Leon Battista Alberti's church of Sant' Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti's corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant?Andrea and to lesser extent San Francesco in Rimini, revisiting key ideas, texts and words. The principal finding of the thesis is that Alberti?s concept of respondeo, as developed in De Re Aedificatoria is the key to understanding the triumphal arch motif and its repetition in the interior. The thesis also comprehensively outlines the variety of contexts in which repondeo can be understood. This term, correlated to the passing of time and to rhetorical-based Albertian terms as decorum and convenio, means a 'sensitive suitability' between parts. The analysis of the triumphal arch motif of Sant?Andrea suggests that formalism has played a more important role in Alberti's design for this church than previously believed. This is by the motif's rigorous outline changing between the interior nave and the exterior fa??ade according to the observer's different visual perceptions. The rhetorical structure of the triumphal arch, in the way that it moves became from two to three dimensions in the fa??ade, seeks familiarity with the city's surrounding environment to establish simultaneity of actions. In this way, by joining the historical-religious point of references to a strategy of perception, the triumphal arch achieves public consensus. This rhetorical program is addressed especially by the patron of the church of Sant' Andrea Ludovico Gonzaga II also the ruler of Mantua with popular aspects of his public representations.

Leon Battista Alberti's church of Sant' Andrea in Mantua has been closely studied by many Renaissance scholars in relation to its layout, dimensions, proportions, chronology, style and aesthetics, as well as earning its place in both Alberti's corpus and the sweep of Renaissance architecture. The thesis investigates how eloquence is embodied in the sequential repetition of the triumphal arch motif between inside and outside. This thesis it is based on extensive and critical review of historical and theoretical literature. It marks a close examination of Sant?Andrea and to lesser extent San Francesco in Rimini, revisiting key ideas, texts and words. The principal finding of the thesis is that Alberti?s concept of respondeo, as developed in De Re Aedificatoria is the key to understanding the triumphal arch motif and its repetition in the interior. The thesis also comprehensively outlines the variety of contexts in which repondeo can be understood. This term, correlated to the passing of time and to rhetorical-based Albertian terms as decorum and convenio, means a 'sensitive suitability' between parts. The analysis of the triumphal arch motif of Sant?Andrea suggests that formalism has played a more important role in Alberti's design for this church than previously believed. This is by the motif's rigorous outline changing between the interior nave and the exterior fa??ade according to the observer's different visual perceptions. The rhetorical structure of the triumphal arch, in the way that it moves became from two to three dimensions in the fa??ade, seeks familiarity with the city's surrounding environment to establish simultaneity of actions. In this way, by joining the historical-religious point of references to a strategy of perception, the triumphal arch achieves public consensus. This rhetorical program is addressed especially by the patron of the church of Sant' Andrea Ludovico Gonzaga II also the ruler of Mantua with popular aspects of his public representations.

Thesis (M. A.)--Florida State University, 2005. / Advisor: Maxine D. Jones, Florida State University, College of Arts and Sciences, Dept. of History. Title and description from dissertation home page (viewed Jan. 27, 2006). Document formatted into pages; contains vii, 84 pages. Includes bibliographical references.

Thesis (Ph. D.)--Florida State University, 2004. / Advisor: Jack Freiberg, Florida State University, College of Visual Arts, Theatre, and Dance, Art History Dept. Title and description from dissertation home page (viewed Jan. 12, 2006). Document formatted into pages; contains vi, 245 pages. Includes bibliographical references.

This thesis investigates the role of regional organizations in peacemaking and peacekeeping, particularly on the effects of peace agreement duration. This is important because the United Nations has been traditionally seen as the default international peacekeeping force but recently, more responsibility is being given to regional organizations. This study hypothesizes that regional organizations’ ability to clear commitment problems, create specific agreements, and willingness to enforce agreements make them the most effective third parties to deal with many conflicts. However, the study also hypothesizes that regional organizations are less fit to mediate conflicts based around ethnicity, identity, or religious disparities. By utilizing a mixture of logistic regression and case studies, the results illustrate that regional organizations are an essential asset to creating agreements that elongate the duration of peace. In testing for the partiality of regional organizations, the specifics of agreements made, the willingness and capabilities of enforcement, the reason for the conflict and the institutionalization of the organization, quantitative and qualitative results illustrate that regional organizations are a valid tool for conflict management

