonial to the Gilded Age. In these novels, the presence in the house of women--mothers, daughters, sisters, servants, slaves--often threatens the fathers' dynastic ambitions and subverts the formal intentions of the narrative. These women represent familiar but strange forces of the uncanny which lurk beneath the apparently placid surface of domestic narrative. In "house" novels by Hawthorne, Stowe, Alcott, and James, interactions of the uncanny feminine with dynastic concerns threaten not only the novel's social message of destiny and dynasty, but the traditional form of the novel itself. In The House of the Seven Gables, Hawthorne constructs a narrative in which patrician fathers and domestic daughters struggle for control of the House and its story. Slavery disrupts domestic life in Uncle Tom's Cabin, inverting and thereby perverting traditional notions of home and family and producing monstrous mothers and failed households. Alcott details the abuses and dangers of reified gender roles in family life, while depicting a young woman's attempt to reconstruct domesticity as a female community in Work. Finally, James displaces domestic concerns entirely from The Other House, portraying instead the violent nature of feminine desire unrestrained by tradition, community, or family. Story and telling work at cross-purposes in these novels, creating a tension between Romantic structures and realistic narrative strategies. These authors depart from the tropes of their times, using gothic devices to reveal monstrous mothers, uncanny children, and failed or fallen houses within the apparently conservative domestic novel. Such gothic devices transcend literary historians' distinctions of romance and sentimental fiction as respectively male and female stories and reveal the fundamentally subversive nature of domestic fiction. For these writers, the uncanny presence of the feminine produces a counternarrative of gender, class, and race, redefines the cultural boundaries of home and family, and exposes the fictive nature of social constructions of gender and domesticity.

本文以「從禮樂到生民:論中唐樂府的復興與新變」為題，試圖將中唐樂府放入當時思想、政治與文化的新格局中，探討其創作及觀念之特徵，並對盛、中唐之際的文學發展與中唐樂府的革新提出新的解釋。 / 已往之研究往往強調中唐樂府「刺時」的一面，而歸因於中唐的政治狀況。但本文認為，就題材來說，中唐樂府並非僅有「刺時」的內容，亦有大量的風俗描寫; 就原因而言，政治固然是因素之一，然絶非唯一因素。其背後還涉及詩學觀念的轉向與文人身份的變化。 / 本文指出，盛、中唐之際文人對於「風雅」或者「詩教」的觀念發生了變化。盛唐以前對「教化」的理解總與「禮樂」相伴，認為只要行禮樂便可以達到教化的目的，強調「禮樂」的作用自然凸顯《詩經》「上以風化下」的一端，而非「下以風刺上」的一面。至盛唐末期，這種觀念受到挑戰，文人對詩教的理解從頌讚的雅頌走向諷刺的國風，而最後刺時之文也獲得了正當性。中唐樂府的興盛與這種詩學觀念的轉變有著密切的關係。 / 本文認為，中唐文人的政治身分變化與中唐樂府的變化亦有密切關係。初盛唐文人少做地方官，至中唐，長期擔任地方官的文人比例大增。他們在觀念上調和「儒」、「吏」關係，更多地認同「循吏」的價值與傳統，使得地方官文人與漢良二千石的傳統銜接。他們以「循吏」的眼光在地方進行創作，為樂府的「觀風」職能提供良好的背景。 / 觀念的轉向、文人身份的變化，加之當時的政治狀況，造成了中唐樂府的興盛，也造就其獨特之特徵。本文對張籍、王建樂府在盛中唐樂府演變中的作用與地位提出了新的論述，認為張、王的樂府唱和，繼承、改造了盛唐李白和杜甫新、古題樂府的創作形式，體現了盛唐末年所開啟的「風雅」詮釋方式，而以興諷刺時作為樂府的主要內容，為其後的元、白樂府提供了借鏡。本文指出，中唐樂府雖然繼承了漢樂府「觀風」的傳統，但在題材內容上有所擴大。漢代，「樂府」作為中央官署，其「采詩」的主要目的是考察地方吏治，對於地方風土風俗則沒有太大興趣，但中唐樂府對此一題材卻有大量的書寫。「風俗」題材的興起與當代儒學關注點從「禮樂」轉向「生民」有關。「生民」既成為評判政治優劣的標準，「生民」的活動自然被納入創作的視野。論文認為，從文體角度說，中唐的樂府作者雖在主觀上排斥六朝傳統，但在樂府的命題以及表現方式上依然深受六朝的影響。 / 論文還考察了與新樂府創作相應的一套詩學論述，發現中唐詩人提出了所謂樂府「正聲」的觀念，以對抗初、盛唐樂府的觀念。不僅如此，中唐的樂府觀念還與「史官」、「諫官」的意識相互滲透，使得本為詩歌所獨有的「采風」觀念擴散到詩歌以外的文類，而本為樂府所關注的獨特題材也進入其他文體的書寫當中。 / This thesis focusing on Yuefuin the Mid-Tang dynasty,discusses its characteristicsin the new pattern of thought, politics and culture. The thesis tries to provide a new explanation for the literature development in the Mid-Tang. / Existing researches often emphasized the relation between yuefu and political reality. However, political reality was not the only theme reflected in yuefu, the description of customs was included. Politic was not the mere reason. Literati’s political identitywas changed and the existing tradition of "praise and criticize" from the Han dynasty was also transformed. / The thesis pointed out that the idea of "Fengya" or "poetic education" was changed from the High-Tang to the Mid-Tang dynasty. "Civilization", usually relating to "rites and music", was considered to be successful in the High-Tang dynasty. Therefore, literature was encouraged to praise the dynasty while criticism was ignored. This idea faced challenged from the end of the High-Tang dynasty, and the "poetic education" was lead to "criticize" instead of "praise". The prosperity of yuefu in the Mid-Tang dynasty was closely allied to the new idea. / Meanwhile, literati’s political identity changed. Most of them were local officials.Travelling within a wider area activated them to identify the "liangqiandan" tradition from the Han dynasty and to write in a "moral official’s" sight. / The change of idea, literati identity as well as political reality provided an environment for yuefu creation in the Mid-Tang dynasty. The thesis provides a new exposition for Zhang Ji and Wang Jian’s positions in this literature development. Zhang and Wang wrote poems in replies. They continued or reformed Li Bai and Du Fu’s yuefu works and represented the new idea of "Fengya" in their works, which provided experience for Yuen Zhen and Bai Juyi later. At the same time, the concept of "Guan Feng" was broadened. Han "Yuefu", as a central office, collected poems to look at local politics with no interest in local customs. However, yuefu in the Mid-Tang dynasty viewed customs as a mean subject of writing. The literati subjectively excluded the tradition of the Six dynasties, but were in fact influenced by this tradition. Besides, customs as a literary subject related to the transform of contemporary Confucianism. When literati viewed "people", not "ritesand music" as the basic of civilization in the political field, people’s activities became a literary theme with justification. / Finally, yuefu developed a standard for itself as poets concerned their works on the field. Poets raised "canon" of yuefu againstthe verse written in the Early and High-Tang dynasty. And the idea about yuefu penetrated with the sense of both historian and remonstrating officials when it came to mature. The idea of "folk song collection", coming down from yuefu was broadened and literary themes originally belonged to yuefu were written by other literary forms. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 呂家慧 = From rising "rites and music" to viewing "people": the research on yuefu poem in the Mid-Tang dynasty / Lu Chia Hui. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 251-256). / Abstracts also in English. / Lü Jiahui = From rising "rites and music" to viewing "people" : the research on yuefu poem in the Mid-Tang dynasty / Lu Chia Hui.

