Au regard des restrictions à l’incarcération introduites par l’adoption de la Loi sur le système de justice pénale pour les adolescents (LSJPA), au Centre jeunesse de Montréal - Institut universitaire (CJM-IU), s’est amorcée en 2005 la mise sur pied du programme de suivis intensifs différenciés (SID) dans la communauté. Notre stage de maitrise en intervention clinique avait comme objectifs : de participer à la mise en œuvre transversale du programme SID, de contribuer à son intégrité, de supporter les intervenants y étant associés ainsi que de bonifier le processus de référence de ce programme en développant un outil d’évaluation. Suite à cette expérience, il nous semblait nécessaire d’entreprendre une réflexion sur la situation d’implantation du programme SID, plus précisément de faire une évaluation de type formatif et constructif du niveau de concordance entre son modèle théorique et son application au quotidien ainsi que des obstacles rencontrés. Une méthodologie qualitative est apparue appropriée pour produire le matériel. Deux techniques ont été utilisées, l’observation participante sur le terrain et l’analyse du contenu de documents écrits (procès-verbaux rédigés après certains comités). Pour structurer l’ensemble du présent rapport de stage, nous avons retenu le concept de plan d’action d’un programme proposé par Chen, dont les six composantes servent de grille à l’évaluation et aident à avoir une vue globale de son implantation, ainsi que le modèle de changement de programme de la TCU (pour Texas Christian University), qui inclut les principaux stades de changement et les facteurs, aux niveaux individuel, organisationnel et du programme en soi, favorisant ou entravant la mise en œuvre d’innovations avec succès. À la lumière de notre analyse, nous considérons qu’il serait possible de surmonter ce qui gêne l’application du programme SID et qu’il ne serait pas obligatoire de faire des changements majeurs à sa théorie. Nous nous sommes permis de suggérer des ajustements qui pourraient être apportés au processus d’implantation de ce programme. En conclusion, nous estimons que la mise en œuvre du programme SID pourrait être réussie seulement si les conditions propices étaient réunies. Toutefois, selon nous, il y aura toujours certaines contraintes avec lesquelles il faudra composer. / In 2005, in the wake of the adoption of the Youth Criminal Justice Act (YCJA) and its attendant restrictions on incarceration, the Centre jeunesse de Montréal - Institut universitaire (CJM-IU) [Montreal youth centre - University institute] launched a community-oriented intensive differential case management program (IDCMP). The clinical internship reported here had the following objectives: allow participation in the cross-sectional implementation of the program, improve the program’s robustness, support program specialists, and develop an assessment tool that would improve this program’s referral process. The results of this internship indicated the necessity of reviewing the IDCMP’s implementation process, specifically through constructive, pedagogical assessment of the congruence of the plan’s theoretical model and day-to-day application, as well of the obstacles encountered. A qualitative methodology appeared appropriate for these purposes. Two techniques were used: field participant observation, and content analysis of written documents (committee minutes). Chen's Program Action Model and the Texas Christian University (TCU) Program Change Model provided the conceptual framework for the internship report. The former’s six components were the basis for an assessment checklist and oriented the global overview of the implementation of the IDCMP, while the latter provided a model of the main stages of change and the individual, organizational, and program-specific factors that favour or hinder innovation. The results indicate that overcoming obstacles to the application of the IDCMP would not require any significant changes to the program’s underlying theoretical basis. Modifications of the program’s implementation process are presented. In conclusion, we consider that the successful implementation of the IDCMP is dependent on certain conditions, and will always be subject to constraints.

Les principaux livres de Ouaknin ont constitué un matériau de choix me permettant de poser deux questions par hypothèse liées l’une à l’autre :<p> <p>\ / Doctorat en philosophie et lettres, Orientation philosophie / info:eu-repo/semantics/nonPublished

