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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

Genio e sregolatezza di un liberale ticinese: Romeo Manzoni (1847-1912) / Genius and Intemperance in a Liberal from Ticino Canton: Romeo Manzoni (1847-1912)

SCALCINATI, MARIACRISTINA 27 March 2007 (has links)
Romeo Manzoni (1847-1912) fu uno dei protagonisti delle vicende politiche del Cantone Ticino nella seconda metà dell'Ottocento e i primi anni del Novecento. Una prima parte del lavoro è dedicata alla formazione di Romeo Manzoni: la famiglia, gli studi, l'ingresso nella vita politica, l'attività di educatore nel collegio femminile da lui fondato a Maroggia. Una seconda parte prende in considerazione il ruolo di Romeo Manzoni all'interno del Partito Liberale Ticinese dapprima nel Cantone Ticino, con particolare riferimento alla Rivoluzione del 1890, e successivamente alla sua attività di Consigliere Nazionale a Berna. Un'ultima parte tratta le linee fondamentali del pensiero politico di Romeo Manzoni. La ricerca è inoltre corredata di una serie di Appendici che descrivono le fonti manoscritte e non, conservate nei diversi Archivi elvetici e italiani. / Romeo Manzoni (1847-1912) was one of the protagonists of the political events in Ticino Canton in the second half of 19th century and at the beginning of 20th century. The first part of this work deals with Romeo Manzoni's forming: his family, his education, his approach to political life and his activity as an educator in the girls boarding school he founded in Maroggia. The second part deals with Romeo Manzoni's role as a member of the Liberal Party of Ticino considering his activity both in Ticino Canton - with particular attention to the Revolution of 1980- and in Berna as a national Councillor. The last section of the work deals with the fundamental features of Romeo Manzoni's political thought. A series of appendixes describing manuscript and non-manuscript sources available in Italian and Swiss archives is provided.
22

MANZONI E LEOPARDI A CONFRONTO: INTERTESTUALITÀ, FORME DELLO STILE, FORME DEL PENSIERO / MANZONI E LEOPARDI: INTERTEXTUALITY, FORMS OF POETRY, FORMS OF THROUGH

GHIDINI, OTTAVIO 13 March 2014 (has links)
La tesi mette a confronto l'opera letteraria di Giacomo Leopardi e quella di Alessandro Manzoni. La tesi è strutturata in tre capitoli. Il primo capitolo raccoglie tutti i dati storico-biografici utili per inquadrare i termini di questo rapporto e si conclude con un dittico dedicato a Monaldo Leopardi, lettore di Manzoni, e a Matilde Manzoni, figlia di Alessandro, lettrice di Leopardi. Il secondo capitolo presenta invece i risultati di una lettura intertestuale, che ha come oggetto principale lo studio di citazioni o allusioni manzoniane nei leopardiani canti pisano-recanatesi. Il terzo capitolo invece mette a confronto le pagine di Leopardi e di Manzoni nelle quali si fa riferimento alla figura storica di Marco Giunio Bruto, personaggio importante della classicità latina, spesso utilizzato come simbolo della Rivoluzione francese. / The thesis compares the literary works of Giacomo Leopardi and Alessandro Manzoni. The thesis is structured in three chapters. The first chapter collects the historical-biographical elements useful to explain the terms of this relationship and ends with two portrait dedicated to Monaldo Leopardi, reader of Manzoni, and Matilde Manzoni, daughter of Alessandro, reader of Leopardi. The second chapter instead presents the results of an intertextual reading, which has as its main subject the study of quotations from or references to Manzoni in the poems written by Leopardi between 1828 and 1830. The third chapter compares the pages of Leopardi and Manzoni about the historical figure of Marcus Junius Brutus, an important figure of the classical latin word, often used as symbol of the French Revolution.
23

The aesth/ethics of Leonardo Sciascia's writing : how Alessandro Manzoni and Jorge Luis Borges created a Sicilian writer /

Vettore, Enrico, January 2005 (has links)
Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 218-224). Also available for download via the World Wide Web; free to University of Oregon users.
24

