Depuis une dizaine d’année, plusieurs études renouvèlent considérablement nos connaissances au sujet des établissements thermaux publics et de leur pratique au Proche-Orient. Malheureusement, aucune synthèse envisageant le phénomène balnéaire dans une perspective d’histoire des mentalités au sein d’une seule cité ne semble avoir été réalisée. Fondé sur une approche archéologique et architecturale, ce travail a pour premier objectif de proposer une synthèse diachronique de l’évolution des huit établissements de bains publics actuellement connus à Gerasa et de leur pratique au cours de l’histoire. La situation observée dans l’ancienne cité de la Décapole est ensuite confrontée à la pratique thermale dans l’antiquité au Proche-Orient, telle qu’elle est aujourd’hui appréhendée, permettant ainsi d’en dégager les correspondances, les dissemblances et les caractéristiques propres au corpus de Gerasa. S’appuyant sur une méthodologie originale, cette étude souligne le rôle profondément hybride de ces établissements disposant naturellement d’installations permettant le nettoyage du corps mais également d’espaces spécifiques et indépendants pour lesquels les fonctions civique, politique et religieuse peuvent être supposées / For a decade, several studies have renewed significantly our knowledge about public baths and their practice in the Middle East. Unfortunately, no synthesis considering the bathing phenomenon in a diachronic perspective of history of mentalities in a single city appears to have been carried out. Based on an archaeological and architectural approach, this work at first intended to propose a diachronic synthesis of the evolution of eight public bath buildings currently known in Gerasa and their practice in history. The situation in the City of the Decapolis is then confronted to the practice of public bath in Antiquity in the Middle East, as it is known today, allowing to identify matches, differences and characteristics of the corpus of Gerasa. Based on an original methodology, this study highlights the deeply hybrid role of these institutions with natural facilities for the cleaning of the body but also specific and independent spaces for which civic, political and religious functions may be assumed

Depuis une dizaine d'années, plusieurs études renouvèlent considérablement nos connaissances au sujet des établissements thermaux publics et de leur pratique au Proche- Orient. Malheureusement, aucune synthèse envisageant le phénomène balnéaire dans une perspective d'histoire des mentalités au sein d'une seule cité ne semble avoir été réalisée. Fondé sur une approche archéologique et architecturale, ce travail a pour premier objectif de proposer une synthèse diachronique de l'évolution des huit établissements de bains publics actuellement connus à Gérasa et de leur pratique au cours de l'histoire. La situation observée dans l'ancienne cité de la Décapole est ensuite confrontée à la pratique thermale dans l'antiquité au Proche-Orient, telle qu'elle est aujourd'hui appréhendée, permettant ainsi d'en dégager les correspondances, les dissemblances et les caractéristiques propres au corpus de Gérasa. S'appuyant sur une méthodologie originale, cette étude souligne le rôle profondément hybride de ces établissements disposant naturellement d'installations permettant le nettoyage du corps mais également d'espaces spécifiques et indépendants pour lesquels les fonctions civiques, politiques et religieuses peuvent être supposées.

Nearly 300 years before the rise of a ‘Christianized,’ Eastern Roman Empire, generations of inhabitants in the Eastern Mediterranean and Near East had witnessed a considerable variety and evolution of religious thought. As a result of the expansion of Christian sects throughout the Near East and Mediterranean, in 325 CE, Emperor Constantine I convened a theological council to unite his vast kingdom in the East under a single religious creed. While revisions to the text of the first ‘Nicene Creed’ and subsequent councils would be organized, many dissenting factions refused to relinquish their long-held beliefs and traditions. Some of these ‘heterodox’ sects resisted the religious arm of the Empire and concealed their practices while continuing to worship in secrecy. Clues to the subversion of ‘orthodox’ ecclesiastical mandate may still persist in the mosaic programs of extant churches in the Mediterranean and Transjordan. In particular, the general design of mosaics in the Transjordan (e.g., the Petra Church, Petra; the Church of SS. Lot and Procopius, Khirbet al-Mukhayyat; and the Church of SS. Cosmas and Damian, Jerash) are somewhat similar, yet divergent from designs found within churches from the Italian Peninsula (e.g., the Theodorean Basilical Complex, Aquileia; the Church of San Vitale, Ravenna; and the Church of Sant’Apollinare in Classe, Classe). The purpose of this thesis is to use the principles of semiotic theory to re-evaluate the use of symbols and icons within sacred mosaic programs, juxtaposed against the historical and ecclesiastical context surrounding their creation.

Nearly 300 years before the rise of a 'Christianized,' Eastern Roman Empire, generations of inhabitants in the Eastern Mediterranean and Near East had witnessed a considerable variety and evolution of religious thought. As a result of the expansion of Christian sects throughout the Near East and Mediterranean, in 325 CE, Emperor Constantine I convened a theological council to unite his vast kingdom in the East under a single religious creed. While revisions to the text of the first 'Nicene Creed' and subsequent councils would be organized, many dissenting factions refused to relinquish their long-held beliefs and traditions. Some of these 'heterodox' sects resisted the religious arm of the Empire and concealed their practices while continuing to worship in secrecy. Clues to the subversion of 'orthodox' ecclesiastical mandate may still persist in the mosaic programs of extant churches in the Mediterranean and Transjordan. In particular, the general design of mosaics in the Transjordan (e.g., the Petra Church, Petra; the Church of SS. Lot and Procopius, Khirbet al-Mukhayyat; and the Church of SS. Cosmas and Damian, Jerash) are somewhat similar, yet divergent from designs found within churches from the Italian Peninsula (e.g., the Theodorean Basilical Complex, Aquileia; the Church of San Vitale, Ravenna; and the Church of Sant'Apollinare in Classe, Classe). The purpose of this thesis is to use the principles of semiotic theory to re-evaluate the use of symbols and icons within sacred mosaic programs, juxtaposed against the historical and ecclesiastical context surrounding their creation.

The aim of this essay is to investigate the theories of city planning that existed during Greek, Hellenistic and Roman period. Vitruvius, Aristoteles and Hippodamos had thoughts about the placement of the city, the street networks organization and individual buildings proportion, function and neighbors. Aristoteles angle of incidence is pragmatic and social aspects. Vitruvius emphasizes health aspects and the individual buildings with regard to durability, expediency and beauty. Hippodamos view on how health aspects should be regarded aligns with Aristoteles and stresses an equal distribution of the urban land. Gerasa is investigated in relation to these template city qualities and results show that it does not consistently overlap or deviate. To add a further perspective it is put in relation to Pompeji and they are compared with the theories.  Questions: 1. What is laid out by Aristoteles, Vitruvius and Hippodamos about a city's ideal placement and internal structure and design? 2. How does the remains from the excavated cities Gerasa and Pompeji relate to these theories?  Method: The Theories on city planning were searched and assembled from literary sources. Then a comparison was made between all the three parts of Gerasa, Pompeji and the ideal cities.