No description available.

Estar en contacto con las artes nos trae múltiples beneficios, por lo que el CAV tiene como objetivo principal, la difusión del arte y de la cultura, donde la expresión creativa responde a una finalidad y a un uso. Actualmente los centros de exposición y de educación de arte dentro de Lima Metropolitana, se encuentran centralizados principalmente en los distritos de Cercado de Lima, Miraflores y Barranco, por lo que el proyecto propone ser un punto de encuentro y de integración de la ciudad en Lima Norte, espacio inexistente a pesar del exponencial crecimiento demográfico. El centro busca concebir espacios adecuados, en donde los artistas puedan desarrollar y producir sus creaciones, así como generar una interacción entre los usuarios. Propio de la identidad multicultural de la zona, el arte urbano se convierte en una potente herramienta integradora dentro de la ciudad, por lo que el arte de las calles es llevado a las galerías. De igual manera, el centro concibe una escuela con visión empresarial y enseñanza integral, en donde el estudiante puede insertarse en el mundo laboral dentro de un corto plazo. / Being in contact with the arts brings us many benefits, thats why the center has as its main objective, the difussion of art and culture, where creative expression responds to a purpose and to a use. Currently the art exhibition and education centers within Lima Metropolitana, are centralized mainly in the districts of Cercado de Lima, Miraflores and Barranco, so the project proposes to be a meeting and integration point of the city in Lima Norte, non-existent space despite exponential demographic growth. The center seeks to conceive suitable spaces, where artists can develop and produce their creations, as well as generate an interaction between users. Owing to the multicultural identity of the area, urban art becomes a powerful integrating tool within the city, so that streert art is taken to the galleries. Furthermore, the center conceives a school with a business vision and an integral education, where the student can be inserted into the working world within a short time. / Tesis

Glacial A União das Letras e das Artes est un supplément littéraire et culturel créé par Carlos Faria, un continental passionné par les îles açoriennes qui, pour des raisons professionnelles, voyageait entre les archipels de Madère, des Açores et du Cap-Vert, la Guinée portugaise et le Continent portugais. Publié dans A União, un quotidien de la ville d’Angra do Heroísmo (île Terceira, Açores), depuis juillet 1967, il s’est arrêté soudainement, en juin 1973, mais ressurgit, six mois plus tard, en tant que revue autonome, distribuée par la galerie d’art Degrau. Instaurant une nouvelle conjoncture politique et culturelle, la Révolution des Œillets déterminera la fin de ce Supplément, en 1974. Dans une région marquée par une tradition littéraire qui, depuis l’introduction de la presse, s’exprime fortement par le biais des revues, ainsi que des pages littéraires et culturelles des journaux locaux, Glacial a constitué l’un des moments culminants du processus d’affirmation de la littérature açorienne. Il a, en effet, fonctionné comme un centre d’attraction et de rayonnement des énergies créatrices des jeunes poètes et écrivains açoriens. La dualité intérieur/extérieur qui le traverse, traduite dans une pratique textuelle, à la fois attentive à l’Ailleurs et au référent açorien, en a fait un espace où se croisent les voix du dedans et du dehors, ouvrant ainsi ce Supplément à une Poétique de la Relation (E.Glissant). Imprégné d’un fort désir de transgression et d’une vision engagée de l’art et de la culture, Glacial s’est politisé de plus en plus, devenant une tribune de résistance à l’égard de la dictature imposée au Pays par le régime de l’Etat Nouveau. L’enjeu de cette thèse est de montrer comment, à travers une pratique textuelle fondée sur ces grands axes, Glacial a participé au processus d’autonomisation du champ littéraire açorien. / Glacial A União das Letras e das Artes is a literary and cultural supplement created by Carlos Faria, a mainlander passionate about the Azorean islands, who for professional reasons traveled around the archipelagos of Madeira, Azores and Cape Verde, Portuguese Guinea and the Portuguese mainland. Published since July 1967 as part of A União, a daily newspaper from the town of Angra do Heroísmo (Terceira Island, Azores), the Supplement suddenly stopped being published in June 1973 but resurfaced six months later as an independent magazine, distributed by the art galery Degrau. Establishing a new political and cultural environment, the Revolution of the Carnations determines the end of the Supplement in 1974. In a region marked by a