This research focuses on the contexts of Korean women professional golfers’ transnational migration, and the ways that US and Korean media represent those athletes. A theoretical framework informed by sociology of sport, postcolonial and transnational feminist studies was employed to illustrate the contexts of the women’s golf migration, and to investigate how transnational Korean women professional golfers are represented in both US and Korean media from 1998 to 2009. Elite discourses—941 media texts from both nations together with government/institutional documents—were collected, Korean texts were translated into English, and document analysis, critical discourse analysis and intersectional analysis were employed. The results illustrate that globalization and neoliberal capitalism, patriarchy, and colonial and imperial history all help to shape the women golfers’ transnational migration paths. The complex contexts also shape the media representations of the women golfers in the two nation-states. In US media, the Korean women golfers are constructed as a racialized and gendered Other within the context of Orientalism, and selective knowledge production in the media maintains and ensures global White supremacy. In Korean media, the women golfers are portrayed as winners under hypermasculine Western forms of globalization and neoliberal reformation of the world order but, at the same time, as keepers and performers of Korean traditional Confucian values. Further, Korean media explain the women’s transnational success as a result of following traditional Korean values and norms; therefore, the women are represented as proud symbols of Korean nationalism and ideal models of productive female subjects in neoliberal globalization. In sum, the Korean women professional golfers are taken up by media in both nation-states as an effective discursive contact zone for making sense of the changing power dynamics of race, gender, and nation under a period of rapid changes of world order.

This research focuses on the contexts of Korean women professional golfers’ transnational migration, and the ways that US and Korean media represent those athletes. A theoretical framework informed by sociology of sport, postcolonial and transnational feminist studies was employed to illustrate the contexts of the women’s golf migration, and to investigate how transnational Korean women professional golfers are represented in both US and Korean media from 1998 to 2009. Elite discourses—941 media texts from both nations together with government/institutional documents—were collected, Korean texts were translated into English, and document analysis, critical discourse analysis and intersectional analysis were employed. The results illustrate that globalization and neoliberal capitalism, patriarchy, and colonial and imperial history all help to shape the women golfers’ transnational migration paths. The complex contexts also shape the media representations of the women golfers in the two nation-states. In US media, the Korean women golfers are constructed as a racialized and gendered Other within the context of Orientalism, and selective knowledge production in the media maintains and ensures global White supremacy. In Korean media, the women golfers are portrayed as winners under hypermasculine Western forms of globalization and neoliberal reformation of the world order but, at the same time, as keepers and performers of Korean traditional Confucian values. Further, Korean media explain the women’s transnational success as a result of following traditional Korean values and norms; therefore, the women are represented as proud symbols of Korean nationalism and ideal models of productive female subjects in neoliberal globalization. In sum, the Korean women professional golfers are taken up by media in both nation-states as an effective discursive contact zone for making sense of the changing power dynamics of race, gender, and nation under a period of rapid changes of world order.

Thesis advisor: Christina Klein / With the recent rise in popularity of Korean media, more audiences than ever before have been exposed to portrayals of Korean women. Most female protagonists in Korean dramas adhere to Confucian gender norms: they are primarily concerned with romance and fail to drive their own narratives. This paper analyzes feminist characters who instead bend or expand conservative gender conventions in order to normalize different lifestyles for all women. In seeking out progressive portrayals, this paper focuses specifically on depictions of unmarried, elderly, and lesbian women in Korean entertainment. By honing in on women who do not fit the mold of traditional or acceptable femininity, this paper argues for more realistic representations of women in modern Korean society. / Thesis (BA) — Boston College, 2022. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Departmental Honors. / Discipline: English.

This dissertation examined the everyday use of different media including traditional and online U.S. and Korean media in building and maintaining identity of Korean married immigrant women. Online survey and interviews revealed that some aspects of my participants' media consumption habits and their relationship to acceptance to American culture and affinity for Korean identity are explained well with the new assimilation theory. Korean married immigrant women with U.S. citizenship, high income and education level were more likely to accept American cultural values. Furthermore, Korean immigrant women were more likely to be married to a Korean spouse. On the other hand, interviews revealed that immigrants with low socioeconomic status may prefer (or have no choice but) not to assimilate fully into the middle-class White society.

The main purpose of this research is to evaluate authentic movement as an effective approach to liberative religious education. Authentic movement is a field of modern dance that focuses on emotional movement and its ability to open access to the human unconsciousness, especially as understood in Carl Jung’s psychological perspective. Through authentic movement, a person is able to glimpse one’s inner self and one’s sense of the Divine, and also to release suppressed feelings, including those feelings evoked by the pressures of social expectations and stereotypes. Authentic movement thus engages persons in a process of religious education that can liberate them toward greater integration with their inner selves and religious experience.

