In this dissertation I examine the social functions of neighborhood plazas by tracing the development of a Classic Maya (AD 200-900) ritual and residential complex at the ancient city of Xultun, Guatemala. In ancient as in modern times, public open spaces were essential to urban life; yet their functions and meanings could vary within and among societies. Using archaeological and architectural data from three plazas and an adjacent residential complex, I identify a shift towards increased public spaces in the Late Classic period, and link this to the rising importance of displays of power for Xultun's growing population. Located on the northern periphery of Xultun, Los Aves, the focus of the study, is an architectural group consisting of a central residential area with three adjacent plazas to the east, west and northwest. During the Early Classic (AD 250-600) period, only one of the plazas had been built and the layout of the complex was balanced between public and private space. Residents carried out domestic activities within six modest patio groups and used a round platform in the western plaza, Plaza Colibrí, for group rituals. The construction of two new plazas during the Late Classic period (AD 600-900) dramatically changed the composition of Los Aves, tripling the amount of public space. Dominating the neighborhood was a new, larger plaza, Plaza Tecolote, with monumental, ritual architecture that opened to the south towards the city center, easily accessible to those outside of Los Aves. An increase in population at this time necessitated the construction of more domestic structures within the house groups, reducing the amount of proximate patio spaces. Such activities now took place in a new, smaller plaza, Plaza Loro, located in the northwest of the complex, that contained broad steps for seating. In the Early Classic period, Los Aves contained equal parts public and private space, while in the Late Classic period public plazas dominated. I argue that as populations grew, public displays of power became increasingly important, and new, larger plazas were built to accommodate these events. This development broadens our understanding of Classic Maya urbanism.

In this dissertation, I explore the relationship between water management, urbanism, and socio-political organization at the Classic Maya site of Xultun, Guatemala. In an area without permanent surface water, provisioning and maintenance of large stores of water was a necessity for agricultural stability. Combining evidence from archaeological survey, excavation, remote sensing, and geospatial analysis I demonstrate that settlement at Xultun was organized topographically. Elite ritual structures were concentrated on the highest areas, and in proximity to reservoirs. This gave leaders control over the release of water, and by extension control over their subjects. Xultun was built on a natural hill. Urban space was concentrated into three topographic areas: administrative on the summit, residential on lower terraces, and agricultural on the lowest land. Using geospatial analysis, I modeled the relationship between the site's public and private buildings, its 15 reservoirs, and its hydrology. Water was collected and stored within each of the three topographic zones for local use; however, administrative neighborhoods were located close to reservoirs in order to maintain tight control. Excavations at the site's summit revealed that the central reservoir was in use since the late Preclassic (400 BC-250 AD). They also revealed a complex drainage system that diverted water into an aqueduct that emptied into a canal feeding this reservoir. Overflow from the reservoir was directed to reservoirs further downhill. Drainage flowed from the administrative center to the cardinal directions in accordance with Maya cosmological principles. The link between water and authority is further illustrated by the discovery, in an administrative neighborhood, of a stela depicting a royal ancestor in the act of impersonating Chak, the Maya rain god. At Xultun, the association of administrative neighborhoods with reservoirs in all three topographic areas reflects centralized control and management of urban water resources. The arrangement of hydrological systems emphasized cosmological principles and reinforced authority through ritual association with the rain deity. Water management was instrumental in the maintenance of power. As a key element of statecraft, its stratified spatial organization supported the hierarchical social order that took root in the Preclassic and came to characterize Maya urbanism.

