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Born in Russia in 1904, Alexandre Marc was very active among the French non-conformist movements of the thirties. He attempted to federate them around the Ordre Nouveau group he founded in 1930; there, under the impulse of Arnaud Dandieu (1897-1933), a philosophy of personalism was elaborated, in a Nietzschean and federalist form, a few years before it was taken up and adapted in a communitarian Catholic version by the review Esprit of Emmanuel Mounier, where the term was made famous. Marc had brought there the idea of personalism, which he had derived from his Russian background and his German philosophical formation. With the aim of forming a revolutionary common front of European youth beyond national and party divisions, he made contacts on behalf of O.N. with a number of youth movements in Germany, most notably that of the review Gegner of Harro Schulze-Boysen, who would become a controversial leader of the Resistance against Hitler.

Diss. Universiẗat Fribourg.

Zugl.: Augsburg, Univ., Diss., 2008

Thesis (Ph. D.)--University of Michigan, 1954. / Typescript. Complete texts of all the oratorios: v. 2, Appendix A. Includes bibliographical references (v. 1, leaves 389-412).

Thesis (M.A.)--Ohio State University, 1986. / Includes bibliographical references (leaves 94-97). Available online via OhioLINK's ETD Center

180 f. / Submitted by Cynthia Nascimento (cyngabe@ufba.br) on 2013-03-07T12:38:14Z No. of bitstreams: 1 Hayaldo Copque Fraga de Oliveira.pdf: 10035724 bytes, checksum: e200b729d1e8fef82cbb3690f2108f27 (MD5) / Rejected by Fatima Cleômenis Botelho Maria (botelho@ufba.br), reason: Faltam as palavras-chave do autor. on 2013-04-05T16:10:56Z (GMT) / Submitted by Cynthia Nascimento (cyngabe@ufba.br) on 2013-04-08T13:27:59Z No. of bitstreams: 1 Hayaldo Copque Fraga de Oliveira.pdf: 10035724 bytes, checksum: e200b729d1e8fef82cbb3690f2108f27 (MD5) / Approved for entry into archive by Fatima Cleômenis Botelho Maria (botelho@ufba.br) on 2013-04-09T13:04:27Z (GMT) No. of bitstreams: 1 Hayaldo Copque Fraga de Oliveira.pdf: 10035724 bytes, checksum: e200b729d1e8fef82cbb3690f2108f27 (MD5) / Made available in DSpace on 2013-04-09T13:04:27Z (GMT). No. of bitstreams: 1 Hayaldo Copque Fraga de Oliveira.pdf: 10035724 bytes, checksum: e200b729d1e8fef82cbb3690f2108f27 (MD5) / Ao mesclar elementos tradicionais da cultura russo-judaica com as influências das vanguardas artísticas do século XX, o pintor Marc Chagall (1887-1985) desenvolveu um estilo único, criando um mundo mágico, repleto de seres que exercem um verdadeiro fascínio sobre o imaginário humano. O presente trabalho aborda os diversos pontos de conexão entre a obra desse artista e o teatro, de forma a agenciar elementos para a construção do texto dramatúrgico Sobre a aldeia. Num primeiro momento, busco tais elementos através do estudo de aspectos da biografia de Chagall, na qual destaco a forte influência do teatro sobre sua obra, além de suas experiências como cenógrafo. Num segundo momento, a partir de uma discussão sobre o conceito de teatralidade, analiso como tal noção se manifesta em algumas obras do artista. A análise da teatralidade em Chagall constitui uma etapa fundamental em meu processo metodológico de criação dramatúrgica, pois é a partir dela que empreendo a aproximação entre a linguagem da pintura e a linguagem do teatro. Para tanto, articulo ainda o conceito de teatralidade com noções bachelardianas acerca da imaginação criadora, de forma a conceber o espaço da tela como um palco. Será somente após analisar os aspectos históricos que ligam a obra de Chagall à arte do teatro e como essa arte se manifesta em seus trabalhos que, munido de elementos materiais e imaginários suficientes para a criação de meu texto dramatúrgico, apresento Sobre a aldeia.Palavras-chave: Marc Chagall, teatralidade, dramaturgia, história da arte. / Universidade Federal da Bahia. Escola de Dança/ Escola de Teatro. Salvador-Ba, 2012.

In considering Chagall's art the observer is immediately struck by the constancy of his almost obsessive repetition of certain symbols and themes. In this way Chagall has created his own fantasy world, one with which the observer soon becomes acquainted and grows to love and understand.

This dissertation focuses on the data exchange bibliographic formats that have been used in the libraries since the 1960s. There have not been many changes over the decades although librarians have been calling for them. Since the beginning of the new millennium, there has been a growing pressure for change. The aim of this dissertation is to try to summarize the activities in this field and to outline possible future development. The formats used in the past and in the present are analysed in the first part. It is possible to predict the future development on the basis of the analysis of individual projects and on the basis of surveys. The results of the analysis suggest that these activities are headed to a linked data publication model that preserves the current cataloguing procedures. Keywords: exchange formats, bibliographic data, MARC format, MARC 21 format, linked data, BIBFRAME, Schema.org, cataloguing

Thesis (Ph. D.)--University of California, Los Angeles, 1987. / Includes vita. Includes bibliographical references (leaves 275-279).