Network coding has emerged as an attractive alternative to routing because of the through put improvement it provides by reducing the number of channel uses. In a wireless scenario, in addition, further improvement can be obtained through Physical layer Network Coding (PNC), a technique in which nodes are allowed to transmit simultaneously, instead of transmitting in orthogonal slots. In this thesis, the design and analysis of network coding schemes are considered, for wireless two-way relaying, multi-user Multiple Access Relay Channel (MARC) and wireline networks. In a wireless two-way relay channel with PNC, the simultaneous transmissions of user nodes result in Multiple Access Interference (MAI) at there lay node. The harmful effect of MAI is the presence of signal set dependent deep channel fade conditions, called singular fade states, under which the minimum distance of the effective constellation at the relay become zero. Adaptively changing the network coding map used at the relay according to channel conditions greatly reduces the impact of this MAI. In this work, we obtain these adaptive PNC maps, which are finite in number ,by completing partially filled Latin Squares and using graph vertex coloring. Having obtained the network coding maps, the set of all possible channel realizations is quantized into a finite number of regions, with a specific network coding map chosen in a particular region and such a quantization is obtained analytically for 2λ-PSK signal set. The performance of the adaptive PNC scheme for two-way relaying is analyzed and tight high SNR upper bounds are obtained for the average end-to-end symbol error probability, in terms of the average error probability of a point-to-point fading channel. The adaptive PNC scheme is generalized for two-way relaying with multiple antennas at the nodes. As an alternative to the adaptive PNC scheme for two-way relaying, a Distributed Space Time Coding (DSTC) scheme is proposed, which effectively re-moves the effect of singular fade states at the transmitting nodes itself without any Channel State Information at the Transmitter (CSIT), and without any need to change the PNC map as a function of channel fade conditions. It is shown that the singular fade states can be viewed equivalently as vector subspaces of C2, which are referred to as the singular fade subspaces. DSTC design criterion to minimize the number of singular fade subspaces and maximize the coding gain is formulated and explicit low decoding complexity DSTC designs are provided. For the K-user MARC, in which K source nodes want to transmit messages to a destination node D with the help of are lay node R, a new PNC scheme is proposed. Use of a many-to-one PNC map with conventional minimum squared Euclidean distance decoding at D, results in a loss of diversity order due to error propagation from the relay node. To counter this, we propose a novel low complexity decoder which offers the maximum diversity order of two. Next, we consider wire line networks and explore the connections between linear network coding, linear index coding and discrete polymatroids, which are the multi-set analogue of matroids. We define a discrete polymatroidal network and show that a fractional vector linear solution over a field Fq exists for a network if and only if the network is discrete polymatroidal with respect to a discrete polymatroid representable over Fq.An algorithm to construct networks starting from certain class of discrete polymatroids is provided. Every representation over Fq for the discrete polymatroid, results in a fractional vector linear solution over Fq for the constructed network. It is shown that a linear solution to an index coding problem exists if and only if there exists a representable discrete polymatroid satisfying certain conditions which are determined by the index coding problem considered. El Rouayheb et. al. showed that the problem of finding a multi-linear representation for a matroid can be reduced to finding a perfect linear index coding solution for an index coding problem obtained from that matroid. Multi-linear representation of a matroid can be viewed as a special case of representation of an appropriate discrete polymatroid. We generalize the result of El Rouayheb et. al. by showing that the problem of finding a representation for a discrete polymatroid can be reduced to finding a perfect linear index coding solution for an index coding problem obtained from that discrete polymatroid.

This thesis examines key examples of materially experimental writing (B.S. Johnson’s The Unfortunates, Marc Saporta’s Composition No. 1, and Julio Cortázar’s Hopscotch), hypertext fiction (Geoff Ryman’s 253, in both the online and print versions), and video games (Catherine, L.A. Noire, The Elder Scrolls IV: Oblivion, and Phantasmagoria), and asks what new critical understanding of these ‘interactive’ texts, and their broader significance, can be developed by considering the examples as part of a textual continuum. Chapter one focuses on materially experimental writing as part of the textual continuum that is discussed throughout this thesis. It examines the form, function, and reception of key texts, and unpicks emerging issues surrounding truth and realism, the idea of the ostensibly ‘infinite’ text in relation to multicursality and potentiality, and the significance of the presence of authorial instructions that explain to readers how to interact with the texts. The discussions of chapter two centre on hypertext fiction, and examine the significance of new technologies to the acts of reading and writing. This chapter addresses hypertext fiction as part of the continuum on which materially experimental writing and video games are placed, and explores reciprocal concerns of reader agency, multicursality, and the idea of the ‘naturalness’ of hypertext as a method of reading and writing. Chapter three examines video games as part of the continuum, exploring the relationship between print textuality and digital textuality. This chapter draws together the discussions of reciprocity that are ongoing throughout the thesis, examines the significance of open world gaming environments to player agency, and unpicks the idea of empowerment in players and readers. This chapter concludes with a discussion of possible cultural reasons behind what I argue is the reader’s/player’s desire for a high level of perceived agency. The significance of this thesis, then, lies in how it establishes the existence of several reciprocal concerns in these texts including multicursality/potentiality, realism and the accurate representation of truth and, in particular, player and reader agency, which allow the texts to be placed on a textual continuum. This enables cross-media discussions of the reciprocal concerns raised in the texts, which ultimately reveals the ways in which our experiences with these interactive texts are deeply connected to our anxieties about agency in a cultural context in which individualism is encouraged, but our actual individual agency is highly limited.

Tato diplomová práce se zabývá netradičními druhy biomasy využitelnými v České republice a Španělsku a jejich srovnáním. V prvních kapitolách jsou popsány netradiční druhy biomasy, mezinárodní projekty, smlouvy a legislativa. V následujích kapitolách je rozbor netradičních druhů biomasy zejména vznikajících z potravinářského průmyslu každé země s detailním rozborem a srovnáním zbytků z průmyslového zpracování slunečnice a oliv. V závěru je uděláno celkové srovnání těchto druhů biomasy České republiky a Španělska z aspektů výkupních cen, výhřevností, vlhkosti a množství popelovin.

