Spelling suggestions: "subject:"italien"" "subject:"matalien""
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Zur Datierung des Manuskripts Modena, Biblioteca estense, α M. 5, 24 (Olim lat. 568)Günther, Ursula 27 February 2020 (has links)
No description available.
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La Gamba. Folia-Bearbeitungen für Instrumentalensemble um die Mitte des 16. Jahrhunderts in ItalienKämper, Dietrich 27 February 2020 (has links)
No description available.
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Die Bedeutung der italienischen Kammerkantate für Maria Antonia Walpurgis von Bayern als Interpretin und Sammlerin von 1747 bis 1763Gandolfo, Nastasja 26 June 2020 (has links)
No description available.
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Die musikwissenschaftliche Fakultät der Universität von Pavia in Cremona (Facoltà di Musicologia – Scuola di Paleografia e Filologia musicale). Geschichte, Aufgaben und MethodikCaraci Vela, Maria, Zappalà, Pietro 01 September 2020 (has links)
No description available.
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Probleme und Methoden einer italienischen Edition Neuer Musik. Die Bruno Maderna-AusgabeDalmonte, Rossana 01 September 2020 (has links)
No description available.
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Bürgerstolz und Prophetie. Der florentinische Beitrag zu einer ›musikalischen Nationsbildung‹ Italiens im 16. JahrhundertPietschmann, Klaus 02 September 2020 (has links)
No description available.
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Oper in den Villen der Republik Venedig und Villeggiatura in der OperHuck, Oliver 02 September 2020 (has links)
No description available.
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Vom Zentrum zur Peripherie. Der neapolitanische Sonderweg im Musiktheater des 19. JahrhundertsJacobshagen, Arnold 03 September 2020 (has links)
No description available.
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Le documentaire Italien : la contestation cinématographique dans l'ère Berlusconienne / The Italian Documentary : Political Protest Movies in Berlusconi EraRepetto, Benedetto 13 December 2018 (has links)
La présente étude aborde le documentaire italien sous l'ère berlusconienne tout en réfléchissant sur ses interactions avec les transformations historiques et culturelles de l'Italie. Cette production documentaire témoigne de l’urgence de dénoncer les mécanismes du pouvoir et de rechercher la vérité à une époque où réaliser du cinéma politique paraît difficile. Nous sommes partis de l’hypothèse qu’un documentaire de contestation a bien existé et l’étude du contexte social dans lequel un film a été réalisé permet de constituer un cadre de référence qui manifeste quelle production de sens les auteurs ont voulu contester. Le documentaire s’est concentré sur la réalité, en se posant par rapport à l’histoire et à la mémoire. Il a servi d’archive des luttes. Les images de ces films sont des témoignages d’une histoire douloureuse, mais elles montrent également qu’une partie du peuple résiste. Ces documentaires semblent avoir pour objectif d’être la mémoire de cette Italie-là. / The present study debates the Italian documentary in Berlusconi’s era reflecting on its interactions with historical and cultural transformations in Italy. This documentary production reveals the urge to expose power mechanisms and seek truth in a moment when making political cinema looked difficult. We started from the theory that a political protest documentary certainly existed, and the study of the social context in which a certain movie was realized allows us to establish the frame in which the authors operated their criticism. The documentary focused on reality, correlating with history and memory. It served as an archive for struggles. These movies witness painful stories, but also show the resisting fraction of a people. This kind of documentary aspires to being the historical memory of that Italy.
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Counterterrorism Cooperation Policy between the Federal Republic of Germany and Italy in the 1970sdi Fabio, Laura 31 January 2022 (has links)
In the 1970s, the concept of security was still strongly connected to territoriality and to a locally-based
perception of emergency. The national-international nexus, shaped by the bipolarity of the Cold War, inevitably
affected the perception of security in terms of what was recognized as existing inside and outside of the
national sovereignty sphere. Over this decade, the definition of political opponents, state borders, territory
and national sovereignty in Europe underwent a new attribution of meaning. Political armed violence made
its first appearance, for example, as Europe had known only street riots and sporadic social conflicts until
then. The international dimension taken on by armed political violence by the end of the 1960s challenged
governments and security apparatuses to rethink their theoretical and logistical approaches to terrorist
emergency on foreign soil.
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