Analysis of Verdi's Choral Style as Found in the Manzoni Requiem

Bevill, Ruby Lee 08 1900 (has links)
This study of Verdi's choral style in the Manzoni Requiem includes an investigation of the bibliography pertaining to the subject, and a detailed study of the score to determine and verify the characteristics of each stylistic component, tabulating statistical material and listing examples demonstrating the various characteristics.
25

« Le langage de passions » : la visione morale di Manzoni e le sue fonti / "Le langage de passions" : Manzoni’s moral vision and his sources / « Le langage de passions » : La vision morale de Manzoni et ses sources

Maiolini, Elena 20 February 2015 (has links)
En accusant le théâtre de familiariser les consciences avec le « langage des passions », Pierre Nicolelançait une condamnation à laquelle Manzoni a pensé pendant longtemps. Le thème de la moralitélittéraire offre un point de vue intéressant sur le rapport dynamique – et largement inexploré – deManzoni à l’égard des auteurs reconnus de philosophie morale du XVIIe siècle français. En fortesyntonie avec ces derniers sur des contenus étiques et religieux, et des questions de méthode et delangue, Manzoni mena une analyse passionnée du statut moral des lettres, dans un dialogue directavec des censeurs qu’on n’avait jamais démenti. Cette étude porte donc à démontrer que sa réponse,esquissée dans un discours critique inachevé, arriva par le biais même de son oeuvre, par laquelle ilproposait une façon de représenter les passions comme une noble fonction cognitive, avec unvocabulaire qui se réfère largement au lexique des orateurs mêmes, dont les sermons conservés danssa bibliothèque montrent d’importants signes de lecture. Cette étude, qui commence avec unevérification documentaire, est structurée en deux parties. La première se compose d’un chapitre dédiéaux positions sur la moralité de la littérature entre le XVIIe et le XIXe siècle, suivi de trois autres oùnous analysons le langage manzonien des passions par mots clés (l’orgueil, l’amour-passion et lacolère), orientés par les traités du XVIIe siècle, les tragédies de Corneille, Racine et Shakespearecommentées par Manzoni, ainsi que les textes du dramaturge et romancier. La deuxième partie secompose d’un lexique manzonien de la vie morale. / By accusing the theatre of teaching the dangerous «language of passions», Pierre Nicole gave ajudgment of which Manzoni would have thought for a long time. The subject of literary moralityoffers an interesting view of Manzoni’s relationship – dynamic and largely unexplored – with thebeloved authors of the French 17th century moral philosophy. Being in strong syntony with them inethical and religious issues, as well as in questions of method and language, Manzoni carried out apassionate analysis on the role of literature, in a direct dialogue with censors, who, according to him,hadn’t received a convincing answer to that point of time. This study shows that Manzoni’s response,outlined in an unfinished speech, proposed a concrete way of representing passions, not as futile andtoxic divertissement, but with a noble cognitive function. We attempt to show that Manzoni’slanguage owes much to the moralists themselves, «deep and keen observers of the human heart»,whose sermons, stored on the shelves of Manzoni’s library, contain various signs of reading.Concieved as a philological and documentary analysis of these texts, the thesis is structured in twoparts. The first one consist of a chapter that deals with the 17th-19th centuries positions on literarymorality, and other three chapters which are dedicated to Manzoni’s vocabulary of pride, love-passionand anger. This analysis takes into account the 17th century moral treaties, the tragedies of Corneille,Racine and Shakespeare, all commented by Manzoni, and Manzoni’s playwright and novelist’sproduction. The second part consists of an essay dealing with a Manzonian lexicon of the words ofthe moral life.
26

Giacomo Manzoni : son oeuvre et sa poétique / Giacomo Manzoni : his work and his poetics