De 1913 à 1947, entre la première prestation de ses choeurs jusqu’au décès de sa fondatrice, Marguerite Le Meignen, la Schola Cantorum de Nantes connaît une activité ininterrompue malgré deux guerres mondiales et un contexte politique agité. Le groupement naît dans une ville prospère avant la Première Guerre mondiale où la vie musicale est fort diversifiée, le théâtre lyrique occupant cependant la première place. Grâce à Marguerite Le Meignen, une femme à la très forte personnalité, une société de concerts voit le jour. Très solidement organisée, sachant communiquer avec brio, elle propose des programmes variés tant l’hiver que l’été. Le lien avec la Schola Cantorum de Paris fondée par Vincent d’Indy, affirmé avec conviction au début de l’apparition de la Schola de Nantes, se relâche très rapidement pour laisser place à une réalisation originale. La place hégémonique de Marguerite Le Meignen qui domine la vie musicale nantaise pendant trente-quatre ans, empêche la pluralité, même si elle finit par être en concurrence avec d’autres groupements symphoniques dont le principal, l’Association des Concerts Symphoniques du Conservatoire de Nantes préfigure l’actuel Orchestre National des Pays de la Loire. / From 1913 to 1947, since the first choirs performance to the death of her founder, Marguerite Le Meignen, Nantes Schola Cantorum experienced an uninterrupted activity, despite two world wars and a disturbed political context. The group is born in Nantes, a flourishing town before WWI where musical life is greatly diversified, despite the predominance of lyric theater. Thanks to Marguerite Le Meignen, a very strong personality, a concert company comes. With a great sense of organization, knowing how to communicate with brio, she suggests various programs both winter and summer. The link with Paris Schola Cantorum founded by Vincent d’Indy, assured with conviction at the creation of Nantes Schola, soon vanished very quickly. Marguerite Le Meignen’s hegemonic place, dominating Nantes musical life during thirty-four years, prevented plurality, evenif she ends up competing with other symphonic bands, particulary the famoust « Association des Concerts Symphoniques du Conservatoire de Nantes » who prefigures the actuel « Orchestre National des Pays de la Loire ».

In their shared goal of communicating left-wing principles to children through music, Marc Blitzstein's Worker's Kids of the World (1935), Aaron Copland's The Second Hurricane (1937), and Alex North's The Hither and Thither of Danny Dither (1941) exhibit a fundamental unity of purpose that binds them both to each other and to the extensive leftist pedagogical efforts of their time. By observing the parallel relationship among these three children's works and contemporary youth organizations, summer camps, and children's literature, their cultural objectives and stylistic idiosyncrasies emerge as expressions of a continuously evolving educational tradition. Whereas Worker's Kids comes out of the revolutionary Communist aesthetics of the Composers' Collective and the militant activism of The Young Pioneers, The Second Hurricane and Danny Dither reflect the increasingly accommodating educational efforts of the American Popular Front.

The Composers' Collective, founded by leftist composers in 1932 New York City, sought to create proletarian music that avoided the "bourgeois" traditions of the past and functioned as a vehicle to engage Americans in political dialogue. The Collective aimed to understand how the modern composer became isolated from his public, and discussions on the relationship between music and society pervade the radical writings of Marc Blitzstein, Charles Seeger, and Elie Siegmeister, three of the organization's most vocal members. This new proletarian music juxtaposed revolutionary text with avant-garde musical idioms that were incorporated in increasingly greater quantities; thus, composers progressively acclimated the listener to the dissonance of modern music, a distinctive sound that the Collective hoped would become associated with revolutionary ideals. The mass songs of the two Workers' Song Books published by the Collective, illustrate the transitional phase of the musical implementation of their ideology. In contrast, a case study of the song "Chinaman! Laundryman!" by Ruth Crawford Seeger, a fringe member of the Collective, suggests that this song belongs within the final stage of proletarian music, where the text and highly modernist music seamlessly interact to create what Charles Seeger called an "art-product of the highest type."

ANNOTATION: The work The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries - Creative Individuality versus the Chaos of the Time is based on the assumption that dreams are inseparably linked to the concept of existence in human life (Michel Foucault). The study touches on the ways in which dreams are depicted in visual culture that does not coincide with chronologically organized historical events, but is an expression of a free alliance between artists in the European space and centuries of common experience. These works are generally socially critical, exposed to unimaginable pressure from public censorship. The artist must pretend it is only an innocent game, a crazy idea, a whim. At the same time, these paintings are not an expression of boundless imagination, but they are subject to the firm rules of spatial construction of the painting. This is due to the traditional delimitation of dark depths - the underworld of Virgil's Saturn myth of pre-Roman culture, alternating with the vertically felt open heavens as variants of the original Plato's The Myth of Er, which in the 20th century paintings is replaced by the idea of an open landscape with illumination on the low horizon. The work deals with the work of Albrecht Dürer, his copperplate Melancholia I (1514) and his so-called...

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