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The thesis presents one approach to reading the Song of Songs as a unified composition. The first chapter examines the various arguments for unity and disunity that have been put forth in the history of the Song's interpretation. Although no definitive structure based on patterns of repetition seems possible in the Song, the chapter argues that the complex web of repetition in the text points to a unified composition. The second chapter explores the possibility of a regulating structure based on the interaction of voices in the Song. After outlining the various genres evident in the Song, as well as the speaker-addressee relationships within these genres, the chapter argues that such a regulating structure is to be found in the Song's unified discourse setting. This discourse setting consists of two lovers who interact with the Daughters of Jerusalem. The third chapter examines some of the implications of such a unified discourse setting for the interpretation of the Song. The chapter suggests that while the discourse setting is consistent throughout the work, two distinct fictive realms are apparent within the text: one fictive realm deals with the escapades of two lovers; a second fictive realm presents the endeavors of Solomon. The chapter argues for an explanatory relationship between the block of material pertaining to Solomon and the discourse setting of the work. The block of material pertaining to Solomon, because it features the Daughters of Jerusalem as characters, has particular relevance for the Daughters as they reside in the discourse setting of the work. The chapter also argues for a thematic relationship between the stories about Solomon and the narratives and lyrics which deal with the two lovers. The love poetry serves to mold the reader's evaluation of particular images which recur within the Solomonic material. The discourse setting and the two distinct fictive realms work together to convey a negative evaluation of Solomon's treatment of the Israelites, represented metaphorically as the Daughters of Jerusalem within the Song. / Thesis / Master of Arts (MA)

Places like nightclubs or pubs are frequently visited in order to find partners for love, sex and relationships. This study examins behavioral patterns and trends among young adults in these environments. A computer-based questionnaire has been implemented on entertainment establishments - two studentclubs, one youth club and three nightclubs - in Malmoe and Lund in southern Sweden. The emprical material contains at most 149 answers, and at least 109. Sex, love and relationships are less important than expected, but are still some of few big reasons for visiting nightclubs. Expectations of meeting somebody for sex are medium, the sexual encounter is expected to take place within the next 24 hours, in one of five cases directly on site, containing primarily intercourse, kissing and petting, and resulting in love or a ”fuck-buddy”-relationship. Most of the respondents are looking forward to see their new sexual partner again, while the sex is expected to feel less positive one week later, especially among the regular visitors. Most of the respondents assume they will be able to influence the type of sexual actitvity, and most of them consider reducing risks of STI transmittion. Still, many respondents never consider reducing risks, and quite few think they are not going to reduce the risks, or don´t know how to reduce them. Disinterest and lack of knowledge are the main reasons not knowing how to reduce the risks. The theoretical frame consists of Goffmans ”The Presentation of Self in Everyday Life”.

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Show of Wonders is a fictional novel.

ABSTRACT In this book-length poem, The Orchard Green And Every Color, the material eye becomes lingual, forging Vision from the consequential glintings of solid light through the many-colored world. Following a notational mode that foregrounds clarity which splits apart at its limits, its language attempts to be astonished before the intelligence of images and the capacity of the mind to move in step with them, even as saying and seeing run in counterpoint to one another at varying speeds in its early sections, concluding in a series of prose poems that move on the thin ice of repeated syntax. This thesis seeks to prove that poems provide more than an example of a world-weary or language-damaged individual consciousness but function as a type of sensory organ for echolocating one’s way through the world.

In this thesis I explore the theoretical, ethical, and practice-based implications of doing research with Indigenous, racialized, and LGBT2SQ+ youth and young people. This research traces participant conceptualizations of decolonial love, through arts- and land-based methods, within the context of ongoing settler colonialism. Through an Indigenous-led and participatory research project called Sisters Rising, I engaged in intimate conversations and facilitated research workshops with young Black, Indigenous, and people of colour (BIPOC) who reflected on their understandings of decolonial love as related to their own experiences, knowledges, and teachings. Their conceptualizations of decolonial love as inextricably tied to land, sovereignty, and resurgence disrupt settler colonial narratives that attempt to violently displace and disenfranchise BIPOC communities and undermine Indigenous intellectual knowledges as inferior or simplistic, particularly in Euro-Western academia. Through this research BIPOC young people’s understandings of decolonial love guide my praxis and ongoing learning as a frontline practitioner who is committed to cultivating and nurturing a politicized ethic of decolonial love in my child-, youth-, and family-centered praxis. / Graduate / 2022-07-05