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In this study, I have focused on the process for an eventual reunification of North and South Korea. In this process, Korean political, economic, cultural and religious issues are necessarily present. My study focuses on cultural and religious factors. I adopt the German reunification as a case study. The German reunification process provides Koreans with lessons about the negative changes in the status of German women since the German reunification caused extreme instances of the loss of status and economic opportunity for women. German reunification shows that the unequal situation and systems in society were not only due to political positions. Strong religious factors deeply influenced the German mentality. A similar religion-factor is at work in North Korean society which is influenced by Confucianism and in South Korean society which is influenced by Confucianism and conservative Christianity. I argue that religion is one of the major factors in the political culture of Korea, and religion can either assist a fair and equal process for both women and men or it can in a biased way maintain a male-oriented form of reunification. Consequently, the cultural and religious factors in this process of reunification must include an equalization of women and men. This can only take place if Korean women are major participants in the entire reunification process. There is a serious need for a reunification theology which incorporate gender into Korean theology, thus providing a 'feminist reunification theology.' A 'feminist reunification theology' presents basic theological principles that will help build an egalitarian community. There are three important ways to include women's concern for true reunification: 1) The creation of an egalitarian community in work, family and society; 2) The restoration of humanity by healing love and forgiveness through the power of Cross; and 3) The need for religion to be reformed in which a women can be a co-leader in family, church and nation.

The aim of this diploma thesis is an analysis of historical and political factors that participated in the foundation and development of feminist movements in Korea after 1980. The first chapter deals with the working conditions of women employed in textile factories and subsequently describes the protest actions of these women in the 1970s. Protests and collective actions grew into political activism, which created the first women's movements in the 1980s. The second chapter is devoted to their character and development. The following section deals with another important factor that has influenced the formation of the identity of feminist movements in Korea, women active in politics. Their struggle to change Family law in the 1990s united women's movements and strongly signed on their future direction.

Young Ja Lee (b. 1931) is regarded as one of the most important living female composers in Korea. She leads and contributes to the Korean classical music society as a gifted composer and a dedicated educator. This study focuses on how she has combined Western compositional techniques with elements of Eastern traditional music in some of her compositions, in particular, her Variations pour piano "Umma ya, Nuna ya." An interpretation of her Variations pour piano "Umma ya, Nuna ya" reveals that the composition features many of the particular and sublime aspects of Western compositional techniques in conjunction with traditional Korean music style. This study is an investigation of the interaction and assimilation of these disparate elements. The results of this study may inspire further research into traditional Korean music and bring recognition to important Korean composers, as well as encourage music educators to teach Korean composers' compositions.

Cette thèse porte sur la constructions des carrières migratoires de femmes issues de la Corée du Nord, de la Corée du Sud et du Japon. L’enjeu est de comprendre la construction objective et subjective de ces parcours à partir d’héritages historiques et culturels des sociétés d'origine, de politiques migratoires, de bifurcations biographiques, d’expériences sociales et de travail au sein d’« espaces totalitaires ». Dans la première partie, la thèse se penche sur les migrations internationales de femmes ainsi que sur la démarche méthodologique mise en place pour collecter des données comparatives auprès de femmes en souffrance au cœur de terrains « minés » et pour les analyser. La deuxième partie s’efforce de reconstituer les carrières objectives des migrantes en se concentrant sur les contextes de départ, la construction des projets migratoires et les contextes d’arrivée. Les migrantes se heurteront à la réitération des grammaires du mépris et de l’injustice – au sens de L. Roulleau-Berger – , aux violences et aux dominations influencées par les imaginaires coloniaux ou nationaux de la population hôte. Les corps « faibles » de ces femmes, au regard des imaginaires individuels et collectifs des sociétés d’accueil, deviennent des corps sensuels, sexuels, résistants etc. et devront se construire socialement au sein « d’espaces totalitaires » érigés au regard de ces imaginaires. La troisième partie analyse la construction des carrières subjectives des femmes issue de la péninsule coréenne et du Japon. Entre les obligations hypertrophiées de s’adapter imposées aux migrantes par le biais de techniques de mortifications – au sens de Goffman – les rôles infligés et les stratégies d’adaptation, elles tentent de survivre à leurs imaginaires migratoires déçus en déployant des tactiques qui se définissent par le refus de toute participation personnelle, l’assimilation du rôle imposé par la société d’accueil ou l’émancipation. / This thesis focuses on the construction of migratory careers of women from North Korea, South Korea and Japan. The challenge is to understand the objective and subjective structure of these routes from historical and cultural heritage of the societies of origin, from migration policies, from biographical bifurcations and from social and work experiences in “totalitarian spaces”. In the first part, the thesis focuses on international migration of women as well as the methodology established to collect comparative data from suffering women in "mined" fieldwork and to analyze them. The second part tries to reconstruct the objective careers of migrants focusing on starting contexts, on the construction of migration projects and on the arrival contexts. The migrants will face the reiteration of grammar of contempt and injustice - in the sense of L. Roulleau-Berger – and the violence and dominations influenced by colonial or national imaginary of the host population. The “weak” bodies of these women, under individual and collective imaginary of host societies, become sensual bodies, sexual bodies, resistant bodies etc. and will build socially in "totalitarian spaces" erected in view of these imaginary. The third section analyzes the construction of the subjective Career of Women of the Korean Peninsula and Japan. Between the bloated obligations to adapt (imposed on migrants through process of mortifications - in the sense of Goffman –), the imposed roles and the adaptive strategies, they try to survive their disappointed migration imaginary by deploying tactics that define by the refusal of any personal participation, assimilation of the role imposed by the host society or emancipation.