Thesis (M.A.)--University of Stellenbosch, 2006. / On t.p.: Master of Arts (International Studies). Includes bibliographical references. Also available via the Internet.

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Thesis (MA (Political Science. International Studies))--University of Stellenbosch, 2006. / The African Renaissance, which has its origins in the 1960s during the de-colonization period of Africa, is about transformation, an African continent reinvention that pleads for renewed autonomy and Africa’s own effort to take its intellectual destiny. Africa is beset with a massive amount of problems, and the African Renaissance in general is trying to address these issues and find a solution to all these problems. It has been seen as a call for the people of Africa to work towards the resurgence of Africa, economically, sociologically, politically and spiritually. President Mbeki of South Africa sets the tone for the African Renaissance project and its implementation, but the vision is for the rest of Africa that must equally own the concept and actively fuel its realization. The African Renaissance has limitations in that not all African countries have embraced it, or are passionate as other countries are. Still, most people in the continent do not understand the concept the African Renaissance as it has found them in conditions that are still disadvantageous to them and are grappling with other issues of life. Most importantly, it is not inclusive of women despite the fact that they constitute a clear numerical majority on the African continent. There is no significant cultural renaissance that can take place while sectors of the population under transformation are victims of silencing. Looking at the position of women in Africa and their development, it is important to understand what the implication of gender is in this discourse. Also, why has the African Renaissance not included women and lastly, that can it hold as a discourse of renewal without the voice of women? The African Renaissance has come to epitomize the democratization of the African continent, therefore, the voice of women and the role that gender must play, should be of great importance.

The title of this thesis is Christ in Tropical Africa - in the Tension Between Identity and Relevance. Within a few years Africa will be the greatest Christian continent, and African Christianity will then no longer see itself as a mere continuation of Western Christianity. On the threshold of the 21st Century, this insight challenges Christian theology and missiology which have for a long time answered the helm of the Western missionary movements. This contribution to the scholarly debate on cultural and religions identity issues deals with the question how the recent development ought to be integrated in a systematic reflection, and how Africans - especially African theologians - themselves attempt to highlight the necessity of a relevant and authentic African Christianity and theology. The post-colonial and partly post-missionary era has resulted in a sense of departure and transition which has created space for a renewed and adjusted conception of the question of identity. This dissertation present a critical discourse on African themes and questions concerning identity issues in the perspectives of studies in the areas of theology, anthropology, philosophy, and religion. The discourse shows the complexity of what is called identity, africanity etc. and threw critical light on a tendency of making generalizations and constructions. Dangers of constructions of which Christian African theologians have not always been sufficiently conscious. The interdisciplinary perspective of this study is widening the question of identity while it still constitutes a hermeneutical key to understand the concerns of Christian theology in the tropical part of Africa. African theology is situated in the tension between identity and relevance. This become obvious in African christological proposals. The thesis put a critical test question to the theologians who have contributed with new Christ-titles and -models: Have they both managed to give grounds for the significance of christology for human freedom and identity (the relevance of christology), and at the same time secured the continuity and agreement with the original theological content of christology (the identity of christology in the New Testament)? The question can only partly be answered affirmatively. In some cases the actual understanding of life and conception of reality in a certain context provides the decisive criterion in the interpretation of Biblical concepts and christological titles. This creates hermeneutic problems which are dealt with in the close of the thesis. / <p>Contains an English summary</p>

