Research on post-industrial memory have recently brought to attention the role of workers’ collective memory in deindustrialised landscapes. However, the role of memory in continued and developed industries is a theme largely unexplored. Drawing on tangent research interests in absent-presences, spectrality, and more-than-representational theory, this thesis extends research on post-industrial memory by exploring collective memory in one such continued industry—the transformed and transforming commuter railway Roslagsbanan in Stockholm, Sweden. Through a case-study using autoethnography and mobile in-depth interviews with railway workers, the thesis shows how the past in representational and more-than-representational form provide affective encounters for workers in their everyday lives. Through encounters with remnants of the past, workers’ collective memory provides meaning to the present through materialities, stories, photographs, embodiments, places, and landscapes. However, as the landscape and workplace transform in what workers see as both development and ruination, the opportunity for memory to surface is challenged. With relevance for research on (post)industrial memory, the thesis shows how memory becomes an animating force in everyday work caught up in a liminality between development and ruination. Practiced in a continued industry, memory becomes a way to enliven the present.

My essay aims to illustrate how an industrial memory is created based on Sandvik AB's premises. Industrial heritage and industrial memory are interrelated, but have different characteristics and conditions. I examine what conditions are required to create an industrial memory in the form of a museum. I describe the problems that exist in the various industrial concepts and contribute with an analysis of the different concepts. I am using Sandvik AB as a case study and by using the identified criteria for an industry memory my essay show the process in which an industrial memory can be created. I further investigate whether Sandvik AB can create a museum based on there industrial heritage. My research proves this fact and I finish the essay by proposing how a Sandvik museum in Sandviken can be designed. My research shows that Sandvik AB fulfills the criteria for being able to create an industrial memory from there industrial heritage. My research contribute with interpretations of the concepts of industrial heritage, industrial memory, living industrial memory and industrial history landscape. My essay shows that an industrial memory can represent a living company which shows against the usual view of an industrial memory as a representative of a discontinued production. My essay also examines two consulting firms which give proposals in creating a museum, a market that can be find outside Sweden. The research also contribute with supplementary proposals for the consulting firms different steps in the process of creating a museum. From a Swedish perspective, this study therefore contributes with a first proposal for the Swedish market in creating a museum.