Submitted by Bruna Rodrigues (bruna92rodrigues@yahoo.com.br) on 2016-10-04T12:12:29Z No. of bitstreams: 1 DissJGOP.pdf: 2793515 bytes, checksum: df6d0f347964eb7ac9ac59179a2272bf (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-14T14:22:00Z (GMT) No. of bitstreams: 1 DissJGOP.pdf: 2793515 bytes, checksum: df6d0f347964eb7ac9ac59179a2272bf (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-14T14:22:10Z (GMT) No. of bitstreams: 1 DissJGOP.pdf: 2793515 bytes, checksum: df6d0f347964eb7ac9ac59179a2272bf (MD5) / Made available in DSpace on 2016-10-14T14:22:20Z (GMT). No. of bitstreams: 1 DissJGOP.pdf: 2793515 bytes, checksum: df6d0f347964eb7ac9ac59179a2272bf (MD5) Previous issue date: 2016-02-29 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Understanding that women's participation in the history of culture and in the history of education has been subject to a limited number of surveys, the present proposal aims to develop a study of the collection of documents belonging to Pia União das Filhas de Maria in São João da Boa Vista - SP present in the Sacred Art Museum of this city's Diocese in order to understand the role of women in that society and their educational and social function, as these women were catechists, music teachers and active in social-cultural projects related to catechesis and literacy . In this proposal we used, both record documents and minute and finance books, like women's choir sheet music and craft items produced by the association, as well as interviews granted by its former members. By the study of such documents on these women, it sought to unveil the possibility of their contribution to a characterization of a social and educational culture in the city of São João da Boa Vista in the first half of the twentieth century / Entendendo que a participação feminina na história da cultura e na história da educação tenha sido objeto de um número restrito de pesquisas, a presente proposta objetiva desenvolver um estudo do acervo de documentos da Pia União das Filhas de Maria de São João da Boa Vista - SP presentes no Museu de Arte Sacra da Diocese da cidade mencionada, a fim de compreender o papel da mulher naquela sociedade e a sua função socioeducacional, visto que essas mulheres eram catequistas, educadoras musicais e atuantes em projetos socioculturais relacionados com a catequese e a alfabetização. Utilizou-se, nesta proposta, tanto documentos de registros, tais como atas e cadernos de finanças, como partituras do coro de mulheres e artigos artesanais produzidos pela associação, bem como entrevistas concedidas por ex-integrantes. Por meio do estudo de tais documentos sobre essas mulheres, buscou-se investigar a possibilidade de uma contribuição para uma caracterização de uma cultura socioeducacional na cidade de São João da Boa Vista na primeira metade do século XX.

Né d’une réaction à la sécularisation apportée par la Révolution française, le « renouveau catholique » ou la « renaissance catholique » est un mouvement d’artistes et d’intellectuels catholiques particulièrement actif entre 1885 et 1935. Dans la droite ligne du catholicisme intransigeant dont il procède, il entend œuvrer à remplacer la société moderne par une société chrétienne, en rendant à Dieu sa place dans l’art et la pensée. De sa conversion en 1886 jusqu’à son abandon de la littérature pour l’exégèse au cours des années trente, Claudel, catholique intransigeant et écrivain, appartient à ce mouvement. Pourtant, il s’en tient à distance, ne collaborant que de façon irrégulière et précaire à ses différentes initiatives et ne nouant que d’incertaines ou de mauvaises relations avec la plupart des autres écrivains catholiques. Comment le comprendre ? Il faut voir que, loin de lui être particulière, la situation est emblématique de l’histoire du mouvement : la répression antimoderniste qui a provoqué la naissance de l’écrivain catholique et orienté l’action littéraire catholique vers la défense de l’Église, trace aussi les limites à ne pas dépasser. Or la tentative d’art chrétien, désireuse de montrer la présence du surnaturel dans le monde des hommes, apparaît bien souvent comme un naturalisme, c’est-à-dire une réduction du surnaturel à l’humain. C’est ce naturalisme que Claudel reproche à la plupart des membres du renouveau, pourtant engagés comme lui dans le même projet de réconcilier le monde moderne avec le catholicisme. / Appeared in reaction to post-revolutionary secularization, the Catholic Revival is a French movement uniting catholic artists and intellectuals, particularly active between 1885 and 1935. Rooted in intransigent Catholicism, it aims at replacing modern society with a Christian one, in which God would be given back his place in art and mind. From his conversion in 1886, until he abandoned literature for biblical exegesis during the thirties, Claudel, as a writer and intransigent Catholic, belongs to that movement. He nevertheless remains on the fringe of it, participating only occasionally for limited works to its several initiatives. He builds only uncertain or bad relations with most of the other Catholic writers. How can we understand this? Far from being Claudel’s particularity, this situation symbolizes the history of the Catholic Revival, which was simultaneously guided and controlled by anti-modernism repression. Yet the attempt of a Christian art, eager to show the presence of the supernatural in men’s world, often appears as a form of naturalism, in others words as a reduction of supernatural to human stage. Claudel reproaches the most part of the Revival members for this naturalism, even if they are involved, just as he is, in the common project of reconciliation between Catholicism and modern world.

