Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2018-08-16T13:11:47Z No. of bitstreams: 2 Henrique_Leroy2018.pdf: 2022621 bytes, checksum: 3ad8717b5b9e1edb2bb70b4bd51c698f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-08-16T13:11:47Z (GMT). No. of bitstreams: 2 Henrique_Leroy2018.pdf: 2022621 bytes, checksum: 3ad8717b5b9e1edb2bb70b4bd51c698f (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-14 / Hearing the voices of the South in order to socially include the subjects that perform them and also making these subjects aware of the oppressive world where they live in are both ways to free and transform them as human beings, making their identities visible. This Doctoral Dissertation developed its theme from the idea that has just been exposed, seeking for analysis and reflections about how to empower the considered marginalized subjects in a fluid, fragmented and deterritorialized world. The Portuguese as an Additional Language classroom at the Federal University of Latin-American Integration (UNILA), located in the city of Foz do Iguaçu, Paraná, Brazil, in the Triple Border with Paraguay and Argentina, was the chosen scenario to put into practice the liberating and transforming praxis which make us hear those unheard voices. Taking into account the language policies in Brazil as well as those implemented and practiced at UNILA, this research aims at verifying, through translingual (CANAGARAJAH, 2013; GARCÍA & WEI, 2014), transcultural (SANTIAGO, AKKARI & MARQUES, 2013; GUILHERME & DIETZ, 2014; SOUZA, 2017) and decolonial (MIGNOLO, 2013) practices, how the subjects´ performative identities (BUTLER, 1990, 1997; PINTO, 2007, 2013) can be (in)visible. These subjects are the Portuguese as an Additional Language foreign students from different levels, such as, Basic, Intermediate I and Intermediate II and me, the Brazilian professor-educator-researcher, who are embedded in the transborder context at UNILA. Considering this research as a Research-Action-Participant with an interpretative basis, and also, the epistemological deconstruction, decolonization and disobedience proposed by Transgressive Applied Linguistics (PENNYCOOK, 2006), these local language practices (PENNYCOOK, 2010) were enacted through oral presentations about the declared War to Paraguay and the declared war to Guarani people, and also through learning-reflexive portfolios produced by the students as final papers for the Portuguese as an Additional Language class at UNILA. Through these oral and written texts produced by the students and also by me, as the Brazilian professoreducator, this research brings forth the urgent need to reflect upon the roles of the Additional Languages and the Common Cycle of Studies at UNILA. This academic work also aims at reflecting about the concepts of bilingualism and interculturality which are intertwined at the daily routine and in the activities developed at the university, but are not well comprehended yet. This research concluded that the tasks applied in the context of the Portuguese as an Additional Language classroom, through translingual, transcultural and decolonial practices, could rearrange, ressignify, and make the subjects´ performative identities visible. This could open possibilities for them to move through a multiplicity of third spaces and third shores, collaborating actively in different nets which are built by transnational territories. These subjects expressed themselves by releasing their buried voices through performances that could make their identities visible, in the search of the “solidarity of the existences” (FREIRE, 2013). / Ouvir as vozes do Sul para incluir os sujeitos que as performam, conscientizando-os do mundo opressor onde vivem para libertá-los e transformá-los com o objetivo de visibilizar as suas identidades. Foi a partir desse pensamento decolonial que o tema desta Tese se desenvolveu, buscando análises e reflexões sobre como empoderar os sujeitos considerados marginalizados, em um mundo cada vez mais fluido, fragmentado e desterritorializado. O cenário escolhido para essas práxis libertadoras e transformadoras (FREIRE, 2013) foi a sala de aula de Língua Portuguesa Adicional (PLA) da Universidade Federal da Integração Latino-Americana (UNILA), localizada na cidade de Foz do Iguaçu, no Paraná, na maior Tríplice Fronteira do país, entre o Paraguai e a Argentina. Considerando como ponto de referência as políticas linguísticas do Brasil, e mais pontualmente as da UNILA, esta Tese tem o objetivo de verificar, nas práticas discursivas translíngues (CANAGARAJAH, 2013; GARCÍA & WEI, 2014), transculturais (SANTIAGO, AKKARI & MARQUES, 2013; GUILHERME & DIETZ, 2014; SOUZA, 2017) e decoloniais (MIGNOLO, 2013), como são (in)visibilizadas as identidades performativas (BUTLER, 1990, 1997; PINTO, 2007, 2013) minhas, como educador-professor-pesquisador e dos educandos não brasileiros em interações na sala de aula de Língua Portuguesa Adicional (PLA) em contexto transfronteiriço. Considerando esta pesquisa como uma Pesquisa-Ação de base interpretativista e partindo dos pressupostos de desconstrução, descolonização e desobediência epistemológicas preconizadas pela Linguística Aplicada Transgressiva (PENNYCOOK, 2006), tais práticas locais de linguagens (PENNYCOOK, 2010) foram concretizadas por meio de apresentações orais produzidas para um trabalho final nas disciplinas de PLA que versaram sobre a Guerra declarada ao Paraguai e sobre as Guerras declaradas aos Guarani. Além das apresentações orais, textos escritos também foram produzidos pelos educandos, compondo Portfólios reflexivos sobre suas aprendizagens, que também faziam parte dos trabalhos finais dessas disciplinas. Por meio dos textos orais e escritos produzidos pelos educandos não brasileiros e por mim, como educador brasileiro, tornou-se evidente a necessidade de rediscutir e refletir sobre os papéis das aulas de Línguas Adicionais e do Ciclo Comum de Estudos na UNILA, bem como refletir sobre o que se entende por bilinguismo e por interculturalidade, conceitos tão intrínsecos e imbricados à universidade. Conclui-se também que as atividades aplicadas no contexto de sala de aula de PLA na UNILA puderam, por meio das práticas translinguajeiras, transculturais e decoloniais, recombinar, ressignificar e visibilizar as identidades performadas dos sujeitos aprendizes e do professor, abrindo possibilidades para que transitem por uma multiplicidade de terceiros lugares e terceiras margens, colaborando ativamente nas diversas redes configuradas pelos territórios transnacionais. Sujeitos que fizeram que suas vozes fossem ouvidas e que puderam visibilizar e performar suas identidades em busca da “solidariedade dos existires” (FREIRE, 2013).