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Made available in DSpace on 2016-04-28T14:16:43Z (GMT). No. of bitstreams: 1 Midori Hijioka Camelo.pdf: 3378645 bytes, checksum: d5a844d84ac1ae690e2ae66fd45c6c79 (MD5) Previous issue date: 2009-10-16 / This work tried to identify the contributions of Filippo Brunelleschi and Leon Battista Alberti to the geometrical optics study. Tradicinally, seen by the history of arts and architecture study as inventors of the perspective, in this history of science study, the issue of genealogy was left behind, so they could find in the investigations about costruzione legittima , contributions for the geometrical optics. The period lived by Brunelleschi and Albert, the Renaissance one, shows many changing elements that made the transition from the Medieval and the Modern History. Specially about the perspective study, it s an incorporating moment, with a different meaning to the word. What used to be the synonym of optics throughout Middle Age, thanks largely to the investigations of architects and painters started then, has now the idea of the representation way , keeping it though the time, like we understand it today. Along with the complex movement of approaching of the heavenly thing to the ones here on Earth, witch in canvas mean the introduction of elements of the real world in representations, we can also see an approach of mathematics to the useful things of life, and geometry becomes equally important to the costruzione legittima of visual reality. In the arts and science knowledge and duties meetings, brought to you by the humanism, the spirit of modern science blends together, In the history of geometrical and experimental optics, the art of painting is show more present than it was traditionally thought to. At the time of seeing, the birth of modern science, the connections of Brunellesch and Alberti revealed how artificial the limit of art and science, the duties and the knowledge / Esta pesquisa buscou identificar as contribuições de Filippo Brunelleschi e Leon Battista Alberti para o estudo da óptica geométrica. Tradicionalmente, disputados pelos estudiosos da história da arte e arquitetura como inventores da perspectiva, neste estudo em história da ciência, deixaram-se de lado a questão de genealogia para encontrar, no interior das investigações para a costruzione legittima , contribuições para a óptica geométrica. O período vivido por Brunelleschi e Alberti, o Renascimento, apresenta muitos elementos de transformações que marcaram historicamente a transição entre o Medieval e o Moderno. Particularmente para o estudo da perspectiva, trata-se de um momento de formação de um novo significado para o termo. O que era sinônimo de óptica durante toda Idade Média, passa a incorporar, graças às investigações dos pintores e arquitetos iniciada ali, a idéia de modo de representação , ficando no decorrer do tempo somente com esta última, tal como entendemos hoje. Juntamente com o complexo movimento de aproximação de elementos do mundo real para a pintura, vemos ocorrer uma aproximação da geometria à forma de representação. No encontro de saberes e fazeres, de arte e ciência, plasma-se o espírito da ciência moderna. Na história da óptica geométrica e experimental, a arte da pintura mostra-se mais presente que tradicionalmente se pensa. Ao vislumbrar, no alvorecer da ciência moderna, as conexões entre Brunelleschi e Alberti revelou-se a artificialidade da fronteira entre a arte e a ciência, o fazer e o saber

Leon Trotsky (1879-1940) remains one of the most controversial figures in twentieth century history. There is no consensus about his character or historical achievements-as either thinker or actor. To Winston Churchill, writing in the 1930s, Trotsky was a 'cancer bacillus'. The Stalinist anathema placed on him is well-known. For Tony Cliff, a contemporary socialist writer, on the other hand, Trotsky was a 'man of genius'. Whatever assessment may be made about Trotsky, one of his lesser biographers and critics makes the point fairly enough that 'compared to his famous colleagues, Lenin and Stalin, Trotsky has been sorely neglected by historians and other scholars'. The upheaval in the USSR and its successor state system, and in Eastern Europe and China, since the mid-1980s, when CPSU General Secretary Mikhail Gorbachev launched his programme of radical change under the sobriquets 'glasnost' and 'perestroika', has brought into the foreground once again the historical issues concerning the origins, character and consequences of the Stalinist system of 'totalitarian' political rule with its attendant hyper-centralised command economy. The whole experience of Stalinism has been, and no doubt will continue to be, subjected to intensive historical reconsideration as Russian scholars in particular seek to come to terms with the October Revolution and its legacy within the context of their national past. The publication of some of Trotsky's writings in Russian language editions and their circulation within the territories of the Russian Federation makes available an assessment and analysis of the Stalinist experience previously denied to the Russian reader. It is against this background that the author has written an historical review of Trotsky's major writings on the question of Stalinism in the Soviet Union. The approach adopted utilizes a combination of chronological exposition and analytical commentary, in the belief that both of these aspects of historical writing are necessary and valid. As Arthur Marwick has commented: '... if history without analysis is meaningless, without chronology it does not exist'. Marxist ideas have had a wide currency in the century and the contribution to the body of Marxist doctrine and theory by Leon Trotsky deserves closer attention. This study of Trotsky's attempt to make a Marxist analysis and assessment of the experience of Stalinism in the Soviet Union has been carried through in the belief that the examination of the critical and minority current within the broader mainstream of the international socialist movement has much to offer in contributing to our knowledge and understanding of the one of the most significant developments in twentieth century political history. A critical and historical assessment of Trotsky's analysis of Stalinism makes a contribution both to our appreciation of Trotsky's ideas and to our understanding of a phenomenon which looms large in any discussion of the broader contours of twentieth century history.

By way of five microhistories focusing on the lives of Cecelia Davies Sylvester, Hannah Director, Leon Koerner, Harry Adaskin, and Nathan Nemetz, this study examines various modes of integration for Jews within particular periods of British Columbian (BC) history. Each microhistory explores the boundaries that were crossed and fostered by Jews whose careers and social contributions led them outside the confines of the established Jewish community. These Jews represent the vanguard of Jewish integration for each era to which they contributed.

By way of five microhistories focusing on the lives of Cecelia Davies Sylvester, Hannah Director, Leon Koerner, Harry Adaskin, and Nathan Nemetz, this study examines various modes of integration for Jews within particular periods of British Columbian (BC) history. Each microhistory explores the boundaries that were crossed and fostered by Jews whose careers and social contributions led them outside the confines of the established Jewish community. These Jews represent the vanguard of Jewish integration for each era to which they contributed.