by Maggy Chan Mei Lan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. / Includes bibliographical references (leaves 171-182). / Abstract also in Chinese. / Chapter Chapter One --- Introduction --- p.1 / Chapter Chapter Two --- Historical Background --- p.17 / Chapter 2.1: --- Whimsical Garden: A short Visit to the Realm of Children's Literature in the West / Chapter 2.2: --- Rejuvenated Roses: The Growth of Hong Kong Children's Literature and Its Tinge of Local Colors / Chapter 2.3: --- Magic Wand to the Future: Subversive Children's Literature / Chapter Chapter Three --- Undressing the Dressed: To Overturn Traditional Modes of Adornment --- p.68 / Chapter Chapter Four --- "If Adults Are Not Always Right, Who Is?" --- p.93 / Chapter Chapter Five --- Inverted Chalkboard: School of Subversion --- p.121 / Chapter Chapter Six --- Conclusion: A New Chapter --- p.140 / Appendix I´ؤBiographical Notes on Some HK Children's Writers --- p.147 / Appendix II´ؤNewspaper cuttings --- p.149 / Works Cited --- p.171

張櫻. / 論文(哲學碩士) -- 香港中文大學硏究院中國語言及文學學部, 1998. / 參考文獻: leaves 197-206. / 中英文提要. / Zhang Ying. / Chapter 第一章 --- 緒論 --- p.1-24 / Chapter 第一節 --- 元詞研究回顧 --- p.1-10 / Chapter 壹 --- 研究進路 / Chapter 一 --- 主觀的點評 / Chapter 二 --- 客觀的考證 / Chapter 三 --- 宏觀的整理 / Chapter 四 --- 微觀的論述 / Chapter 貳 --- 研究成果 / Chapter 一 --- 資料的整理 / Chapter 二 --- 觀點的建立 / Chapter 三 --- 觀念的啟發 / Chapter 1 --- 元詞的風格 / Chapter 2 --- 元詞的主題 / Chapter 3 --- 元詞的韻調 / Chapter 第二節 --- 元初詞研究 --- p.10-24 / Chapter 壹 --- 研究意義 / Chapter 貳 --- 研究範圍 / Chapter 一 --- 時間範圍 / Chapter 1 --- 歷史時間 / Chapter 2 --- 文學史時間 / Chapter 二 --- 文體範圍 / 小結 / Chapter 第二章 --- 元初詞的背景 --- p.25-58 / Chapter 第一節 --- 政治環境 --- p.25-30 / Chapter 壹 --- 漢化政策 / Chapter 貳 --- 科舉制度 / Chapter 第二節 --- 社會環境 --- p.30-33 / Chapter 壹 --- 社會階級 / Chapter 貳 --- 宗教氛圍 / Chapter 參 --- 地理環境 / Chapter 第三節 --- 文壇環境 --- p.33-58 / Chapter 壹 --- 詞曲發展 / Chapter 一 --- 前期「散曲化」的發展一一詞向曲靠攏 / Chapter 二 --- 後期「雅詞化」的發展一一曲向詞靠攏 / Chapter 貳 --- 從「散曲化」到「雅詞說」的變素 / Chapter 一 --- 雖倚曲調，仍用詞腔 / Chapter 二 --- 作家身兼兩職 / Chapter 三 --- 專論出現 / 小結 / Chapter 第三章 --- 元初詠物詞 --- p.59-95 / Chapter 第一節 --- 詠物詞的選材、擇調與定韻 --- p.59-78 / Chapter 壹 --- 選材 / Chapter 一 --- 花草 / Chapter 二 --- 樓臺 / Chapter 三 --- 山河 / Chapter 四 --- 雨雪 / Chapter 五 --- 器物 / Chapter 六 --- 其它 / Chapter 貳 --- 擇調 / Chapter 參 --- 用韻 / Chapter 第二節 --- 詠物詞内涵述析 --- p.78-95 / Chapter 壹 --- 賦物 / Chapter 一 --- 優美翔實 / Chapter 二 --- 氣勢豪壯 / Chapter 貳 --- 寓情 / Chapter 一 --- 關懷個體 / Chapter 1 --- 襯寫形象 / Chapter 2 --- 烘托人格 / Chapter 3 --- 肯定自我 / Chapter 4 --- 表達心境 / Chapter 二 --- 感觸歷史 / Chapter 1 --- 慨嘆廢興 / Chapter 2 --- 申怨遭遇 / 小結 / Chapter 第四章 --- 元初雜紀詞 --- p.96-126 / Chapter 第一節 --- 雜紀詞的選材、擇調與定韻 --- p.96-105 / Chapter 壹 --- 選材 / Chapter 一 --- 紀人物 / Chapter 二 --- 載行藏 / Chapter 三 --- 記時事 / Chapter 1 --- 書瑣事 / Chapter 2 --- 誌國事 / Chapter 3 --- 錄異事 / Chapter 4 --- 釆風物 / Chapter 5 --- 敘心得 / Chapter 四 --- 識天候 / Chapter 五 --- 吟情志 / Chapter 貳 --- 擇調 / Chapter 參 --- 用韻 / Chapter 第二節 --- 雜紀詞内涵述析 --- p.106-126 / Chapter 壹 --- 追慕才逸刻劃時人 / Chapter 貳 --- 喜好山水記載行藏 / Chapter 參 --- 家事國事釆以紀誌 / Chapter 肆 --- 感時識節悲春憂秋 / Chapter 伍 --- 追逐事功企慕隱逸 / 小結 / Chapter 第五章 --- 元初離別詞 --- p.127-158 / Chapter 第一節 --- 離別詞的選材、擇調與定韻 --- p.127-137 / Chapter 壹 --- 選材 / Chapter 一 --- 寄示 / Chapter 二 --- 悼懷 / Chapter 三 --- 羈旅 / Chapter 四 --- 歸別 / Chapter 五 --- 送餞 / Chapter 貳 --- 擇調 / Chapter 參 --- 用韻 / Chapter 第二節 --- 離別詞内涵述析 --- p.138-158 / Chapter 壹 --- 書素往來 / Chapter 一 --- 寄思念 / Chapter 二 --- 表感激 / Chapter 三 --- 問求事 / Chapter 貳 --- 悼懷親友 / Chapter 一 --- 懷友人 / Chapter 二 --- 悼紅顏 / Chapter 三 --- 念親友 / Chapter 參 --- 羈旅鄉思 / Chapter 肆 --- 離別送餞 / Chapter 一 --- 離別親人 / Chapter 二 --- 離別朋友 / Chapter 三 --- 送親人 / Chapter 四 --- 送友人 / Chapter 五 --- 送幕職 / 小結 / Chapter 第六章 --- 元初贈酬詞 --- p.159-186 / Chapter 第一節 --- 贈酬詞的選材、擇調與定韻 --- p.159-172 / Chapter 壹 --- 選材 / Chapter 一 --- 題材 / Chapter 1 --- 「賡唱」作品 / Chapter 2 --- 「貺贈」作品 / Chapter 3 --- 「慶贊」作品 / Chapter 二 --- 贈酬對象 / Chapter 貳 --- 擇調 / Chapter 參 --- 用韻 / Chapter 第二節 --- 贈酬詞内涵述析 --- p.172-186 / Chapter 壹 --- 抒懷式贈酬 / Chapter 一 --- 身不由己的哀傷 / Chapter 二 --- 官事無窮的嘮叨 / Chapter 三 --- 羈旅客懷的無奈 / Chapter 四 --- 未許投閒的願望 / Chapter 五 --- 儒冠誤身的反省 / Chapter 貳 --- 慶賀式贈酬 / Chapter 一 --- 歌筵酒宴 / Chapter 二 --- 嫁娶添丁 / Chapter 三 --- 應制 / Chapter 四 --- 壽辰生朝 / Chapter 五 --- 會飲 / 小結 / Chapter 第七章 --- 結論 --- p.187-196 / Chapter 第一節 --- 元初詞特色 --- p.187-195 / Chapter 壹 --- 主題：與傳統閨閣之詞拉開距離 / Chapter 貳 --- 思想：以道家的隱逸引領潮流 / Chapter 參 --- 語言：雜夾在新舊文學之間 / Chapter 一 --- 新興的曲體語言 / Chapter 二 --- 傳統的詞體語言 / Chapter 肆 --- 風格：以蘇辛詞風為主導 / Chapter 第二節 --- 元初詞的評價與總結 --- p.195-196 / 參考書目 --- p.197-206 / 附錄： / Chapter 一 --- 元初詞人生平簡介 --- p.207-213 / Chapter 二 --- 《詞話叢編》輯錄之元詞話簡目索引 --- p.214-222 / Chapter 三 --- 近六十年元詞研究書目/論文篇目 --- p.223-226 / Chapter 四 --- 元初詞分類列目 --- p.227-260 / Chapter 1 --- 詠物詞 / Chapter 2 --- 雜紀詞 / Chapter 3 --- 離別詞 / Chapter 4 --- 贈酬詞