Thesis (Th. M.)--Regent College, Vancouver, BC, 1999. / Abstract and vita. Includes bibliographical references (leaves 369-382).

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 1963. / Includes bibliographical references (leaves [42-43]).

Thesis (Ph. D.)--University of Chicago, 1900.

Abhandlung--Zürich. / Lebenslauf. "Notenbeispiele": 32 p. at end. "Verzeichnis der im 17. Jahrhundert in der deutschen Schweiz und in Graubünden gedruckten vierstimmigen reformierten Kirchengesangbücher": p. 90-92. "Verzeichnis der Weiteren zur Abfassung dieser Schrift benutzten Gesangbücher und musiktheoretischen Werke": p. 92-94.

Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, Crestwood, NY, 2001. / Abstract. Includes bibliographical references (leaves 100-104).

The development and singability of the new hymn in Britain is dependent on the interaction between the hymnologist, organist (cum music director), minister and members of the congregation. The discussion of the hymn text points out that it acts as a form of communication between God and man and as a link between present and future demonstrations of faith. Then the tonality, tempo, metre, rhythm and structure of the new hymn in Britain are discussed. The structure of the hymn is studied in more detail, using eight case studies to elucidate the interval structure of the melody, harmony and structure scheme of the* hymn. Some of the the most significant deductions are that the patternisation of intervals enhances the singability of the melody and that a variety of smaller, and even more so, bigger disjunct intervals lead to greater variation of the linear and vertical harmonic implications. / Die nuwc kerklied in Brittanje is vir sy ontwikkeling afhanklik van 'n interaksie tussen die himnoloog, orrelis (cum musiekdirekteur), predikaint en gemeentelid. Die mate waarin hierdie wisselwerking tussen die partye suksesvol is, bepaal grotendeels die singbaarheid van die kerklied. Die bespreking van die kerkliedteks behels onder meer dat die teks as konimunikasiemiddel tussen God en die mens dien. en dat dit as mededeler van bestaande en nuwe geloofshandelinge dien. Die studie behandel verder tonaliteit, tempo, metrum en ritme en die vorm van die nuwe kerklied in Brittanje. Die vorm van die kerklied, in agt gevalstudies belig, behels die intervalsamestelling van die melodie, die harmonie en struktuurskema van die kerklied. Van die belangrikste afleidings is dat die patroonmatige hantering van 'n interval die singbaarheid van 'n melodie verhoog en dat 'n verskeidenheid van kleiner en veral groter disjunkte intervalle groter variasie van sowel liniere as vertikale harmoniese implikasies tot gevolg het. / Music / M. Mus.

No description available.

Pretendo elaborar uma edição comentada dos Hinos órficos (HO), um compêndio de 88 hinos cléticos, compostos entre os sécs. 2-4 d.C., partindo do texto estabelecido por Quandt (1955) e confrontando-o com as propostas de Ricciardelli (2000), Morand (2001) e Fayant (2014). Este projeto é uma tentativa de instigar a formação de tradição filológica de estabelecimento de texto, aparato crítico e comentários pormenorizados nos estudos clássicos no Brasil. Planejo realizar críticas pontuais do texto grego e apresentar algumas soluções válidas, mas tendo sempre como apoio o texto já consolidado de Quandt. Proponho também um estudo aprofundado, no qual debato: i) a autoria e datação desses poemas; ii) a sua provável ocasião de performance, com base em uma abordagem empírica do texto e uma apreciação do status quaestionis sobre o tema; iii) os elementos órficos e sincréticos dos HO; iv) a estrutura e disposição dos hinos dentro da coletânea; v) tipologia hínica e eficácia epiclética; vi) a linguagem e estilo, assim como a prosódia e métrica dos HO (fraseologia, epítetos, figuras empregadas). Como de praxe nesse tipo de estudo, os comentários serão feitos após o texto original, verso a verso. / I intend to elaborate an annotated edition of the Orphic Hymns, a compendium of 88 cletic hymns composed between the second and fourth centuries AD, based on the text established by Quandt (1955) and comparing it with Ricciardelli\'s (2000), Morand\'s (2001) and Fayant\'s (2014) texts. This is an attempt to instigate a philological tradition of text establishment, critical apparatus and detailed comments in classical studies in Brazil. My intent is to present some valid solutions to a number of passages, but always based on Quandt\'s already consolidated text. I also propose an in-depth study, in which I debate: i) the authorship and dating of these poems; ii) the probable time of performance, based on an empirical approach of the text and an appreciation of its status quaestionis; iii) the Orphic and syncretic elements in these compositions; iv) the structure and arrangement of the hymns in the collection; v) hymnic tipology and epicletic effectiveness; vi) the language and style, as well as the prosody and metric of Hymns (phraseology, epithets, used figures). As usual in this type of study, comments will be made after the original text, verse by verse.

No description available.

高國雄. / "2008年5月". / "2008 nian 5 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 49-50). / Abstracts in Chinese and English. / Gao Guoxiong. / Chapter 【第一章】 --- 引言 --- p.1 / 本文所硏究的範圍及其進路 --- p.1 / 粤語的特色，粤語歌曲的限制 --- p.3 / 本文的硏究進路、方法 --- p.5 / 本文的限制 --- p.6 / Chapter 【第二章】 --- 本地基督新教現代粤語詩歌的發展槪況 --- p.7 / Chapter 【第三章】 --- 一個新的開始 --- p.9 / 本地基督新教現代粤語詩歌的起源 --- p.9 / 陳以誠與《怎能忘記》 --- p.9 / 現代粤語詩歌運動的萌芽一由《齊唱新歌》開始 --- p.11 / 《城市之歌》的特色 --- p.12 / 《齊唱新歌》第一、二集的特色及ACM的誕生 --- p.14 / 《齊唱新歌》的成長期（第一集到第六集） --- p.16 / 教會界不同的反應 --- p.17 / 新的取向（《齊唱新歌》第七、八集) --- p.20 / 《齊唱新歌》的高峰與沒落（第九集） --- p.22 / 《齊唱新歌》成功的因素 --- p.23 / Chapter 【第四章】 --- 「『外展唱片』一要進入世界」 --- p.26 / 「赤道」的誕生 --- p.26 / 「赤道」的成長 --- p.28 / 「赤道」的沒落 --- p.34 / Chapter 【第五章】 --- 一次破天荒的合倂 --- p.39 / 合倂白勺背景 --- p.39 / 合倂的對象:「城市旋律協會」 --- p.41 / 合倂的原因、過程 --- p.42 / 合倂還是吞倂？ --- p.43 / 合倂的影響 --- p.44 / Chapter 【第六章】 --- 綜合與總結 --- p.45 / 經濟的影響 --- p.45 / 教會的支持 --- p.46 / 個別人才的問題 --- p.47 / 永恆的張力 --- p.47 / 現代粤語詩歌的貢獻 --- p.48 / 參考資料 --- p.49 / 附件一 〈本地基督新教現代粤語詩歌(1980-1998)´ؤ覽表〉Error! Bookmark not defi / 附件二 產品圖片 --- p.93