literary tradition that, after the introduction of the press, strongly expresses itself by way of magazines as well as literary and cultural pages of the local newspapers, Glacial constituted one of the climactic moments in the process of affirmation of Azorean literature. In fact, Glacial functioned as a center of attraction and spreading of the creative energies of the young Azorean poets and writers. The duality interior/exterior that permeates the Supplement, reflected in a writing practice heeding to both the Elsewhere and the Azorean references, made it a crossing road for the voices of the inside and the outside, thus setting the Supplement in the framework of Glissant’s Poetics of Relation. Impregnated by a strong desire of transgression and by an engaged vision of art and culture, Glacial was more and more politicized and became a tribune for provocation aimed at the dictatorship imposed on the country by the New State regime. The objective of this thesis is to show how, through a writing practice based on these major axes, Glacial participated in the process of differentiation of the Azorean literary field.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-12-04T22:01:02Z No. of bitstreams: 1 CelienyDaSilvaGuedes_DISSERT.pdf: 14282290 bytes, checksum: e475c214f959a19e5cb189d9a5e2f3ce (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-12-11T19:51:34Z (GMT) No. of bitstreams: 1 CelienyDaSilvaGuedes_DISSERT.pdf: 14282290 bytes, checksum: e475c214f959a19e5cb189d9a5e2f3ce (MD5) / Made available in DSpace on 2017-12-11T19:51:34Z (GMT). No. of bitstreams: 1 CelienyDaSilvaGuedes_DISSERT.pdf: 14282290 bytes, checksum: e475c214f959a19e5cb189d9a5e2f3ce (MD5) Previous issue date: 2017-07-25 / O referido trabalho apresenta a oportunidade de apontar diretrizes para o Projeto de uma Unidade de Acolhimento Institucional no munic?pio de Natal, com foco na humaniza??o do espa?o, metaforicamente expresso no termo ?da Casa ao Lar?, haja visto ser um programa governamental de suma import?ncia para o fortalecimento de v?nculos familiares e comunit?rios de crian?as e adolescentes em estado de vulnerabilidade social. Objetivando a concep??o de um espa?o arquitet?nico qualificado para esse p?blico-alvo, foram determinados tr?s eixos de interven??o na proposta a ser desenvolvida: Flexibiliza??o espacial, o conforto termoac?stico e integra??o interior-exterior. Sabemos que, para atingirmos o espa?o humanizado, dever?o ser analisados diversos aspectos. Por?m devido ao tempo e para o trabalho em espec?fico, ser?o abordados os tr?s crit?rios especificados acima. O trabalho est? estruturado em seis cap?tulos, nos quais podemos abordar o referencial Te?ricoconceitual: A humaniza??o em arquitetura; os referenciais indiretos de Projeto; o conceito; ? an?lise dos condicionantes ambientais, legais, normativos e o partido adotado. Finalizando o trabalho, relatamos a concep??o da proposta em n?vel de anteprojeto e algumas considera??es finais. Para a concep??o do produto apresentado, foram desenvolvidos os estudos volum?tricos objetivando atender ao programa de necessidades levantado, e as condi??es resultante das an?lises ambientais. A escolha do sistema construtivo, fechamentos e cobertura foram definidos, bem como o aprimoramento da composi??o formal. / This work presents the opportunity to point out guidelines for the design of an Institutional Host Unit in Natal city, focusing on the space humanization, expressed by the ?House to home? term, as it is an important governmental program to strengthen family and community ties for the well-being of its users, children and teenagers in social vulnerability state. Aiming the conception of a qualified architectural space for its users, three interventional aspects in the developed proposal were determined: space flexibility, thermoacoustic comfort criteria and indoor-outdoor integration. We know that to achieve a humanized space, different aspects must be analyzed, but due to time limitation and to this work in particular, only the three criteria specified above will be addressed. This paper structure is organized into six sections, in which we can approach the theoretical-conceptual framework: Humanized Architecture; indirect reference project designs; the concept; the analysis of the environment, legal and regulatory constraints; and the adopted concept. Finishing this paper, we report the design of the draft level and some final remarks. For the conception of the displayed product, volumetric studies have been developed aiming to meet the needs of program and the resulting conditions of environmental analysis. The choice of building system, closures and coverage are under definition as well as the improvement of the formal composition.

