This study approaches myths as patriarchal narratives and ideological tools and it argues that representations of women from an androcentric perspective in Greek mythology are also observed in the Bible. This study argues that patriarchy as a universal ideology has produced the same gender stereotypes beginning from Ancient Greece. Consequently, Western literature, which has the Classical and Biblical tradition as its main source, has reinforced the same female images throughout its history. Besides, it is suggested that, the Western canon failed to create alternative female models for the binary opposition of submissive wives versus the female evil figure and the main stereotypical characteristics had not been challenged until the emergence of feminist criticism. This study thus aims to discuss myths as one of the foremost sites of the construction of ideological subjects and it analyses the rewritings of Greek, Old Testament and New Testament myths by contemporary women writers in fiction / namely Margaret Atwood&rsquo / s The Penelopiad, Marion Zimmer Bradley&rsquo / s The Firebrand, Anita Diamant&rsquo / s The Red Tent, India Edghill&rsquo / s Queenmaker, Gail Sidonie Sobat&rsquo / s The Book of Mary and Mich&eacute / le Roberts&rsquo / The Wild Girl and it explores the textual strategies that are employed by women writers in order to subvert and revise the patriarchal ideology in myths, to come up with alternative definitions of female identity and to weave gynocentric myths.

This thesis is an attempt to understand the relations between architecture and ideology in literary spaces in the context of Dystopias. It will pursue a definition of the relation between architecture and ideology to understand how the paradigmatic changes affect literary form of architecture to pose revolutionary thought(s). Literature often presents a dystopia or utopia to criticise its own written time, and literary text itself, is both a collection and a pressed version of that time. That is why to examine the ideologies and ideological changes in the period from 1920 to 1950, literary text and constructed spaces in dystopias are used as apparatus to form both the dominant ideology with its negative points and the revolutionary one as a space of resistance. Main discussion will be based on literary spaces in three dystopias / We written by Russian novelist Yevgeny Zamyatin, Brave New World written by Aldous Huxley and Nineteen Eighty Four written by George Orwell. These cases will be used to open the claim that dominant ideology determines the spatial distances of revolutionary thoughts and architecture, and appear as both cause and result of a materialisation of thoughts, thereby forming a dialectic representation of that ideology. Four main items will form the thesis / architecture, ideology, literary spaces (textual spaces) and trilogy of utopia/dystopia/heterotopias.

This thesis investigates the relationship between the social movement and theatre art in Turkey between 1960 and 1971 and investigates how the development of a dependent capitalism influenced the development of the classes and the political theatre. It tries to reveal the convergences between the political ideology of the classes, their organizations and the aesthetic ideology of the field of cultural production. While doing so it investigates the ties between the ideological and practical aspects of the class struggle, the artists&rsquo / aesthetic views and their relations of production.

The Democratic Party which was established in 1970, splitting from the Justice Party will be analyzed within this thesis in terms of its ideological components. In this sense, centre right wing and conservative political parties are taken into account to understand the ideology of the party. The period of the Democratic Party is so sufficient to compare and contrast the ideologies of different parties. The Democratic Party is also critical as the party did not participate into any governments, different from the all parties at that period. So, it will show a centre right wing party&rsquo / s reactions in the absence of patronage routes which is a difference from other members of the centre right wing tradition of the DP and the JP. The absence of the concrete ideological explanations, doctrines which can be observed as an handicap of the centre right wing will be analyzed whether the Democratic Party can overcome or not.

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<p>Departing from the statement of the Swedish member of the European Parliament Eva-Britt Svensson that the EU could threat the Swedish development in gender politics this essay aims to investigate if this is possible and probable. In order to acquire a view of the actual differences between European and Swedish gender politics in the domain of family- and employment policies and how they affect one another I have conducted interviews with Swedish members of the European Parliament, civil servants and a lobbyist. By subjecting the answers to critical feminist theory the essay tries to explain the difference in the view of women and gender between the EU and Sweden and what it implicates.</p><p>It seems that the basic ambition of equality between women and men is to be found at both the European level and at Swedish level. But the view of the family and the role of the women as responsible for care work differ. Swedish gender politics don’t seem to have been affected in any negative way by EU rulings so far. The risk of Sweden to compare itself with other European countries could, however, lead to stagnation in the struggle for equality between women and men as an effect of Sweden considering itself to be far ahead.</p>

Univ., Diss. u.d.T.: Reuleaux, Nele: Das Problem der Entdifferenzierung zwischen Tätern und Opfern des Nationalsozialismus im Konzept der intergenerativen Traumatransmission--Hannover, 2005.

Thesis--Paris VIII. / Includes bibliographical references (p. 801-825).

Thesis (LL. M)--York University, 2002. / "Graduate Programme in Law." Includes bibliographical references (leaves 157-168). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ75397.