Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2015-12-01T23:23:49Z No. of bitstreams: 1 AdaLimaFerreiraDeSousa_TESE.pdf: 3837416 bytes, checksum: e4ed74febd06eacdbd1bfeb5eb7c54d9 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2015-12-08T23:10:15Z (GMT) No. of bitstreams: 1 AdaLimaFerreiraDeSousa_TESE.pdf: 3837416 bytes, checksum: e4ed74febd06eacdbd1bfeb5eb7c54d9 (MD5) / Made available in DSpace on 2015-12-08T23:10:15Z (GMT). No. of bitstreams: 1 AdaLimaFerreiraDeSousa_TESE.pdf: 3837416 bytes, checksum: e4ed74febd06eacdbd1bfeb5eb7c54d9 (MD5) Previous issue date: 2014-11-13 / Este trabalho tem como objeto de estudo a constru??o de met?foras e de meton?mias nas hist?rias em quadrinhos e est? inserido no campo da Lingu?stica Cognitiva Corporificada. Tomo por base, especificamente, a Teoria Neural da Linguagem (FELDMAN, 2006) e, em conson?ncia com esse arcabou?o te?rico-metodol?gico, utilizo as no??es de categoriza??o (LAKOFF; JOHNSON, 1999), corporalidade (GIBBS, 2005), figuratividade (GIBBS, 1994; BERGEN, 2005) e simula??o mental (BARSALOU, 1999; FELDMAN, Ibid.). A hip?tese defendida ? a de que a constru??o da figuratividade em textos constitu?dos por mecanismos verbais e n?o verbais est? atrelada ? ativa??o de estruturas neurais relacionadas a nossas a??es e percep??es. Desse modo, a linguagem ? considerada uma faculdade cognitiva ligada ao aparato cerebral e ?s experi?ncias corp?reas, de maneira que ela fornece amostras do processo cont?nuo de (re)constru??o de sentidos efetivado pelo leitor, o qual (re)define suas vis?es acerca do mundo ? medida que certas redes neurais s?o (ou deixam de ser) ativadas durante o processamento lingu?stico. Dados obtidos na an?lise apontam que, no tocante ?s hist?rias em quadrinhos, a leitura dos recursos gr?ficos integrada ? da linguagem verbal parece ter um papel importante na constru??o de met?foras e de meton?mias, havendo casos, inclusive, de met?foras metonimicamente motivadas. Essas conclus?es adv?m da an?lise de dados retirados da obra V de vingan?a (MOORE; LLOYD, 2006). O estudo do corpus ? pautado na metodologia da introspec??o, isto ?, a an?lise individual dos aspectos lingu?sticos conforme se manifestam na pr?pria cogni??o do sujeito (TALMY, 2005). / The object of this study is the construction of metaphor and metonymy in comics. This work is inserted in the field of Embodied Cognitive Linguistics, specifically based on the Neural Theory of Language (FELDMAN, 2006) and, consistent with this theoretical and methodological framework, the notions of categorization (LAKOFF & JOHNSON, 1999), embodiment (GIBBS, 2005), figurativity (GIBBS, 1994; BERGEN, 2005), and mental simulation (BARSALOU, 1999; FELDMAN, 2006) have also been used. The hypothesis defended is that the construction of figurativity in texts consisting of verbal and nonverbal mechanisms is linked to the activation of neural structures related to our actions and perceptions. Thus, language is considered a cognitive faculty connected to the brain apparatus and to bodily experiences, in such a way that it provides samples of the continuous process of meaning (re)construction performed by the reader, whom (re)defines his or her views about the world as certain neural networks are (or stop being) activated during linguistic processing. The data obtained during the analysys shows that, as regards comics, the act of reading together the graphics and verbal language seems to have an important role in the construction of figurativity, including cases of metaphors which are metonymically motivated. These preliminary conclusions were drawn from the data analysis taken from V de Vingan?a (MOORE; LLOYD, 2006). The corpus study was guided by the methodology of introspection, i.e., the individual analysis of linguistic aspects as manifested in one's own cognition (TALMY, 2005).