This study examines small projectile point technology of the Postclassic Lowland Maya (A.D. 1400 - 1697) using a technological systems framework, to evaluate production strategies and the movement of finished goods within Mesoamerican exchange networks. Small arrow points (1 - 3 cm long) were typically made from obsidian and microcrystalline silicates (chert, chalcedony), and were key components of bow-and-arrow weaponry among multiple Mayan-speaking groups and ethnopolities known as the Itza, Xiw, Kowoj, Chak'an Itza, Kehach, Dzuluinikob, Chetumal, Lakam tun (Lacandon), and Chuj. Literature suggests that the Late Postclassic period was a time of heightened "international" exchange, defined by frequent inter-polity interactions, information sharing, and intensified long-distance exchange of raw materials across political boundaries. Thus, this study adds to anthropological theory by focusing on the interplay between political geography and material culture to understand the relationship between non-elite goods and intensified social interaction. In total, this study analyzes 2,128 small projectile points originating from 17 different Lowland centers, focusing explicitly on the research domains of raw material procurement, production, use, repair, and discard. Multiple lithic analyses are used to collect data including macroscopic methods, taxonomic classification, and spatial-contextual analysis. Additionally, instrumental methods including portable x-ray fluorescence (pXRF) and cross-over immuno-electrophoresis (CIEP) are used to identify raw material procurement patterns and interpret use activities related to the bow-and-arrow. The results of this study demonstrate that raw material preference and procurement strategies for small points varied significantly across the Maya Lowlands, and were often contingent on ethnopolitical affiliations and factionalism. In particular, strong differences emerge among neighboring polities within the Petén Lakes region of Guatemala, where the Itza, Kowoj, and Chak'an Itza maintained territories in close proximity to one another. A taxonomic and technological classification of small points reveals considerable variability in technological styles in addition to morphometric variability of haft types. Spatial-contextual analyses of depositional patterns demonstrate a range of activities associated with bow-and-arrow weaponry that often included symbolic associations with ritual and civic-ceremonial architecture. CIEP results reveal a multiplicity of use activities of the bow-and-arrow, with several positive immunological matches for indigenous and introduced fauna. Overall, the holistic approach of this dissertation helps bridge the divide between seemingly mundane artifacts and past economic behaviors that are critically important to Postclassic Maya studies.

This paper examines consonant-vowel syllabic spelling in Maya hieroglyphic writing, comparing it with Japanese writing, both of which use logo-syllabograms. The central aim is to suggest a new perspective that will contribute to building testable theories for Mayan hieroglyphic spelling rules. Two research questions addressed here are: 1) how does the ancient Maya spelling system work; and 2) what is the motivation behind the ancient Mayan people's choice and use of CV syllabograms and logo-syllabic writing. I will investigate these questions from the following perspectives: 1) linguistic approaches to logo-syllabic writing systems; 2) phonetics; 3) a native Japanese speaker's intuition; 4) relationships between spoken and written languages. By using linguistic theories and methods with anthropological comparative methods, I propose the hypothesis that a word-final vowel in Maya hieroglyphic writing represents either an echo-vowel, a part of grammatical morpheme, a paragogic vowel accounting for word-final syllabification, or an underspelled word-final consonant.

This dissertation explores the nature, purpose, function and role of language documentation in order to further our understanding of mechanisms of language transmission and maintenance in the face of language endangerment and the repression of indigenous identity. Beyond its traditional use for generating linguistic data, I argue that the act and the process of language documentation can be understood as a comprehensive means to evaluate the interactions between speakers and researchers and as the stage where various beliefs and emotions are displayed. Extending the notion of “sites” developed by Silverstein (1998) and Kroskrity (2009), I argue that the act of language documentation can create “sites” of linguistic transaction, of self recognition, and of ideological and emotional stance shift. To attain this goal, this project linguistically and ethnographically documents and describes Belizean Mopan, an endangered Mayan language spoken in the southern Petén region of Guatemala and in the Maya Mountain region (Toledo District) of Southern Belize as a case study. Ethnographic and linguistic observation suggest that characteristics of Belizean Mopan do not simply stem from its linguistic features but rather are derived from ethnic complexity, language ideologies, identity politics, the history of Belize and speakers’ awareness of the self. Linguistic biographies, interviews, participant observation, and ethnographic accounts indicate that the individual’s emotional attachments to the language and the sense of belonging to one’s linguistic community are crucial keys for effective language documentation and revitalization. Discourse and grammatical analysis of sound symbolic words in narratives suggest that speakers’ linguistic affects can be evoked through sound itself. The devices used during language documentation, such as voice and video recorders can be understood as “signifying instruments” (J. D. Hill 2014), which amplify or evoke speakers’ and researchers’ linguistic ideologies and/or affects. Tzik ‘respect’ plays a pivotal role in distinguishing Mopans from other Maya groups and many stories and personal narratives either explicitly or subtly demonstrate the concept and importance of tzik for regulating and maintaining the traditional community and for having a successful life, which resembles the secretos ‘secrets’ described in Hofling’s (1996: 109) account of Itzaj Maya lives. Focusing on tzik gained through being a ch’ija’an kristiyanojo ‘the grown-up people’, I argue that storytelling is a primary device to transmit and circulate traditional knowledge, worldview, ideologies and memories of Maya people from the present, the immediate past, and the mythological past and that in a sense, the role and meaning of dream divination and my language consultant, Orlando Sho’s musical performances can be equated with the practice of storytelling. The act of language documentation is a portal to the site of linguistic and cultural transaction and of world learning, in which I see a key to successful language renewal and revitalization.

