Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2017-11-28T10:40:53Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Pamella Louise Camargo.pdf: 1295109 bytes, checksum: 1778739a61b2071632922d74a8bd07ed (MD5) / Made available in DSpace on 2017-11-28T10:40:53Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Pamella Louise Camargo.pdf: 1295109 bytes, checksum: 1778739a61b2071632922d74a8bd07ed (MD5) Previous issue date: 2017-02-16 / A obra La Sorcière foi escrita em 1862 pelo historiador francês Jules Michelet e trata do tema da feitiçaria na Europa. A obra busca contemplar desde a criação da figura da feiticeira até a perseguição em massa promovida pela inquisição. Escrita em cerca de dois meses, em meio ao movimento romântico e em uma época de embates entre literatura e história, La Sorcière apresenta uma concepção romântica de concretude dos fenômenos mágicos e da bruxaria como crença de resistência popular ao clero e a nobreza. Pautada em uma estética literária próxima a do romance e com uma preocupação pedagógica; a obra acaba por ser precursora da noção de um culto organizado de bruxaria como rebeldia e “anti-religião”. Buscaremos demonstrar como a estética romântica e pedagógica de Michelet foi responsável pela ideia da bruxaria como permanência do paganismo europeu. Essa ideia de permanência e rebeldia auxiliou a moldar as modernas práticas de bruxaria e neopaganismo. Buscaremos, portanto, demonstrar que Michelet pode ser considerado, através de sua obra, um dos precursores da Wicca, a bruxaria moderna.Para tanto nos utilizaremos das teorias da Estética da Recepção de Jauss e a Teoria do Efeito Estético de Iser, dando ênfase a última. / The work La Sorcière was written in 1862 by the French historian Jules Michelet and deals with the theme of witchcraft in Europe. The work seeks to contemplate from the creation of the figure of the sorceress to a mass persecution promoted by the inquisition. Written in about two months, amid the romantic movement and in an era of interchange between literature and history, La Sorcière presents a romantic conception of the concretization of magical phenomena and witchcraft as a belief of popular resistance to the clergy and a nobility. Guided by a literary aesthetic close to the novel and with a pedagogical concern; The work turns out to be precursory of the notion of an organized cult of witchcraft like rebellion and "anti-religion". We will try to demonstrate how Michelet's romantic and pedagogical aesthetic was responsible for the idea of witchcraft as a permanence of European paganism. This idea of permanence and rebellion is responsible for practical practices of witchcraft and neopaganism. We will try, therefore, to demonstrate that Michelet can be considered, through his work, one of the forerunners of Wicca, a modern witchery. For this we will use the theories of the Aesthetics of the Reception of Jauss and the Theory of Esthetic Effect of Iser, emphasizing the last one.

Various interpretations of the Germanic invasions of the early Middle Ages have been advanced. These present to the student of historiography a fertile field for inquiry. In this thesis the interpretations of the Germanic invasions propounded by Jules Michelet (1798-1874) and Gustav Freytag (1816-1875) are examined with a view to establishing the cultural context in which their mutually exclusive versions were formulated, and the extent to which that context lent the interpretations of both writers a perceptible national and aesthetic bias.

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The subject of this diploma thesis is the French national heroine Joan of Arc and her portrayal and reflection in literary works throughout the centuries. The diploma thesis mentions the historical personality of Joan of Arc in the context of the time she lived in, reconstructs the life of this French saint and deals with the rehabilitation process that completes the myth of the French national heroine. This diploma thesis summarizes the important European literary works that Joan of Arc is the most important theme. The diploma thesis deals more with literary works in which Joan of Arc is the main character but each author writes her story and describes her personality from a different point of view. And precisely these differences of the thesis are analyzed. The diploma thesis focuses more on the literary works of various authors such as Voltaire, Jules Michelet, Anatole France and Stéphen Coubé. The diploma thesis deals also with the portrayal of Joan of Arc in the 20th and 21st centuries.