Cette recherche traite de la dualité intérieur-extérieur présente dans les théories sur le travail de l’acteur. Nous avons d’abord constaté d’une manière empirique que l’utilisation de cette dualité ne permettait par de clarifier le travail de l’acteur. Nous avons ensuite recherché la présence de cette dualité - et ses conséquences - dans les théories théâtrales ; nous avons aussi recherché l’intérêt – ou non – du dépassement de cette notion dans les théories de l’acteur. La première partie de ce mémoire est consacrée à l’étude de cette dualité dans les bases théoriques de dramaturges - pédagogues importants du début du XXème siècle : Stanislavski, Copeau et Jouvet. Dans la seconde partie nous analysons les critiques adressées à cette dualité par Meyerhold et Brecht. Pour ces derniers, l’intériorisation du travail induit chez l’acteur une perturbation psychologique [ce que Meyerhold appelle la « neurasthénie »], son aliénation et finalement la mort de l’art. Après avoir confirmé la nécessité du dépassement de la dualité en question, nous prenons en compte les théories de Sartre sur la personnalité, l’émotion, l’imaginaire et l’imagination pour clarifier en d’autres termes le travail de l’acteur, laissant de côté la métaphysique de l’esprit et de la matière. / This research deals with the question of the interior-exterior duality as found in theories about the actor’s work. First of all, we noticed, in an empirical way, that the use of this duality does not allow to make clear the actor’s work. Then, we looked for the presence of this duality – and its consequences – in theatrical theories; we also searched for the benefit – or not – of transcending this notion in theories of acting. The first part of this dissertation is devoted to a study of this duality in the theoretical fundamentals of playwrights-teachers of the early 20th century: Stanislavsky, Copeau and Jouvet. In the second part we analyze the critics addressed to this duality by Meyerhold and Brecht. Basically, these playwrights stressed that internalization of the actor’s work leads to his psychological disturbance [called “neurasthenia” by Meyerhold], his alienation and, eventually, the death of art. . Once confirmed the need of transcending this questioned duality, we take into account the theories developed by Sartre about personality, emotion, imaginary and imagination in order to clarify in other words the actor’s work, leaving out metaphysics of mind and matter.

Ce travail dans le domaine de la « neuropsychanalyse » propose une spéculation théorique sur la structure physiologique de l’inconscient psychanalytique en recoupant les observations expérimentales et cliniques des deux cadres. L’écoute clinique indique une insistance de phonèmes récurrents dans ce qui fait conflit, appelés « phonèmes fantômes ». En effet, tel un membre fantôme, le signifiant refoulé est investi d’une intention mais son articulation est bloquée. Or, du fait de la structure ambiguë du langage, un même mouvement d’articulation peut radicalement changer de signification. C’est ce mécanisme qui donne lieu au retour du refoulé dans le signifiant et permet la survie de fantômes phonémiques qui tisseraient la structure linguistique de l’inconscient. Cette question du signifiant est présentée en écho à une question plus fondamentale, celle de l’émergence du psychique en réponse à la contrainte de l’organisme de faire la distinction entre intérieur et extérieur. Pour cette distinction, il faut supposer l’existence d’un système d’inhibition ciblé puisqu’il doit faire ressortir précisément ce qui dans la façon d’appréhender le monde extérieur n’a pas été anticipé. Cette précision est offerte par le modèle sensorimoteur des copies d’efférence, qui présentifie le mouvement avant qu’il ne se fasse et montre comment l’inhibition est condition de la représentation, constitutif du psychique. Pour l’humain la nécessité de la distinction intérieur-extérieur est impérieuse du fait précisément du langage qui rend complexe l’identification du lieu d’où ça parle. Elle mène au mouvement de refoulement, qui par inhibition fait apparaitre les fantômes phonèmiques comme les représentations en négatif des fragments de paroles refoulés. Cette réflexion théorique est précédée d’une mise en contexte élaborée dans l’histoire et l’épistémologique parfois controversée de la neuropsychanalyse et revendique pour sa méthodologie une approche transcendantale. / This study in the domain of « neuropsychoanalysis » proposes a theoretical speculation on the physiological structure of the psychoanalytic unconscious by cross-checking the experimental and clinical observations from both domains. Clinical listening indicates the insistence of recurring phonemes when it comes to conflictual topics, called “phonemic phantoms”. Indeed, as is the case in a phantom limb, the repressed signifier is invested by an intention while its articulation is blocked. However, due to the ambiguous structure of language, a same articulation movement can radically change signification. It is this mechanism that causes the return of the repressed in the signifier and allows for the survival of phonemic phantoms which are thought to weave the linguistic structure of the unconscious. The question of the signifier is presented as an instantiation of a more fundamental question, the emergence of the psychic realm in response to the constraint of the organism to distinguish interior from exterior. For this distinction, the existence of an accurate system of inhibition must be postulated since it has to be able to delineate precisely what in the way of apprehending the world was not anticipated by the organism. This precision is allowed by the sensorimotor model of efference copies, which presentifies the movement before its realisation and shows how inhibition is a condition for representation. For humans, the necessity of the interior-exterior distinction is imperious due to language which renders complex the identification of the locus from where speech is initiated (from where “id” speaks). This necessity leads to the movement of repression, which by inhibition induces phonemic phantoms in the form of negative representations of repressed speech. This work is preceded by an introduction which contextualises the theoretical reflexion in the sometimes controversial history and epistemology of neuropsychoanalysis and which claims a transcendental approach for its methodology.