In the wake of HIV and AIDS in Africa, culture has been identified as central to HIV prevention, care, and support. Therefore, scholars have argued that HIV intervention in communities should focus on cultural practices rather than just individual behaviour. Researchers have also taken note of the interconnectedness between religion and culture in Africa. Therefore the African theologian, Mercy Oduyoye, proposed the term ‘religioculture.’ In the light of this connection, it has become crucial to examine not just cultural practices but the response of religion to cultural practices in the context of HIV. Given that Zambia is a Christian country, this qualitative empirical study sought to examine the response of a church, the United Church of Zambia (UCZ), to traditional marriage practices that I consider to be harmful in the context of HIV. Traditional marriage practices such as child marriage and widowhood inheritance were analysed through gendered theological perspectives. The study was located in the United Church of Zambia in the towns of Mufulira and Kitwe in the Copperbelt Province of Zambia. The reason for choosing the practices of widowhood inheritance and child marriage as the areas of focus was twofold: first, throughout history and in the current context, the church and society’s perception of these two practices has been ambiguous. Depending on the time and event in history, the practices were seen as either a norm or a problem. In this study, I have questioned the extent to which this historical ambiguity towards these traditional marriage practices has contributed to the way in which the church today is responding to these culture practices. The second reason for choosing these two marriage practices was to highlight how the institution of marriage has been challenged in the context of HIV and AIDS. When marriage ceases to be a safe practice for couples, how should the church respond to the harmful cultural practices associated with marriage, especially in the context of HIV and AIDS? The question that this study posed, therefore, was: What role has the United Church of Zambia played in either promoting or discouraging harmful marriage practices in the context of HIV and AIDS? The methodology used to answer this question included: semi- structured interviews, openended in-depth interviews, Contextual Bible Study, and focus group discussions as forms of data collection from: church leaders, lay people, widows, girls involved in child marriage, and members of the Marriage Guidance Committee. Thereafter, the data was thematically ii analysed using the theory of African feminist cultural hermeneutics. The study is divided into eight chapters, each chapter answers one of the objectives of the study. Through the use of the tools for data collection stated above, the study drew a number of conclusions. Firstly, it was established that indeed child marriage and widowhood inheritance are contributing factors to the spread of HIV. Secondly, the Marriage Guidance Programme of the United Church of Zambia was identified as a point of entry in re-examining the theology of marriage that is contextual and holistic in the United Church of Zambia. Thirdly, the church’s ambivalence with regard to harmful marriage practices in the context of HIV and AIDS was attributed to people’s belief systems about their cultures which are embedded in their worldviews. Overall, the study has shown that there is a need for an analysis of culture within the church which can enable it to respond to harmful cultural practices in the context of HIV. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2011.

This paper discusses the problems caused by the linguistic features used by speakers as the basis of determining their social identity. The concept of identity is broad and closely related with socio-cultural and eco-spheres environment of the speakers. The speaker’s identity is determined by employing both social and linguistic features in the overall analysis. The linguistic features include the whole range of language use, from phonetic features to lexical units, syntactic structures and family names. This paper therefore argues that the speaker’s linguistic features pose some problems in determining the speaker’s identity. The first problem concerns the concepts of language and dialect which are defined differently by different scholars. The second problem refers to multilingual speakers with diversified linguistic competence, and lastly, it has been noted with concern that some speakers use artificial family names which are not from their ethnic origin, hence complicating the process of determining the identity of the speakers.

This thesis examines the political thought of Achille Mbembe. It deploys decolonial critical analysis to unmask traces of coloniality with regard to the African existential conditions foregrounded in the conception of the African subject, its subjection, and subjectivity. The theoretical foundation of this thesis is decolonial epistemic perspective—the epistemic intervention that serves as a lens to understand Mbembe’s work and—that is the theoretical foundation outside the Euro-North American “mainstream” canon foregrounded in coloniality. Decolonial epistemic perspective in this thesis is deployed to expose three kinds of coloniality in Mbembe’s work, namely: coloniality of power, coloniality of knowledge and coloniality of being. The thrust of this thesis is that Mbembe’s political thought is inadequate for the understanding of the African existential condition in that it does not fully take coloniality into account. In order to acknowledge the existence of coloniality through decolonial critical analysis, the political thought of Mbembe is examined in relation to modes of self-writing, power in the postcolony, the politics of violence in Africa, Frantz Fanon’s political thought, and the idea of South Africa as major themes undertaken in this thesis. Decolonial critical analysis deals with foundational questions that have relevance to the existential condition of the African subject and the manner in which such an existential crisis can be brought to an end. These foundational questions confront issues like—who is speaking or writing, from where, for whom and why? This thesis reveals that Mbembe is writing and thinking Africa from outside the problematic ontology of the African subject and, as such, Mbembe precludes any form of African subjectivity that challenges the Euro-North American canon. This then reveals that Mbembe is not critical of coloniality and this has the implications in that subjection is left on the wayside and not accounted for. Having explored the genealogy, trajectory and horisons of decolonial critical analysis to understand the political thought of Mbembe, this thesis highlights that it is essential to take a detour through the shifting of the geography of reason. Herein lies the originality of this thesis, and it is here that Africa is thought from within a standpoint of decolonial critical analysis and not Africa that is thought from the Euro-North American canon. Therefore, the shifting of the geography of reason is necessary for the authorisation of the subjectivity of the African subject in order to combat subjection. / Political Sciences / D. Litt. et Phil. (African Politics)

Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2008. / This thesis consists of a study that identifies and analyses the origins, nature, and spectrum of different stereotypes of Africans in popular texts. The past can only be explored through texts, which are unavoidably mediated, re-interpreted, fictional and temporary. No text can be read in isolation – it is imperative to gain knowledge about the social and ideological context in the analysis of any historical text. History shows that racism is a constructed concept, and the roots of stereotypical perceptions of the ‘Other’ can be found in antiquity – in Ancient Egypt, Classical Greece and the Jewish Torah, as well as during the Middle Ages. A historical synopsis is given of the conception and development of racial stereotyping through the ages until the present. The study demonstrates how stereotypes gradually adapt with history, politics, and ideology. Stereotypes are in my opinion not necessarily constructed on purpose. Stereotypes are developed and based on historical events, but are transformed in time to fulfil new purposes. My conclusion is that racist stereotypes of Africans are created in the West, by the West, for the West. In many ways, the adaptation of the stereotypes of Africans act as a timeline for Western involvement on the continent. The stereotypical portrayal of Africa as the Dark Continent, “White Man’s Burden” and Godforsaken Continent will firstly be studied. Secondly, the depiction of African-Americans, especially in American popular culture, is discussed through stereotypes like Mammy, Uncle Tom, Jezebel, and Buck. The theme of my practical component, a two part series about the Cape Carnival, discusses the stereotype of the “Jolly Hotnot” or “Coon” and examines the portrayal of Africans as comical. The study shows the important role popular media plays in spreading and reaffirming stereotypes. Stereotypes are often used as a survival method to make the multiplicity of reality manageable, recognisable, and understandable. Stereotyping becomes problematic if the stereotypes are used as generalisations to marginalise a group in terms of features such as skin colour. A type of “cultural decolonisation” would be necessary to counteract this marginalisation, through popular culture created by in Africa, by Africans, for Africans and international popular culture.

This thesis examines the political thought of Achille Mbembe. It deploys decolonial critical analysis to unmask traces of coloniality with regard to the African existential conditions foregrounded in the conception of the African subject, its subjection, and subjectivity. The theoretical foundation of this thesis is decolonial epistemic perspective—the epistemic intervention that serves as a lens to understand Mbembe’s work and—that is the theoretical foundation outside the Euro-North American “mainstream” canon foregrounded in coloniality. Decolonial epistemic perspective in this thesis is deployed to expose three kinds of coloniality in Mbembe’s work, namely: coloniality of power, coloniality of knowledge and coloniality of being. The thrust of this thesis is that Mbembe’s political thought is inadequate for the understanding of the African existential condition in that it does not fully take coloniality into account. In order to acknowledge the existence of coloniality through decolonial critical analysis, the political thought of Mbembe is examined in relation to modes of self-writing, power in the postcolony, the politics of violence in Africa, Frantz Fanon’s political thought, and the idea of South Africa as major themes undertaken in this thesis. Decolonial critical analysis deals with foundational questions that have relevance to the existential condition of the African subject and the manner in which such an existential crisis can be brought to an end. These foundational questions confront issues like—who is speaking or writing, from where, for whom and why? This thesis reveals that Mbembe is writing and thinking Africa from outside the problematic ontology of the African subject and, as such, Mbembe precludes any form of African subjectivity that challenges the Euro-North American canon. This then reveals that Mbembe is not critical of coloniality and this has the implications in that subjection is left on the wayside and not accounted for. Having explored the genealogy, trajectory and horisons of decolonial critical analysis to understand the political thought of Mbembe, this thesis highlights that it is essential to take a detour through the shifting of the geography of reason. Herein lies the originality of this thesis, and it is here that Africa is thought from within a standpoint of decolonial critical analysis and not Africa that is thought from the Euro-North American canon. Therefore, the shifting of the geography of reason is necessary for the authorisation of the subjectivity of the African subject in order to combat subjection. / Political Sciences / D. Litt. et Phil. (African Politics)