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151	Autorské právo v informační společnosti a na vnitřním trhu Evropské unie / An Author's Right in the Information Society and Across the Internal European Union Market Mikita, Peter January 2018 (has links) Copyright law is a special category of civil law which, with the upswing of the Internet, has become important for different types of stakeholders in the global information society. The 'participative web' operates with content generated by users. This user-generated content has often disputable origins in terms of copyright clearance. The Internet has opened the possibility for developing new forms of communication between anonymous or individual users who are not easily identifiable. Especially peer-to-peer file sharing and recently the information services offered and operated by the so-called 'cyberlockers' are the reason of questioning the role of copyright protection online which needs a beneficial solution. Copyright infringement in the era of information society is a complex phenomenon with a multiplicity of contributing factors like the importance of information data with big business potential, personal attitudes shown by internet users towards the value and scarcity of intellectual property, or legal responsibility of internet service providers (ISP) who paradoxically act from the safety of the so-called safe harbours as intermediaries of information exchange, representing a new element in the communication chain between rights holders and users. Commercial and business models operating...
152	De overdracht van Nederlandse getuigenisliteratuur naar Zweden : In welk opzicht verschillen de besluiten om vier getuigenisboeken in het Zweeds te laten vertalen en uitgeven Hoe ziet de receptie van deze boeken uit / The Transfer of Dutch Holocaust literature to Sweden : In what way do the decisions to publish and the receptions differ between four diaries from the Holocaust translated and published in Sweden in the last 15 years Larsson-Toll, Karna January 2021 (has links) In this case study four non-fiction books are being accompanied on their way from the Netherlands to the public in Sweden, that is from one peripheral language into another. Where did the initiative come from? Were there any subsidies and did that matter? What kind of publishers were involved and were there also other agents involved? Who were the most important cultural mediators? How were the books framed in order to be noticed in the new country? How does all this fit in with the sociological theory of transnational cultural transfer? It turned out that these books more or less followed the expected path with a few exceptions: Two of the books were published by large-scale publishers in Sweden although they had not proved to be successful in the Netherlands. And there were no signs of regular co-operation between the involved publishers. Obviously the translated Dutch books in Sweden are such a marginal business for these publishers that they do not influence their network of foreign publishers. Even if all four books belong to the same genre, they are very differently framed to be noticed in their new country. Literature transfer selection reception peripheral languages Dutch books to Sweden Anne Frank Etty Hillesum witness literature Holocaust literature non-fiction publishers translators critics intercultural intermediaries translation subsidies reviews pole coherence core-periphery model sociology of translation transnational pole coherence small-scale and large-scale poles. Literaire overdracht selectie receptie perifere talen Nederlandse boeken naar Zweden Anne Frank Etty Hillesum getuigenisliteratuur uitgevers vertalers critici interculturele bemiddelaars subsidie recensies center-periferie model sociologie van vertaling Humanities and the Arts Humaniora och konst Languages and Literature Språk och litteratur

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Autorské právo v informační společnosti a na vnitřním trhu Evropské unie / An Author's Right in the Information Society and Across the Internal European Union Market