This article put the focus in a very new field of research, that of the Hispanic-Moroccan Literature and Culture, which is interpreted as a special, complex and highly interesting case for Nomadic Places of Cultures and Literatures in the frame of ‘Performative-Hybrid Diaspora’. In the first part offers the article an extensive bibliography of novels, essay and literary and cultural criticism; the second part is exposing the theory of ‘performative-hybrid Diaspora’; and in the last part focuses on some the works of El Hachmi. The article provides “foundational concepts” and introduces new concept of integration, identity and co-habitation, understood as new, ‘performative-hybrid diaspora’ and ‘performative-hybrid identities,’ based on ‘situational disposi-tive’ such as ‘situational imperatives.’ It describes and explains a practice of hospitality and belonging in which the concept ‘emotion’ is at the center of his socio-political endeavors, exemplified by a novel and an essay by the Catalan author, El Hachmi, who originates from Morocco. The analysis leads to the concept of ‘Hispano-Maghreb/Moroccan’ literature and culture, and following an introduction to the current primary research body and studies in this area, he introduces a set of criteria for the scholarly treatment of this new field of research. / Dieser Artikel legt den Fokus auf ein sehr neues Forschungsgebiet, nämlich auf die der spanisch-marokkanischen-Literatur und Kultur, die als einen speziellen, komplexen und hochinteressanten Fall für nomadische Orte von Kulturen und Literaturen im Rahmen der ‚performativ-hybriden Diaspora‘ interpretiert wird. Im ersten Teil bietet der Artikel eine umfangreiche Bibliographie von Romanen, Essays und Literatur- und Kulturkritiken; im zweiten Teil wird die Theorie der ‚performativ-hybriden Diaspora‘ dargelegt; und im letzten Teil konzentriert sich der Artikel auf einige Werke von El Hachmi. Der Beitrag liefert ‚prinzipielle Konzepte‘ und führt ein neues Konzept von Integration, Identität und Zusammenleben ein, das als neue ‚performativ-hybride Diaspora‘ und ‚performativ-hybride Identitäten‘ verstanden wird und auf ‚situativen Dispositiven‘ wie ‚situativen Imperativen‘ basiert. Es wird eine Praxis der Gastfreundschaft und Zugehörigkeit beschrieben und erläutert, in denen das Konzept ‚Emotion‘ im Mittelpunkt soziopolitischer Bemühungen steht, exemplifiziert durch einen Roman und ein Essay der aus Marokko stammenden katalanischen Autorin, El Hachmi. Die Analyse führt zum Begriff der ‚hispano-maghrebinischen/marokkanischen‘ Literatur und Kultur, und nach einer Einführung in die aktuelle Primärforschung und die Studien in diesem Bereich wird eine Reihe von Kriterien für die wissenschaftliche Behandlung dieses neuen Forschungsgebiets vorgestellt. / Este artículo pone el foco en un campo de investigación muy nuevo, aquél de la literatura y la cultura hispano-marroquí, que se interpreta como un caso especial, complejo y de gran interés para los lugares nómadas de las culturas y las literaturas en el marco de las ‘diásporas-performativas-híbridas’. En la primera parte, el artículo ofrece una amplia bibliografía de novelas, ensayos y crítica literaria y cultural; en la segunda parte se expone la teoría de las ‘diásporas-performativas-híbridas’; y en la última parte se centra en algunas de las obras de El Hachmi. El artículo proporciona ‘conceptos fundacionales’ e introduce un nuevo concepto de integración, identidad y convivencia, entendidos como una nueva ‘diáspora performativa-híbrida’ e ‘identidades performativas-híbridas’, basadas en ‘dispositivos situacionales’ como ‘imperativos situacionales’. Describe y explica una práctica de hospitalidad y pertenencia en la que el concepto ‘emoción’ está en el centro de sus esfuerzos socio-políticos, exemplificados por una novela y un ensayo de la autora catalana, El Hachmi, originaria de Marruecos. El análisis desemboca en el concepto de literatura y cultura ‘hispano-magrebí/marroquí’ y, tras una introducción al conjunto de investi-gaciones y estudios primarios actuales en este ámbito, se introduce un conjunto de criterios para el tratamiento académico de este nuevo campo de investigación.