Milli, Pietro 05 July 2018 (has links)
La thèse, divisée en trois parties, constitue une introduction à l’univers musical de Giacomo Manzoni (Milan, 1932). La première partie aborde huit dimensions de l’œuvre du compositeur dans une perspective analytique (matériau, temps, dynamique, timbre, forme, figures sonores, espace et texte). Dans la deuxième partie, où figure une étude de Per Massimiliano Robespierre (1974) et de Doktor Faustus (1988), sont présentés les principaux axes de sa poétique : l’engagement et l’innovation. La dernière partie conceptualise la notion de matiérisme en tant que fondement de sa praxis compositionnelle. À ce propos, Atomtod (1964), sa troisième œuvre pour le théâtre musical, a été analysée. Des documents inédits, dont des esquisses de ses œuvres et une correspondance avec Luigi Nono, ont été commentés tout au long de la thèse. Les annexes incluent un catalogue chronologique et thématique des œuvres du compositeur, une édition critique bilingue des textes mis en musique, la traduction de son dernier livre (Parole per musica) et une discographie. / This thesis, which consists of three parts, represents an introduction to Giacomo Manzoni’s (Milan, 1932) musical ideas. First part deals with eight dimensions of his work from an analytical point of view (material, time, dynamics, timbre, form, sound shapes, space and text). In the second part, which contains an analysis of Per Massimiliano Robespierre (1974) and Doktor Faustus (1988), two main axes of his poetics were examined: commitment and innovation. Last part conceptualizes the notion of materialism in his poetics, as it constitutes the basis of his musical praxis. To this end, Atomtod (1964), his third work for the stage, was analysed. Unpublished documents, like sketches of his works and a correspondence with Luigi Nono, were commented throughout the thesis. Appendices include a chronological and thematic catalogue of his works, a bilingual critical edition of the texts which he set to music, a French translation of his last book (Parole per musica) and a discography.
27

L’ANTI-VOLTAIRE. PASSIONI E DISSIDI MANZONIANI / L'ANTI-VOLTAIRE. PASSIONI E DISSIDI MANZONIANI / ANTI-VOLTAIRE. MANZONI'S PASSION AND WORRIES

CAPPELLETTI, CRISTINA 04 December 2017 (has links)
Manzoni in giovane età fu un grande ammiratore di Voltaire, che poi abbandonò o distrusse. La prima fase del lavoro analizza le prime biografie manzoniane, attraverso le quali si è cercato di capire quando si è diffusa la notizia, infondata, ma che ancora oggi trova credito, della distruzione da parte di Manzoni di tutti i volumi l’edizione del 1785 di tutte le opere di Voltaire. Si è poi provveduto ad analizzare la bibliografia critica manzoniana, per definire al meglio lo status quaestionis degli studi. In particolare si è messo in luce il ruolo fondamentale della lezione crociana, riferimento obbligato per tutti coloro che si sono interessati ai debiti di Manzoni nei confronti delle opere di Voltaire. Sono state poi analizzate le citazioni dirette di Voltaire nelle opere di Manzoni. Questa analisi ha permesso di isolare i singoli passi in cui Voltaire viene citato direttamente, l’ipotesi di partenze era quella che potesse esistere una “funzione Voltaire” nell’opera manzoniana; in molti casi, però, il rimando all’autore francese è in negativo: Manzoni sente infatti la necessità di correggere ed emendare quanto affermato dall’illuminista. / Manzoni was a great admirer of Voltaire, who then abandoned or destroyed. The first phase of this work analyzes the old Manzoni’s biographies, through which it was tried to understand when born the unfounded news on Manzoni's destruction of all volumes of all the works of Voltaire. Then we analyzed the Manzoni’s critical bibliography, to better define the status quaestionis of the studies. Then this work analyzes Voltaire's direct quotes in Manzoni's works.
28

Téma rodiny v díle Natalie Ginzburg / Family theme in Natalia Ginzburg's works

Macháčková, Michaela January 2018 (has links)
The subject of this master's thesis called Family theme in Natalia Ginzburg's works is analysis of the chosen prosaic works of one of the biggest writers of the twentieth century, concentrated on the topic of the family. The introduction is a short presentation of the author (her biographical and bibliographical data). After that there is an analysis of her most known prosaic works with the family topic and with the topic of the relations in general. It is followed by more detailed analysis of her most known novel Lessico famigliare. In the final part, the work is concentrated on the biography of Manzoni's family in La famiglia Manzoni.
29