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-03-28T18:59:13Z No. of bitstreams: 1 VaniltonPereiraDaSilva_TESE.pdf: 1513062 bytes, checksum: 12094486ec871ffa836a20320f965759 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-03-28T21:27:53Z (GMT) No. of bitstreams: 1 VaniltonPereiraDaSilva_TESE.pdf: 1513062 bytes, checksum: 12094486ec871ffa836a20320f965759 (MD5) / Made available in DSpace on 2017-03-28T21:27:53Z (GMT). No. of bitstreams: 1 VaniltonPereiraDaSilva_TESE.pdf: 1513062 bytes, checksum: 12094486ec871ffa836a20320f965759 (MD5) Previous issue date: 2016-12-01 / Nesta tese, investigo o papel das express?es idiom?ticas no processo de constru??o de sentido e suas implica??es no discurso. Para isso, parto do pressuposto de que a aplica??o do Modelo de Gram?tica de Constru??o Corporificada na an?lise de idiomatismos, em contextos espec?ficos de uso, fornece subs?dios ? compreens?o do fen?meno estudado, pois evidencia: como frames, esquemas e proje??es metaf?ricas se integram na produ??o de especifica??es sem?nticas (semspec); como essas semspec s?o resolvidas no ?mbito dos contextos situacional e discursivo; e de que maneira as infer?ncias s?o produzidas durante o processamento discursivo. Nessa empreitada, recorro ?s no??es de categoriza??o (LAKOFF, 1987; FELDMAN, 2006), constru??es (BERGEN, CHANG, 2003, 2005), frames (LAKOFF, 2004; DUQUE, 2015), framing (LAKOFF, 2004), esquemas (LAKOFF, 1987; JOHNSON, 1987; DUQUE, 2015), met?foras (LAKOFF, JOHNSON, 1980, 1999; LAKOFF, 2008), contexto (VAN DIJK, 2012), corporalidade (LAKOFF, JOHNSON, 1999; BERGEN, 2005, 2010), affordances (GIBSON, 1977, 1979) e idiomaticidade (FILLMORE, KAY, O?CONNOR, 1988; SILVA, 2012). A hip?tese defendida ? a de que as express?es idiom?ticas ajustam um conjunto de mapeamentos metaf?ricos com base no framing, processo de modelagem de frames, por meio do qual o discurso ? estruturado. O corpus deste trabalho ? constitu?do pelas express?es idiom?ticas ?abandonar o barco?, ?chutar o balde?, ?agarrar com unhas e dentes? e ?filho de peixe peixinho ?? distribu?das em 15 textos retirados da internet por meio do mecanismo de busca Google. A metodologia utilizada ? de cunho qualitativo, uma vez que permite a realiza??o de uma an?lise emp?rica dos dados, sem a preocupa??o de recorrer a informa??es quantitativas, e se alicer?a no Modelo de An?lise Construcional, que apresenta um formalismo de an?lise lingu?stica feito especificamente para compor uma modelagem de constru??o de sentido baseada em simula??o. As informa??es obtidas na an?lise indicam que as express?es idiom?ticas n?o s? associam significados convencionalizados e esquem?ticos, mas tamb?m integram elementos como a??es, infer?ncias e abstra??es, influenciando a organiza??o discursiva e os processos de constru??o de sentido dos textos. / In this thesis, we investigate the role of idiomatic expressions in the process of meaning construction and its implications for speech. To that end, we assume that the application of the Grammar Model for Embodied Construction in the analysis of idiomatisms, in specific contexts of use, provides subsidies for the understanding of the studied phenomenon, since it highlights the way in which frames, schemes and metaphorical projections are integrated in the production semantic specifications (semspec); the way in which these ?semspec? are addressed in the scope of the situational and discursive contexts; and the way in which the inferences are produced throughout the discursive processing. In this work, we rely on the notions of categorization (LAKOFF, 1987; FELDMAN, 2006), constructions (BERGEN, CHANG, 2003, 2005), frames (LAKOFF, 2004; DUQUE, 2015), framing (LAKOFF, 2004), schemes (LAKOFF, 1987; JOHNSON, 1987; DUQUE, 2015), metaphors (LAKOFF, JOHNSON, 1980, 1999; LAKOFF, 2008), context (VAN DIJK, 2012), corporeality (LAKOFF, JOHNSON, 1999; BERGEN, 2005, 2010), affordances (GIBSON, 1977, 1979) and idiomaticity (FILLMORE, KAY, O?CONNOR, 1988; SILVA, 2012). The advocated hypothesis claims that idiomatic expressions organize a set of metaphorical mappings based on framing, i.e., the framework modeling process, through which the speech is structured. The corpus of this work is made up of the Portuguese idiomatic expressions ?abandonar o barco?, ?chutar o balde?, ?agarrar com unhas e dentes? and ?filho de peixe peixinho ??, which are distributed in 15 texts extracted from the internet by means of the Google search engine. The employed methodology has a qualitative nature, as it enables the accomplishment of an empirical analysis of data, without the worry about relying on quantitative information, and is underpinned by the Model of Constructional Analysis, which has a formalism of linguistic analysis specifically made to compose a simulation-based modeling of meaning construction. The information obtained in the analysis points out that idiomatic expressions not only associate conventionalized and schematic meanings, but also integrate elements such as actions, inferences and abstractions, thereby influencing the discursive organization and the processes of meaning construction of texts.

