Thesis (doctoral)--Faculté des lettres de Stockholm, 1962. / Thesis t.p. inserted. Includes bibliographical references (p. [260]-267) and index.

During the Protestant evangelical awakenings of the eighteenth and nineteenth centuries, widely-circulated hymnals carried the message of evangelicals by way of mouth across great periods of time and vast geographic expanses. This study traces the cultural route of specific religious expressions in these hymns as they crossed national, linguistic, ecclesiastic, social, and other cultural barriers to become ubiquitous expressions found in religious, social, and political discourses. More specifically, this dissertation traces the route of fleshly-spiritual imagery in Baroque Lutheran and German Pietist hymns as they traveled to England by way of the Wesleys during the eighteenth-century evangelical revival and eventually surfaced during the Methodist revivals of the Second Great Awakening in nineteenth-century America. Fleshly-spiritual imagery, that concretizes spiritual experience in the human body, expressed a change in religious subjectivity experienced by Protestant revivalists in the period. This imagery captures an epistemological change in progress as individuals took authority from the clergy to commune directly with the Divine and judge the validity of that experience for themselves. Rather than framing this work as a study of specific authors or literary movements, I have traced the historical trajectory of a set of discursive practices as they were used by hymn authors, re-written by hymn editors, and often spontaneously reedited by participants. This discursive approach without regard to authorship and often in absence of standard texts more clearly illuminates the convergence of religious and public rhetoric, an intersection that remains occluded by traditional studies of a single author, genre, literary period, or national literature. / text

Thesis (doctoral)--Faculté des lettres de Stockholm, 1962. / Thesis t.p. inserted. Includes bibliographical references (p. [260]-267) and index.

"Vorliegende Arbeit wurde im Juli 1932 von der Philosophischen Fakultät der Universität Leipzig als Dissertation angenommen." / "Katalog": p. 83-118. "Literatur": p. vii-viii.

Pretendo elaborar uma edição comentada dos Hinos órficos (HO), um compêndio de 88 hinos cléticos, compostos entre os sécs. 2-4 d.C., partindo do texto estabelecido por Quandt (1955) e confrontando-o com as propostas de Ricciardelli (2000), Morand (2001) e Fayant (2014). Este projeto é uma tentativa de instigar a formação de tradição filológica de estabelecimento de texto, aparato crítico e comentários pormenorizados nos estudos clássicos no Brasil. Planejo realizar críticas pontuais do texto grego e apresentar algumas soluções válidas, mas tendo sempre como apoio o texto já consolidado de Quandt. Proponho também um estudo aprofundado, no qual debato: i) a autoria e datação desses poemas; ii) a sua provável ocasião de performance, com base em uma abordagem empírica do texto e uma apreciação do status quaestionis sobre o tema; iii) os elementos órficos e sincréticos dos HO; iv) a estrutura e disposição dos hinos dentro da coletânea; v) tipologia hínica e eficácia epiclética; vi) a linguagem e estilo, assim como a prosódia e métrica dos HO (fraseologia, epítetos, figuras empregadas). Como de praxe nesse tipo de estudo, os comentários serão feitos após o texto original, verso a verso. / I intend to elaborate an annotated edition of the Orphic Hymns, a compendium of 88 cletic hymns composed between the second and fourth centuries AD, based on the text established by Quandt (1955) and comparing it with Ricciardelli\'s (2000), Morand\'s (2001) and Fayant\'s (2014) texts. This is an attempt to instigate a philological tradition of text establishment, critical apparatus and detailed comments in classical studies in Brazil. My intent is to present some valid solutions to a number of passages, but always based on Quandt\'s already consolidated text. I also propose an in-depth study, in which I debate: i) the authorship and dating of these poems; ii) the probable time of performance, based on an empirical approach of the text and an appreciation of its status quaestionis; iii) the Orphic and syncretic elements in these compositions; iv) the structure and arrangement of the hymns in the collection; v) hymnic tipology and epicletic effectiveness; vi) the language and style, as well as the prosody and metric of Hymns (phraseology, epithets, used figures). As usual in this type of study, comments will be made after the original text, verse by verse.

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Typescript (photocopy). / Digitized by Kansas Correctional Industries

Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 475-486).

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Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität, Bonn. / Includes Greek and Latin texts with English translations. Includes indexes. Includes bibliographical references (p. 11-15).