Global ETD Search

1	Lawrence Halprin. Contribuições para uma prática compreensiva na arquitetura da paisagem / Lawrence Halprin. Contributions for a comprehebsive practice in landscape architecture Martins, Talita Rocha 27 November 2014 (has links) Lawrence Halprin foi um arquiteto paisagista norte-americano que atuou profissionalmente entre 1945 e 2009. Sua prática holística, multifacetada, experimentalista e transdisciplinar aplicada ao processo de pensar a paisagem e projetar os ambientes humanos resultaram numa abordagem compreensiva e inovadora ao design.Assumindo a relevância de suaprática na paisagem, esta dissertação procurou entender e discutir sua trajetória profissional sob o ponto de vista do processo de design. O recorte abrange o período de transição entre os anos 1950 e a primeira metade da década de 1960. O trabalho foi organizado de forma que se compreenda o objeto da pesquisa, que também é sujeito, frente as suas origens, influências, referências e contextos, para então percorrer seu processo de design, cujos temas abordados por este trabalho correspondem aos subsídios que servem para embasar a discussão entre discurso e prática em duas de suas principais obras: o condomínio de veraneio SeaRanch, no condado de Sonoma (Califórnia), e a Sequência de Espaços Abertos da cidade de Portland (Oregon). / Lawrence Halprin was an american landscape architect professionally active for more than sixty years. His holistic,multifaceted, experimentalist and transdisciplinarypractice offers a way of thinking landscape and design in the human environment as a result of a comprehensive and innovative approach. Assuming his relevance under the field of landscape practice worldwide this thesis seeks to understand and discuss Halprin\'s professional lifewith an emphasis on his creative process or design process. The research focus was narrowed to the years of Halprin\'s first discoveries that lead him to developthe themes that characterize his comprehensive approach, which correspond to the beginnings of the fifties and the first decade of the sixties. The thesis\'s structure was organized to situate Halprin under the historical, artistic and social context of the fifties and sixties providing an insight in his origins and influences to then explore his design process with which are used to discuss the interface between his discourse and his practice using as case studies two of his major works: Sea Ranch, located in Sonoma Couny, California, and Portland Open Space Sequence, in Portland, Oregon. Arquitetura da paisagem Design process Landscape architecture Lawrence Halprin Portland open space sequence Processo de design Sea Ranch
2	Lawrence Halprin. Contribuições para uma prática compreensiva na arquitetura da paisagem / Lawrence Halprin. Contributions for a comprehebsive practice in landscape architecture Talita Rocha Martins 27 November 2014 (has links) Lawrence Halprin foi um arquiteto paisagista norte-americano que atuou profissionalmente entre 1945 e 2009. Sua prática holística, multifacetada, experimentalista e transdisciplinar aplicada ao processo de pensar a paisagem e projetar os ambientes humanos resultaram numa abordagem compreensiva e inovadora ao design.Assumindo a relevância de suaprática na paisagem, esta dissertação procurou entender e discutir sua trajetória profissional sob o ponto de vista do processo de design. O recorte abrange o período de transição entre os anos 1950 e a primeira metade da década de 1960. O trabalho foi organizado de forma que se compreenda o objeto da pesquisa, que também é sujeito, frente as suas origens, influências, referências e contextos, para então percorrer seu processo de design, cujos temas abordados por este trabalho correspondem aos subsídios que servem para embasar a discussão entre discurso e prática em duas de suas principais obras: o condomínio de veraneio SeaRanch, no condado de Sonoma (Califórnia), e a Sequência de Espaços Abertos da cidade de Portland (Oregon). / Lawrence Halprin was an american landscape architect professionally active for more than sixty years. His holistic,multifaceted, experimentalist and transdisciplinarypractice offers a way of thinking landscape and design in the human environment as a result of a comprehensive and innovative approach. Assuming his relevance under the field of landscape practice worldwide this thesis seeks to understand and discuss Halprin\'s professional lifewith an emphasis on his creative process or design process. The research focus was narrowed to the years of Halprin\'s first discoveries that lead him to developthe themes that characterize his comprehensive approach, which correspond to the beginnings of the fifties and the first decade of the sixties. The thesis\'s structure was organized to situate Halprin under the historical, artistic and social context of the fifties and sixties providing an insight in his origins and influences to then explore his design process with which are used to discuss the interface between his discourse and his practice using as case studies two of his major works: Sea Ranch, located in Sonoma Couny, California, and Portland Open Space Sequence, in Portland, Oregon. Arquitetura da paisagem Lawrence Halprin Processo de design Design process Landscape architecture Portland open space sequence Sea Ranch
3	Ecology of a Myth: Landscape, Vernacular, and Settler Colonialism at the Sea Ranch Jennings, Michele Lee January 2022 (has links) No description available. Aesthetics American History American Studies Architecture Architectural Area Planning and Development Art History Design Environmental Studies History Landscape Architecture Native American Studies architecture architectural history modernism settler colonialism environmental conservation california california modernism bay regional tradition sea ranch northern california site specific architecture charles moore lawrence halprin condominium one MLTW vernacular architecture kashaya pomo
4	George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art. Cuthbert, Nancy Marie 20 August 2012 (has links) Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not well-documented and remains almost completely untheorized. In addition to playing a key role in Seattle's development as an internationally recognized leader in public art, my dissertation argues that these works provide early evidence of a linked concern with nature and spirituality that has come to be understood as characteristic of the Pacific Northwest. Tsutakawa was born in Seattle, but raised and educated primarily in Japan prior to training as an artist at the University of Washington, then teaching in UW's Schools of Art and Architecture. His complicated personal history, which in World War II included being drafted into the U.S. army, while family members were interned and their property confiscated, led art historian Gervais Reed to declare that Tsutakawa was aligned with neither Japan nor America – that he and his art existed somewhere in-between. There is much truth in Reed's statement; however, artistically, such dualistic assessments deny the rich interplay of cultural allusions in Tsutakawa's fountains. Major inspirations included the Cubist sculpture of Alexander Archipenko, Himalayan stone cairns, Japanese heraldic emblems, First Nations carvings, and Bauhaus theory. Focusing on the early commissions, completed during the 1960s, my study examines the artist's debts to intercultural networks of artistic exchange – between North America, Asia, and Europe – operative in the early and mid-twentieth century, and in some cases before. I argue that, with his fountain sculptures, this Japanese American artist sought to integrate and balance such binaries as nature/culture, intuition/reason, and spiritual/material, which have long served to support the construction of East and West as opposed conceptual categories. / Graduate George Tsutakawa American modernism modern design silicon bronze sculpture welded sheet metal sculpture West Coast modernism Pacific Northwest Seattle public art Century 21 Fulton Mall postwar shopping center design Asian American art World War II Japanese internment Nisei Kibei machine aesthetic abstract art spirituality in art Lawrence Halprin environmentalism in art International Style architecture postwar urban planning Ala Moana Center Northgate Shopping Center Zen in America Bauhaus in America Walter Gropius Victor Gruen Mark Tobey Japanese American Henry Moore Sigfried Giedion Lewis Mumford Alexander Archipenko Paul Horiuchi Johsel Namkung Dudley Carter Freeway Park, Seattle Bentall Centre, Vancouver Seattle Public Library secondary Orientalism organicism in art modernist architecture

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