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The Global ETD Search service is a free service for researchers
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Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 2 of 2 (0.023 seconds)Spelling suggestions: "subject:"joao VI"" "subject:"oao VI""
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[en] ENLIGHTENMENT AND MEMORY: THE IMPRESSÃO RÉGIA DO RIO DE JANEIRO AND THE PROJECT OF THE NEW PORTUGUESE EMPIRE / [pt] ILUSTRAÇÃO E MEMÓRIA: A IMPRESSÃO RÉGIA DO RIO DE JANEIRO E O PROJETO DO NOVO IMPÉRIO PORTUGUÊSSERGIO HAMILTON DA SILVA BARRA 14 May 2013 (has links)
[pt] O presente trabalho se propõe compreender o papel político exercido pela
Impressão Régia do Rio de Janeiro por meio da sua atuação no contexto da
instalação da Corte portuguesa na América, buscando chamar a atenção para a
relação intrínseca entre cultura e poder nos projetos imperiais portugueses.
Abordada como agente histórico, a Impressão Régia se apresenta como a face
cultural do projeto político de criação de um novo império português na América,
longamente acalentado por letrados e estadistas ilustrados portugueses e posto em
prática com a transferência da Corte para o Rio de Janeiro. Frente às tensões
políticas que a nova situação criada pela mudança da sede do Império gerava, a
Impressão Régia desempenhou o importante papel de legitimação e sustentação
desse projeto político, pelo menos até o fim efetivo da censura prévia da imprensa
no Reino do Brasil em 28 de agosto de 1821. Por meio da continuação do trabalho
de difusão das Luzes no Império português, e da construção da metamemória do
reinado de D. João na América, a Impressão Régia do Rio de Janeiro busca
estabelecer uma relação de continuidade entre o passado, o presente e o futuro da
monarquia portuguesa, passando por cima dos momentos de ruptura apenas
vivenciados. / [en] This study aims to realize the political role exercised by the Impressão
Régia do Rio de Janeiro through its performance in the context of the installation
of the Portuguese Court in America, seeking to highlight to the intrinsic
relationship between culture and power on the Portuguese imperial projects.
Adressed as an historical agent, the Impressão Régia presents itself as the cultural
aspect of the political project of a new Portuguese empire creation in America, a
long cherished by illustrated Portuguese scholars and statemen and implemented
by the Court transfer to Rio de Janeiro. In the face of the political tensions that
was generated by the new situation created by the Empire seat moving, the
Impressão Régia has played an important role in legitimizing and sustaining of
this political project, at least until the effective end of previous censorship in
Kingdon of Brazil press on August 28, 1821. Through the continuation of work of
dissemination of the Lights in the Portuguese empire, and the building of the reign
metamemory of D. João in America, the Impressão Régia do Rio de Janeiro aims
to stablish a continuity relationship between past, present and future of the
Portuguese monarchy, passing over the rupture moments just experienced.
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Seven Movements from "Missa Festiva" (1817) of Marcos Portugal (1762–1830): A Vocal Score with Critical CommentaryBrites Pereira David Coelho, Júlia 05 1900 (has links)
Marcos António da Fonseca Portugal (1762–1830) is considered by several Luso-Brazilian musicologists to be the most prolific and influential Portuguese composer in history, having impacted the Portuguese and Brazilian music scene significantly during his lifetime. Marcos Portugal achieved international fame for his large-scale works, which include sacred compositions, Italian opera seria, as well as farsas and opera buffa in Portuguese. Despite the reputation he achieved during his lifetime, today his works are understudied and underperformed, even in Lusophone countries. Such an oversight is noticeable particularly as regards his sacred music corpus. For this reason, I have chosen Missa Festiva (1817) as the subject of this dissertation. Creating a vocal score of the solo, duo and trio movements of Missa Festiva will be helpful not only for performers, but also for scholars and conductors who wish study this work. A vocal score makes accessible the performance of individual movements when only piano, organ, or another keyboard instrument is available. By facilitating the performance and analysis of Missa Festiva, this document will contribute to the work's dissemination and to a better understanding of the value of early nineteenth-century Luso-Brazilian virtuosic vocal sacred music. The manuscript used for the transcription and orchestral reduction into a vocal score of movements III-IX is BR-Rcm MS CRI-SM59 from the Acervo Musical do Cabido Metropolitano do Rio de Janeiro, from 1818 (images included in the dissertation).
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