Submitted by Rafael Ramos de Souza null (rr.souza@live.com) on 2016-08-09T15:45:13Z No. of bitstreams: 1 VERSÃO_ENTREGUE.pdf: 1452852 bytes, checksum: ae6aa21d2282113ac3abaade8414218e (MD5) / Approved for entry into archive by Ana Paula Grisoto (grisotoana@reitoria.unesp.br) on 2016-08-11T12:16:39Z (GMT) No. of bitstreams: 1 souza_rr_me_bauru.pdf: 1452852 bytes, checksum: ae6aa21d2282113ac3abaade8414218e (MD5) / Made available in DSpace on 2016-08-11T12:16:39Z (GMT). No. of bitstreams: 1 souza_rr_me_bauru.pdf: 1452852 bytes, checksum: ae6aa21d2282113ac3abaade8414218e (MD5) Previous issue date: 2016-06-10 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / O problema de Fluxo de Potência Ótimo tem por objetivo a otimização de um critério de desempenho elétrico sujeito ao atendimento das demandas de potência ativa e reativa em cada barra e de restrições técnico-operacionais dos sistemas de geração e transmissão. É um problema de otimização, não-linear, não-convexo e de grande porte. Neste trabalho é explorado o problema de Fluxo de Potência Ótimo Reativo com o objetivo de minimizar as perdas de potência ativa na transmissão e para resolvê-lo é proposto um método primal-dual de pontos interiores/exteriores barreira logarítmica modificada com estratégias de teste quadrático e determinação de direções de busca combinadas. O teste quadrático é proposto como alternativa ao procedimento de Cholesky na verificação da positividade da matriz hessiana do problema, que, se definida positiva, garante direções de descida para o método. As novas direções de busca são determinadas através de combinações das direções dos procedimentos previsor e corretor, determinadas através da análise das condições de complementaridade das variáveis primais e duais do problema. O método proposto foi implementado em Matlab e aplicado aos sistemas elétricos 9 e 39 barras e aos sistemas IEEE 14, 30, 57 e 118 barras. O desempenho do método com as estratégias propostas é avaliado em termos do número de iterações e do tempo computacional. Os resultados são promissores e permitem a aplicação do presente método, com as estratégias propostas, para resolver o problema de Fluxo de Potência Ótimo Reativo com maior dimensão do que os sistemas testados. / The reactive optimal power flow problem is concerned with the optimization of a specific criterion associated with the transmission system while enforcing the power balance in each transmission bus, as well as operational and physical constraints associated with generation and transmission systems. It is a nonlinear, non-convex and large optimization problem. In this work we consider the active losses minimization in the transmission system as a criterion for the optimal power flow problem. The solution of the problem is investigated by proposing a modified log-barrier primal-dual interior/exterior point method with a quadratic test strategy and new search direction procedures. The quadratic test is proposed as an alternative strategy to the Cholesky procedure for calculating the positivity of the Hessian matrix of the problem.The new search directions investigated in the paper are determined by combining the search directions calculated in the predictor and corrector steps, respectively, and also by using information associated with the complementarity conditions. The method proposed is implemented in Matlab and applied to solving the reactive optimal power flow problem for 9 and 39-bus systems, as well as for the IEEE 14, 30, 57 and 118-bus test systems. The performance of the method with the proposed strategies for search directions is evaluated in terms of the number of iterations and computational times. The results are promising and allow the application of the present method with the proposed search strategies for solving problems of larger dimensions.