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Sound tape reel in pocket. / Digitized by Kansas Correctional Industries

Call number: LD2668 .T4 1933 D62

The aim of this research is to investigate the nature and development of the detective narrative in Northern Sotho from its beginnings in the 1960s up to its present level in the 1990s. . Due to the peculiarities of each text under study, different literary approaches, viz. Marxism, Feminism and lntertextuality have been utilized in an attempt at getting the best out of each text. The basic requirements of a detective narrative as legislated by the Detective Club in Britain and Ronald Knox have been used as a scale on which to weigh this product in Northern Sotho. The study investigates also how the detective narrative in Northern Sotho reflects the social history of the society out of which it originates. The differences in the texts of the 1970s with those of the 1990s is highlighted and the accurate way in which they are mirrors of the socio-political developments is revealed. The study finally reveals the achievements and failures of writers of this genre in Northern Sotho. Different areas which need research by future scholars are suggested. By way of conclusion the most important observation made is the need of being guided by a text under discussion whenever a literary approach is to be chosen. Also, more of vmodern literary approaches need to be experimented on in relation with African literature written in indigenous African languages so as to assist in finally deciding upon the need of a home-brewed approach. / African Languages / D.Litt. et Phil. (African Languages)

The main objective of this study is to explore the literariness in JRL Rafapa's novels published between 1979-1991. This study was prompted by views of literary scholars who claim that post-0.K. Matsepe writers such as Rafapa were all influenced by Matsepe's writings to such an extent that they actually emulate his themes, settings, characters, plots and so on. This kind of emulation is said to have put the Northern Sotho Novel in a cul-de-sac. The modus operandi in this study is as follows: Chapter one deals with the aim of study, critical comments on the post-Matsepe writers, biographical sketch on Rafapa, literary approaches and method as well as the scope. The second chapter concentrates on the relationship between the writer and characters as his creations. It also deals with conventional character stereotypes such as the hero, the opponent and the supporter. Narrative strategies such as self-display or exteriorization, the narrative voice and the creation of an autobiographical narrative are also looked into. Chapter three explores Rafapa's themes. The main themes discussed are: social decay, madness and vengeance, as well as protest and conflict. We conclude the chapter by examining Rafapa's titles. Chapter four focuses closely on "place" and "time" in Rafapa's novels. The two mentioned aspects of setting are discussed separately according to: place as a space of action and place as acting space. convoluted time and chronological time. The chapter ends with a brief discussion of the functions of setting. Rafapa's idiolect is dealt with in chapter five. Here, we consider the word as the writer's main tool of communication. The use of words in different types of sentences as well as in various types of paragraphs come into focus. Chapter six looks into Rafapa's use of non-prose forms such as the interior monologue, the dialogue and the praise poems as the writer's means of extending meaning. Chapter seven is the recapitulation of the main findings in the thesis. It also touches on aspects which may form bases for future research. It is followed by a bibliography and an Appendix. / African Languages / D.Litt. et Phil. (African Languages)

Thesis (D.Litt. et Phil.)--University of South Africa, 1999.

Thesis (D.Litt. et Phil.)--University of South Africa, 2002.