Global ETD Search

1	Toward global theatre for young audiences : the potential of international TYA to increase the global consciousness of young audiences in the United States Chusid, Abra Helene 08 November 2012 (has links) This thesis document provides an historical overview of the internationalization of theatre for young audiences (TYA) in the United States, which has been largely influenced by international populations and organizations since the early 1900’s. Contemporary practices and theories of international education are examined in order to consider its intersections with international TYA. Emphasizing Geert Hofstede’s cultural dimensions and the research of established and emerging TYA scholars, I examine international TYA’s potential to increase the global consciousness of young audiences in the U.S. Through developing global sensitivity, global understanding, and global self (Veronica Boix Mansilla and Howard Gardner’s three components of global consciousness), international TYA presents diverse cultures and stories to young audiences, potentially dispelling stereotyping and ethnocentrism, promoting a global consciousness through theatre’s provocation of empathy. / text Theatre for young audiences International theatre International education IPAY ASSITEJ
2	FIN-I, the utopian connection. : How can I perform in different places? / A multilingual performance : The creation of a play with a guest actress from the place where it is performed. Viglietti, Martina January 2023 (has links) We live in a globalized world that is changing rapidly. We interconnect between cultures in different ways. But what if we want to go global with a performance to go around the world, without modifying the piece? Is that possible? How to be international without losing the hear and now by reading subtitles? The diversity of sounds when speaking on stage can embrace otherness, the audience's encounter with a language that may not be familiar to them. This is my journey through creating a play to broaden the audiences I can reach as much as possible. Performance creation on tour theatre multilingual experience theatre to travel international theatre diverse audiences soundtrack languages on stage choreography guest actress incels technology in theatre Leonor Fini Argentina Humanities and the Arts Humaniora och konst
3	Arlecchino's Journey: Crossing Boundaries Through La Commedia Dell'arte Sobeck, Janine Michelle 15 August 2007 (has links) (PDF) La commedia dell'arte is a recognized, vibrant theatrical form that emerged in Italy during the Renaissance. However, while great attention has been given to the particulars of the genre (performance techniques, important troupes, leading players), there lacks a study behind the reasoning for its vast international popularity. In this thesis, I explore why this particular genre was able to cross cultural and linguistic boundaries, finding a dedicated and enthusiastic following in most European countries for over 200 years. After analyzing commedia dell'arte's original development in the Italian peninsula, examining the predominating Carnival ideology and the ability of the troupes to establish both regional and national symbols through the creation of specific stock characters, I will concentrate on the international tours and performances. By looking at the adaptive qualities of the troupes, and specifically their ability to play off of Europe's lack of national identity and Northern European's fascination with their exotic southern neighbor, I will discuss the reaction of Northern Europe with the Italian theatre, with a detailed look into the success of the troupes abroad. The popularity of the troupes will also be explored through the unique adaptation, assimilation and adoption of commedia dell'arte techniques and characters into developing national theatres of the other countries. I will conclude with a look of how commedia dell'arte has been and can continue to be effectively used in today's theatre. The examination of what drew both native and foreign audiences to the commedia dell'arte performances opens up possibilities for modern practitioners who wish to capitalize on the ability of the troupes to successfully play to a wide spectrum of people. commedia dell'arte Italian theatre renaissance international theatre masks stock characters improvisation carnival lazzi Vsevolod Meyerhold Dario Fo San Francisco Mime Troupe Jacques Copeau Edward Gordon Craig Arlecchino Pantalone Dottore Pulcinella Pierrot Punch Ganassa Bottarga Film and Media Studies Theatre and Performance Studies

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