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None greater than John : towards a social-description and narrative-theological study of John the Baptist in Luke-Acts.Mlilo, Luke G. January 2007 (has links)
"I tell you, among those born of women none is greater than John" (Luke 7:28). Thus the author of Luke-Acts expresses his basic assessment of John the Baptist.
The present study aims to understand the role of John the Baptist as he is portrayed in Luke-Acts through a reading that combines social description and narrative-theological analysis in order to gain hermeneutical access to the subject of our investigation.
This study seeks to achieve this aim in two ways. In the first instance there is an attempt (through recourse to a combination of the stated critical methodologies) to provide a reading of Luke-Acts that interfaces social description and narrative-theological analysis in order to make possible a rhetorical engagement with the text in a way that provides hermeneutical access to John the Baptist as he is portrayed in Luke-Acts. In his portrayal of John the Baptist as a prophet and witness who plays a unique role in the history of salvation, the author of Luke-Acts weaves a spell over his readers that draws them into his narrative world and into his particular theological perspective.
In the second instance, this study also aims to show how Luke-Acts preserves a unique dynamic of John the Baptist which has rather been buried in the other Gospel traditions. Through this dynamic, Luke seeks to transmit his own ideal of the authentic prophet and witness in such a way that his audience may be moved to emulate John's example with conviction and imagination both in living out their Christian ideal as well as in proclaiming the good news. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.
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A Voice Crying in the Wilderness: An Opera Based on the Life of John the BaptistIrvin, Nat, 1951- 08 1900 (has links)
"A Voice Crying In The Wilderness," an opera in two acts, is written for baritone soloist (John) and chorus with minor singing roles for two sopranos, mezzo soprano, tenor, a major speaking role for male falsetto voice, and three lesser speaking roles for tenor voices. Members of the chorus are required to play an assortment of percussion instruments and must be able to dance in contemporary modern dance styles. The opera is scored for large string orchestra, amplified solo viola, two electronic "digital" keyboards, and a large assortment of percussion instruments. (The keyboard scores were conceived using the "CZ-1" model digital synthesizer by Casio and the "KORG DW 8000" digital synthesizer.) The opera is divided into two acts and is approximately 80 minutes in duration. Each act consists of a combination of very broad scene complexes made up of dances, recitatives, choruses, instrumental interludes, arias, and rituals. There is a short intermission between the two acts.
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Ritual functions of the Book of Relevation: hope in dark timesVan Rensburg, Hanré Janse 06 1900 (has links)
Through a critical-functional, rather than literal, reading of the text of Revelation, this dissertation hypothesises a move beyond the paralysing constant reduction of hermeneutic meaning to two conventional poles when discussing hope – the early Christian movement’s hope through reversal, and contemporary nihilism. In order to do so in a responsible manner, it is necessary to study other research done on the topics of eschatology and hope – especially as seen in the book of Revelation. For this reason, the most popular and representative scholars of the Book of Revelation are studied. This overall look at current scholarships' views regarding the Apocalypse will help detect any possible missing elements in our approach to Revelation.
But no study of this topic can be considered near complete if other disciplines are not involved; in this case especially when moving on to a critical-functional reading of Revelation. This thesis thus features an exploratory study of the functioning of ritual and hope within the human psyche; from archaeological to psychological perspectives. This emphasises the importance of, and leads into, the possibilities of a functional reading of the Book of Revelation.
All of the above work leads to a re-evaluation of the success of hope as metanarrative for today. The suggestion is that Christian hope is not imaginary, but is irreducibly imaginative. For “reality is never just the world as it exists; it is the world as it is experienced through the lenses of social perception” (Barr 2010:636). / New Testament / D. Th. (New Testament and Early Christian Studies)
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Wahre Weinstock: die bedeuting des Weinstockmotivs in Johannes 15:1-8 / The true vine: the meaning of the vine motif in John 15:1-8Volker, Daniel 06 1900 (has links)
Summaries in German and English / Text in German / Ziel der Forschungsarbeitet ist es, zu zeigen, dass die johanneische Weinstockrede das
alttestamentlich und frühjüdisch geprägte Weinstockmotiv aufgreift und weiter entfaltet.
So finden sich in Joh 15:1-8 die Beziehungsebene zwischen Gott und seinen Nachfolgern,
die ethische Konnotation, der Gerichtsgedanke, der messianisch-eschatologische Aspekt
und der Gedanke von Fruchtbarkeit und Fülle wieder.
Es wird deutlich, dass sich in Jesus erfüllt hat, worauf die alttestamentlichen und
frühjüdischen Schriften durch die Verwendung des Weinstockmotivs abgezielt haben: Er
ist der angekündigte Messias, dessen Kommen Fülle mit sich bringt. Dies hat sich bereits
durch Jesu erstes Zeichen, die Verwandlung von Wasser zu Wein (Joh 2:1-11),
angedeutet.
Neu ist der Gedanke, dass Jesus seine Nachfolger in sein Wirken mit einbezieht.
Sie partizipieren an seiner messianischen Fülle und produzieren den Überfluss in
Abhängigkeit von Jesus auch selbst mit. Voraussetzung dafür ist, dass die Jünger ihre
enge Beziehung zu Jesus durch Gebet und das Einhalten seines Wortes aufrechterhalten
und sich an seinem Vorbild orientieren. / The purpose of this thesis is to show that the Johannine vine speech takes up and further
develops the vine motif of the Old Testament and early Jewish history. In John 15:1-8 we
find emphasis on the relationship between God and his disciples, the ethical connotation,
the warning of judgement, the messianic-eschatological aspect and the concepts of
fruitfulness and fullness.
I will show in this thesis, that the the Old Testament and early Jewish writings that
use the vine motif are fulfilled in Jesus Christ: He is the announced Messiah, whose
coming will bring fullness. This is already implied in Jesus’s first miracle, turning water
into wine (John 2:1-11).
What is new is that Jesus includes his disciples in his ministry. They participate in his
messianic abundance and in dependence on Jesus they themselves produce abundance.
The prerequisite for this abundant fruitfulness is a close relationship with Jesus through
prayer, abiding in his word, and following his example. / New Testament / M. Th. (New Testament)
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