abstract: ABSTRACT This research is a study of the relationship between language acquisition and the status of equity. The history of the Maya people in Guatemala gives strong evidence that their failure to acquire competence in Spanish, which is the national language of their nation, has resulted in their failure to compete in the social, economic, and political components of their society. It also shows that they have failed to maintain their competence in Mayan, their own language, as a result of mistreatment from their conquerors who have shown a determination to eliminate their use of Mayan. Many Maya have left Guatemala and entered the United States in hope of finding the status of equity which has evaded them for hundreds of years. The key to overcoming their poverty and loss of civil rights can be found in the US through compensatory programs offering them the opportunity of competency in English along with the opportunity to maintain their Mayan language. The US legal system guarantees equal rights for a quality educations for students who are learning English. This study offers some suggestions for integrating the Guatemalan Maya into mainstream activities of the economy and social life of this country. It offers the idea of sustaining and increasing their competency in Mayan as a long-range possibility. The status of equity is available for the children of the Guatemalan refugees who enter the United States as they exercise their rights to a quality education. / Dissertation/Thesis / Doctoral Dissertation Linguistics and Applied Linguistics 2017

Motion Capture is an essential part of a world full of digital effects in movies and games. Understanding the pipelines between software is a crucial component of this research. Methods that create the motion capture structure today are reviewed, and how they are implemented in order to create the movements that we see in modern games and movies.

To build muscles to enhance the animation of a 3D character takes more time and effort than the standard character rig. In some cases, the muscles will not be noticeable and therefore are unnecessary. This research tried to find the moments when the muscles did or did not make a difference. The new Maya Muscle System is also explored and the procedure to create muscles for a standard rig is explained. The test that was performed showed that the muscles are more noticeable in all cases.

Reducing the number of vertices in a mesh is a problem that if solved correctly can save the user a lot of time in the entire process of handling the model. Most of the solutions today are focused on reducing the mesh in one big step by running a separate application. The goal of this implementation is to bring the reduction application into the users workspace as a plugin. Many of the modellers in the various computer graphics industries use Autodesk Maya the plugins intention is to create a efficient tool which also give the modellers as much freedom as possible without the need to ever leave Mayas workspace. During the process the possible issues and solutions of creating this tool in Maya will also examined to help introduce the process of creating a tool for Maya. This plugin has the potential to improve on the existing reduction tool in Maya by giving the user more options and a more exact solution.

The work of Maya Deren, Marguerite Duras and Margarethe von Trotta, three filmmakers who are also authors, inhabits a space between patriarchy and polemic feminism. The result, a refocusing and re-arrangement of traditional literary and cinematic discourse, may be termed a feminine authorship. The principles of this authorship mainly derive from Laura Mulvey’s controversial but influential application of psychoanalytical theory to feminine cinema in “Visual Pleasure and Narrative Cinema” (Screen, 1975), an investigation of the “male gaze” in film. Her propositions have been further developed by critics such as Teresa de Lauretis (1980), Mary Anne Doane (1987) and Judith Mayne (1990) as well as Mulvey herself (1981). Mulvey’s approach shares with classical psychoanalysis an emphasis on the unconscious and its visual manifestations in dream and memory. Deren, Duras and von Trotta encode the latter in spatial imagery expressive of both women’s repression and their hidden resourcefulness, most frequently drawing on the gothic novel and the exotic tale. In order to accomplish their vision, the three filmmakers variously offer original interpretations of well-established modes and genres such as surrealism (Deren), the nouveau roman (Duras), and the documentary (von Trotta), but none could have done so without conceding to a number of compromises with patriarchal discourse, partly for economic, partly for ideological reasons. This thesis asserts (in contrast to Hélène Cixous, Luce Irigaray and Peggy Kamuf) that these compromises need not be read as a flaw, but contribute to a discourse in its own right. By analyzing authors from diverse cultural, social and linguistic backgrounds who, moreover, cannot be clearly categorized within the alleged dichotomy of patriarchy and feminism, this study seeks to expand the definition of feminism across national and ideological boundaries. In so doing, it may contribute to the study of other women authors and filmmakers whose views and methods have been similarly unorthodox. / Arts, Faculty of / English, Department of / Graduate