Inaug.-Diss.--Munich. / Vita. "Originaltext des Abkommens über internationale Zusammenarbeit zwischen Israel und Tanganyika" (p. 175-186). "Originaltext des Abkommens über internationale Ziusammenarbeit zwischen Israel und Uganda" (p. 187-189). Bibliography: p. i-iv (3d group).

This thesis provides an analysis of Israel&amp / #8217 / s security conceptions, discourses and practices, in the context of the Arab&amp / #8211 / Israeli conflict in general and the Israeli&amp / #8211 / Palestinian conflict in particular, between 1948 and 2000. The purpose of the study is, to explore those processes through which particular definitions and practices of security have been produced and changed, against the background of the domestic debates and competing worldviews among key political actors / and to highlight the overall impact of these points in different periods on the Israeli-Palestinian conflict, and, thus, on Israel&amp / #8217 / s overall security. In this context, it is observed that the debates among the political actors, regarding the future borders and the identity of the state, have played a key role in the construction and reconstruction of Israeli security policy particularly vis-&agrave / -vis the Palestinian problem. Nevertheless, it is also observed that the extent of these differences has been limited to the objectives of the security policy, and that a zero-sum conception of security, and the primacy of military means to confront the perceived threats have prevailed as common characteristics of Israeli security understanding, informing Israel&amp / #8217 / s related practices. Along these lines the thesis considers the Oslo peace process as an anomaly, and tries to assess it within the framework of the continuities and changes it has introduced to thinking and acting about security in Israel.

The current study investigates changing attitudes to militarism within Israeli society since the tumultuous decades following 1948. Events leading to the current state of Israeli society will be traced in order to illustrate the way in which change occurs. The shifts in Israeli history and society during these decades will be examined alongside developments in Israeli literature. Accordingly, eight works of fiction have been selected to lie at the heart of the study. These works, all of which centre around the Israeli military experience, convey an erosion of personal, national, and ideological certainties. The analysis of these works demands three areas of exploration: the depiction of the soldier in the civilian setting, the depiction of the soldier as he interacts with other soldiers in the military sphere, and ‘post-Zionist’ military fiction produced in recent decades. These three areas of exploration entail an interrogation of gender, nationalism, and ‘post-Zionism’ in contemporary Israel. The works examined in the third chapter contain commentary not only upon the social reality of their authors, but also upon the way in which Israeli literature engages with the issues that inform its existence.This study is fuelled by the need to understand the links between history and fiction, as the latter grapples with the strain of ongoing military conflict. While Yitzhak Laor, Yehosha Kenaz, and Yoram Kaniuk have chosen to explore Israeli militarism through a re-narration of past chapters in Israeli history, Yitzhak Ben-Ner, Amos Oz, Etgar Keret and A. B. Yehoshua all comment on the events of their time. Some authors have identified this strain as a diminishing masculinity; others convey this burden as a direct corollary of shifting truths about Israeli nationalism.

Typescript (photocopy). / Digitized by Kansas Correctional Industries

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Thesis (Ph.D.)--University of California, Berkeley, 2003. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--Johns Hopkins University, 2001. / Includes bibliographical references (p. 374-400). Also available on the Internet.

<p>George Gregory wrote in his book ‘The Colonial Presents’ in defining the Post colonialism; since the last decades of the 20th century, Andreas Huyssen suggested that the ‘present future to present pasts’ became the post-colonialism, which is a whole commitment to a future that is free from colonial power, and the growth in the disposition is part of the criticism of continuity between the colonial past and present colonial rule. But they almost denied the capacities that belong to the colonial past are confirmed and activated again in the colonial present. And this is appearing in many histories of the colonialism, but post-colonialism came to distinguish from these projects or histories by the tight relation between culture and power.</p><p>Building up Apartheid walls is a result to the colonial and Post colonial projects. As wall entered the political concept, we can see many built Apartheid walls through history.</p><p>The Essay’s main aim is to study two selective walls; the Israeli wall in Palestine and Berlin wall, from human rights perspective, which can let readers to have fair information about those two walls, and their effects on people’s lives that live or lived beside those walls.</p><p>A discussion will follow the illustrated information which I took them from many references which include direct information about those two walls.</p><p>My results are that these two Apartheid walls affect and undermine people’s rights who are living beside and around those walls.</p>

With the objective of outlining a decision-making process for the selection, evaluation, and application of films for invigorating Palestinian-Israeli dialogue encounters, this project researches, collates, and weaves together the historico-political narratives of the Israeli-Palestinian conflict, the artistic worldviews of the Israeli and Palestinian national cinemas, and the procedural designs of successful Track II dialogue interventions. Using a tailored version of Lucien Goldmann’s method of homologic textual analysis, three Palestinian and three Israeli popular film texts are analyzed along the dimensions of Historico-Political Contextuality, Socio-Cultural Intertextuality, and Ethno-National Textuality. Then, applying the six “best practices” criteria gleaned from thriving dialogue programs, coupled with the six “cautionary tales” criteria gleaned from flawed dialogue models, three bi-national peacebuilding film texts are homologically analyzed and contrasted with the six popular film texts. This exercise is designed to implement a method for identifying “which, why, how, and when” filmic communication is best paired with dialogic communication to buttress the effects of Israeli-Palestinian Track II peacebuilding mediations. It is proposed that a synergized approach of film plus dialogue will contribute to the re-mediation of ethnonational imaginaries and the re-imagining of the violent parameters of the conflict.