What did it mean to be a Catholic elite in Protestant England? The relationship between the Protestant crown and its Catholic subjects may be examined fruitfully through a study of an individual and his world. This thesis examines this relationship through the example of Sir Thomas Tresham, who has often been seen as the archetypal Catholic loyalist. It is argued that the notion of Catholic loyalism must be reconfigured to account for the complexities inherent in the relationship between Catholics and the government. The duty to honour the monarch's authority was bound up with social and national sentiment, but it often accompanied criticisms of the practice of that authority, and the ways in which it encroached on personal experience. Intractable tensions lay behind expressions of loyalty, and this thesis travels in these undercurrents of cultural, social, religious, and political conflict to investigate the nuanced relationship between English Catholics and English society. Political resistance as classically understood - actions which directly opposed and undermined government policy - risks the exclusion of culture and identity, through which resistance was redefined. It is argued that Tresham's participation in elite activities became vehicles for resistance in the Catholic context. Book-collecting, reading, and the donation of books to an institutional library are framed as forms of resistance which countered the spirit of government legislation, and provided for the continuation of a robust tradition of Catholic scholarship on English soil. Through artistic and architectural projects, Tresham found ways to participate in elite culture which were not closed off to him, and in which Catholicism and gentility could sit side by side. These activities were also avenues for resistance, whereby the erection of stone testaments to Tresham's faith defied the government's attempts to redefine Englishness and gentility in Protestant terms, to the devastation of Catholicism. These artistic works combined piety, gentility, and resistance, and, together with Tresham's two Catholic libraries, they were to be his legacy.

Ce travail cherche à interroger les évolutions portées par les jeunes (14-25 ans) de deux mouvements de jeunesse d'Action catholique spécialisée en parallèle durant les années 1968 et au-delà. Si l'historiographie associe classiquement le changement social des enjeux du genre et de l'intime de cette période aux acteurs sociaux que furent les étudiants ainsi qu'au phénomène de la sécularisation, cette étude veut renouveler le champ en se penchant sur les jeunes de mouvements confessionnels, qui se pense de surcroît à destination des milieux populaires. Nées dans l'entre-deux-guerres sur une ligne intransigeante de reconquête morale et chrétienne des ouvriers, JOCF et JOC deviennent des acteurs paradoxaux mais réels des évolutions de genre dans la société française des Trente Glorieuses. Ils représentent une voie moyenne du changement social en cherchant un positionnement ecclésial et social original en accord à la double injonction chrétienne et militante de l'identité de leur mouvement. La mise en mixité en mouvement, les débats sur l'égalité entre les sexes à l'école, dans le travail ou dans la société de même que les questions d'émancipation sexuelle constituent un bon observatoire historique de l'évolution d'un genre militant ouvrier chrétien. Alors que le catholicisme abandonne progressivement comme forme prioritaire d'insertion dans la société un laïcat d'Action catholique spécialisée à partir des années 1970, cette histoire est aussi celle des conséquences de la sécularisation sur un mouvement confessionnel. L'éclatement du sens, l'aménagement d'un pluralisme pratique, la recherche d'une autonomie témoignent des tensions qui traversent le catholicisme français contemporain depuis les années 1980 sur les questions du genre et de l'intime dans le très contemporain. / This works aims to question the evolutions brought by young people aged 14 to 25 in two mouvements of Specialized Catholic Action in 1960s France. Historiography makes a link between social changements in gender or intimacy issues during this time and students as social actors and the phenomenon of secularization, however, this study would like to renew the field by focusing on the young people in a religious mouvements aimed at the working class. Born in the interwar period on a line of uncompromising moral and Christian reconquest of the workers, YWCs became unexpected but real actors of gender evolutions in French society of the postwar boom. The mouvements represent a middle way of social change by seeking an original ecclesial and social position in accordance with the double injunction of a Christian and social activist movement. The beginning of the coeducation, debates on gender equality in schools, at work or in society, as well as matters of sexual emancipation are a good historic observatory of the evolution on gender. While Catholicism gradually abandoned as a primary form insertion into society as a lay specialized Catholic Action from the 1970s, this history is also that of the consequences of secularization on a denominational movement. The bursting of meaning, the development of a practical pluralism, the search for autonomy reflect the tensions in contemporary French Catholicism since the 1980s on issues of gender and intimacy in the very contemporary.