Made available in DSpace on 2015-04-14T13:39:28Z (GMT). No. of bitstreams: 1 466022.pdf: 947272 bytes, checksum: 43973a9095b0e86bd2781be452555114 (MD5) Previous issue date: 2014-12-19 / The meaning of self-exile that has been used in this work, constitutes itself in a kind of exile that is not chosen, neither imposed externally, because its occurrence is related to a structural injunction, from the psychism order. This way, the psychic exile , comdemns the person to a radical intimate weirdness feeling, where the world and the oneself unintelligibility prevails. From the psychoanalytic standpoint, this entity is called psychosis; from the current use of the language standpoint, it is called madness. Through a transversal cut in Elias Canetti biography, from the time the writer lived in and his relations to the German language, culture and literature, it is possible to identify in Peter Kien character and in the novel Auto de F?, the points that support our hypothesis related to the self exile : that the use of the language that Canetti does, enables him to make a perfect representation of the psychic laceration that hits the novel protagonist, according to his relations to the world and to the other characters, as well as the subjective question fulfills the metaphor role of a world under fragmentation, not only from the one that was used as raw material for the work, also from the world today, that is nothing but the logical and direct consequence that was already announced at the beginning of the XX century. / O sentido de ex?lio de si que foi privilegiado neste trabalho se constitui em um tipo de ex?lio que n?o ? escolhido e tampouco ? imposto de fora, pois a sua ocorr?ncia se relaciona com uma injun??o estrutural, da ordem do psiquismo. Sendo assim, o ex?lio ps?quico condena o sujeito a um sentimento de radical estranheza ?ntima onde o que prevalece ? a ininteligibilidade do mundo e de si mesmo. Do ponto de vista da teoria psicanal?tica, esta entidade ? denominada de psicose; do ponto de vista do uso corrente da l?ngua, ? chamada de loucura. Atrav?s de um corte transversal que vai da biografia de Elias Canetti, da ?poca em que o escritor viveu e de suas rela??es com a l?ngua alem? e com a literatura, procuramos identificar no personagem Peter Kien e no romance Auto de F?, os pontos que apoiam a nossa hip?tese em rela??o ao ex?lio de si : que o uso que Canetti faz da linguagem propiciou-lhe fazer uma perfeita representa??o do esfacelamento ps?quico que assola o protagonista do romance em suas rela??es com o mundo e com os outros personagens, assim como esta quest?o subjetiva cumpre o papel de met?fora de um mundo em fragmenta??o, n?o s? daquele que lhe serviu de mat?ria-prima para a confec??o da obra, como do mundo de hoje, que nada mais ? do que a consequ?ncia l?gica e direta do que j? se anunciava no alvorecer do s?culo XX.