Prosa, mondo e verità in Alessandro Manzoni: rilievi retorici

BATTAGLINI, RAFFAELLA 15 April 2013 (has links)
Il lavoro nasce come prosecuzione del saggio del Professor Langella "Manzoni poeta teologo". Consta di tre parti: una iniziale rassegna critica fa quasi da pretesto per trovare assetto e convergenza metodologica. Il secondo capitolo ripercorre due grandi questioni biografiche manzoniane (conversione e giansenismo). Il terzo capitolo, eminentemente stilistico, contiene anche una riflessione sul valore della similitudine in Manzoni. Schedate in appendice tutte le similitudini del "Fermo e Lucia" e dei "Promessi Sposi". / Dr. Raffaella’s Battaglini’s work was born as an ideal completion of Professor Langella's essay "Manzoni poeta teologo". The present essay is evidently threefold: the critical review at the beginning functions almost as a way - we might even say a pretext – to find the right methodological approach for the entire work. The biographical overview is focused on the knots of Manzoni’s conversion on one hand, and of his Jansenism on the other. A sort of status quaestionis of Manzoni’s Jansenism is presented in the Second Chapter. The final stylistic analysis – which was initially supposed to appear at the beginning of the essay – has undoubtedly great qualities and reveals Dr. Raffaella Battaglini’s talent. The monographic study of the simile summarizes and revives many of the remarks (Trompeo, Petrocchi, Cerisola, Raimondi can be quoted among others) that the critical corpus about Manzoni has often pointed out but not always fully developped. The approach to the text is easy without being ingenuous, the remarks are always thoughtful, the prose is fluent and lively. The final appendix about simile, patiently composed, happily fulfills a literary whole contemplari et aliis contemplata tradere.
30

"IL BELLO ERA SENTIRLO RACCONTARE LE SUE AVVENTURE": UN ROMANZO DA ASCOLTARE

BORGHI, MARGHERITA 03 September 2021 (has links)
La tesi nasce dalla riflessione su un aspetto della fruizione dei Promessi sposi che rende il romanzo un unicum nella letteratura italiana: fin dai suoi esordi, il testo è stato letto ad alta voce e ascoltato nelle più svariate occasioni. Da qui l’idea di indagare se esistano, e quali siano, aspetti del testo che lo rendono particolarmente adatto all’ascolto. Conseguenza diretta dell’ascoltabilità del romanzo può essere, poi, la sua caratteristica memorabilità, grazie alla quale episodi e intere porzioni di testo si imprimono facilmente nella mente dei lettori-ascoltatori. La tesi si compone, dunque, di due sezioni, tra loro interconnesse, ma dedicate l’una, in modo più specifico, al primo aspetto in questione, l’ascoltabilità, l’altra al secondo, la memorabilità. Nel primo capitolo si pone l’attenzione sul rapporto tra I promessi sposi e la lettura ad alta voce; nel secondo capitolo l’analisi cerca di mettere in luce l’importanza del racconto orale (e dell’ascolto di narrazioni) nel romanzo; il capitolo terzo si concentra sulla ricerca delle caratteristiche (varietà e ripetizione) che rendono il romanzo memorabile a livello della sua struttura narrativa e delle connessioni tra le sue parti; il quarto e ultimo capitolo è dedicato ancora ai medesimi concetti, ma in questo caso l’analisi si focalizza sulle dimensioni morfo-sintattica e retorica del testo. / This thesis takes his origin from the reflection about a really singular feature that makes the novel I promessi sposi a unicum in italian literature. Since his first release, the text has been read aloud and listened in many and different occasions. Therefore, it has been tried to find the existence in the novel of some features that make it so suited to be listened to. A direct consequence of the novel's “listenability” is his typical “memorability”, that makes it really easy for the reader-listener to remember episodes and entire portions of the text. Thus, the thesis is composed of two sections, connected each other, but dedicated the one, in a more specific way, to the first feature at issue (“listenability”) and the other to the second (“memorability”).

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