Made available in DSpace on 2014-12-17T14:00:20Z (GMT). No. of bitstreams: 1 AndreLRB_DISSERT.pdf: 5706634 bytes, checksum: 705650c60de39314fa9e4412b2e6860d (MD5) Previous issue date: 2014-03-14 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This dissertation aims to look into the structure of the event Circuito Regional de Performance BodeArte1 to think how it collaborate with its proposal providing theoretical points to relevant questions to the comprehension of Brazilian performance art in contemporaneity, since its conceptual format until its occurrence and practical limitations. From this proposition the dissertation is organized into three chapters guided for the following aspects: the resumption of the events encompassed on the occurrence of Circuit BodeArte as well as a tabulation of the data reunited in its history, the presentation of its conceptual choices, and the metaphors conducted by the use of the term performance and how they can lead us to the idea of a performance-as-BodeArte. The methodological structures moved for this organization are qualitative, and have been formed from printed materials, texts, festival programs, blog, videos, photos, interviews, lectures and forums, plus our own memory as a producer and performer of the event, looking through these set points of the epistemological organization contained on the proposal of the Circuito, expanding and discussing them. This way this research moves between the propositions of this event in its three editions, promoting discussions that dialogue with concepts such as the emergence of Steve Johnson (2004), the metaphors of thought proposed by Christine Greiner (2005), the idea of performance hacker of Maria Beatriz de Medeiros (AQUINO, et al., 2012), as well as other propositions presented by Jan Swidzinski (2005) and Eleonora Fabi?o (2012) / Esta disserta??o tem por objetivo voltar-se ? estrutura do evento Circuito Regional de Performance BodeArte, para pensar, desde seu formato conceitual at? seu acontecimento e limita??es pr?ticas, como ele em sua proposta aponta quest?es relevantes para a compreens?o da performance brasileira na contemporaneidade. A partir desta proposi??o, a disserta??o organiza-se em tr?s cap?tulos pautados nos seguintes aspectos: a retomada dos acontecimentos e dados reunidos na ocorr?ncia do Circuito BodeArte, a apresenta??o de suas escolhas conceituais, e as met?foras conduzidas pelo uso do termo performance e como elas podem nos conduzir a ideia de uma performance-como-BodeArte. As estruturas metodol?gicas para tanto s?o de car?ter qualitativo, e tomam como base materiais impressos, textos, programas, blog, v?deos, fotografias, entrevistas, palestras e f?runs, al?m de nossa pr?pria mem?ria como produtor e performer do evento, procurando atrav?s destes estabelecer pontos de organiza??o epistemol?gica da proposta do Circuito, ampliando-os e discutindo-os. Deste modo esta pesquisa desloca-se pelas proposi??es do evento em suas tr?s edi??es, promovendo discuss?es que interpelam e dialogam com conceitos como a emerg?ncia de Steve Johnson (2004), as met?foras do pensamento de Christine Greiner, a ideia de performance hacker de Maria Beatriz de Medeiros (AQUINO, et al., 2012), assim como outras proposi??es lan?adas por Jan Swidzinski (2005) e Eleonora Fabi?o (2012)

Made available in DSpace on 2015-04-14T13:37:49Z (GMT). No. of bitstreams: 1 414099.pdf: 1445691 bytes, checksum: 2557c3c70793b8b8703a08be92067511 (MD5) Previous issue date: 2009-01-30 / Nosso objetivo ? analisar o oceano como met?fora nas l?ricas de Cec?lia Meireles (1901-1964) e Sophia Breyner Andresen (1919-2004), a partir do texto do fil?sofo Paul Ricoeur, A met?fora viva. A proposta de Ricoeur ? demonstrar que a compet?ncia metaf?rica est? incompleta sem o apoio psicol?gico da imagina??o e do sentimento, em que a imagem ? tomada como o ?ltimo momento de uma teoria sem?ntica. Sua teoria da compet?ncia metaf?rica ser? utilizada para comprovar como cada poeta emprega essa figura de linguagem para atingir determinados prop?sitos em suas l?ricas, com base em influ?ncias comuns. Cec?lia est? orientada na dire??o do m?stico e busca a transcend?ncia, enquanto Sophia, por conta da cultura grega de raiz cl?ssica, ? m?tica e imanente. As met?foras do mar, nas duas obras, se prestam como um meio po?tico privilegiado desses posicionamentos.