O objeto deste trabalho consiste na transcrição, classificação e análise da marginália de Mário de Andrade (1893-1945) na poesia do romantismo brasileiro. A pesquisa dedicou-se ao estudo das notas de margem apostas pelo escritor modernista nas obras de Gonçalves Dias, Álvares de Azevedo, Casimiro de Abreu, Fagundes Varela e Castro Alves conservadas em sua biblioteca. Como paratextos, as notas vinculam-se a diferentes projetos de crítica do romantismo, inacabados ou concluídos para publicação, assim como revelam matrizes do poeta e ficcionista. Pode-se afirmar que o estudo do autor de Macunaíma sobre os \"cinco grandes românticos\" nasce na marginália, nutre notas de trabalho, esboços e planos no arquivo - nos dossiês Amor e medo, Castro Alves e Artigos por escrever - e chega às versões publicadas - \"Álvares de Azevedo I e II\", \"Mosqueiro nº 2\", \"Álvares de Azevedo I, II e III\", \"Momento\", \"Amor e medo\" e \"Castro Alves\" - sem que os textos éditos esgotem a reflexão original. / This study consists of the transcription, classification and analysis of Mário de Andrade\'s marginalia (1893-1945) on Brazilian romantic poetry. The research has been focused on studying the notes made by the Brazilian modernist writer and critic on the books of Gonçalves Dias, Álvares de Azevedo, Casimiro de Abreu, Fagundes Varela and Castro Alves, all of which are part of his personal library kept in IEB-USP. Considered as paratexts, the notes relate to different projects - either finished or unfinished - of studying Brazilian Romanticism, as well as reveal sources for the poet and novelist. It is possible to affirm that Mário de Andrade\'s study of the \"five grand romantics\" is born in the marginalia, nourishes notes, sketches and plans in his archives - manuscripts Amor e medo, Castro Alves and Artigos por escrever - and turns into the published versions of his works - \"Álvares de Azevedo I e II\", \"Mosqueiro nº 2\", \"Álvares de Azevedo I, II e III\", \"Momento\", \"Amor e medo\" and \"Castro Alves\" - without exhausting the original material.

A pesquisa objetivou a investigação no acervo da biblioteca do escritor Mário de Andrade (1893-1945), em busca de livros e revistas sobre cinema, alguns com notas de leitura. A intenção foi perceber de que maneira as leituras de Mário de Andrade sobre cinema foram incorporadas à sua produção textual, em especial através do diálogo com intelectuais europeus. Documentos de processo relacionados às críticas de cinema de Mário de Andrade também interessaram à pesquisa, assim como a análise a referências à sétima arte presentes na poesia mariodeandradeana. O estudo desse corpus possibilitou apreender aspectos do pensamento de Mário sobre cinema e suas modificações no tempo. / The research aimed at an investigation in Mário de Andrades library, in search of books and magazines about cinema, some of them containing notes left by the Brazilian writer. The intention was to realize how the authors readings about cinema were incorporated to his textual production, mainly by the dialogues established with European intellectuals. Manuscripts related to Andrades cinema reviews were also focused by the research, as well as the interpretation of two references to the cinema in the writer´s poetry. The study of this corpus enabled to grasp Mário de Andrades reflection about cinema and its changes throughout time.

Marginalijos – vienas įdomiausių knygos elementų tiek M. Daukšos Postilėje, tiek ir visose kitose senosiose knygose visame pasaulyje. Šiuo metu jų tyrimams skiriama vis daugiau dėmesio. Bakalauro darbe aptariamos marginalijų klasifikavimo galimybės, tyrimo istorija ir raida, tyrimo kryptys siejant teorinę medžiagą su darbo šaltiniu. Kadangi marginalijos Lietuvoje dar tik pradedamos tirti, darbas iš dalies skirtas supažindinimui su šiuo knygos elementu. Darbe analizuojamos Postilės pirmosios dalies marginalijos, skirstomos į tris pagrindines grupes: glosas, rubrikas ir scholijas. Pagal specialiai susidarytą marginalijų klasifikaciją šios grupės dar skirstomos į pogrupius pagal atliekamas funkcijas. Atlikus tyrimą, daroma išvada, kad marginalijos Daukšos Postilėje dažniausiai atlieka pagalbinę funkciją – nurodo, kas pasakojama tam tikroje pastraipoje, paaiškina kitos kalbos, neaiškios tarmės žodį, informuoja, iš kurio šaltinio yra cituojama. Kita marginalijų paskirtis – tai galimybė Postilės vertėjui M. Daukšai knygos paraštėse parodyti skaitytojui lietuvių kalbos grožį, jos žodyno turtingumą. Darbo priede pateikiama 120 įdomiausių marginalijų – glosų – pavyzdžių, kuriuose matomas tiesioginis ryšys su pagrindiniu tekstu. / Marginalia are one of the most interesting elements of the book not only in Postilla by Mikalojus Daukša, but also in books worldwide. Currently, researches based on marginalija attract even more attention. Research of the final work contains theory of classification and development of similar researches. As this work is fresh in Lithuania, the goal of introducing marginalia should be considered too. Analyzed marginalia are divided into three main groups: glosses, rubrics and scholias. By special classification of marginalia of this book, groups are divided into subgroups. Analysis shows that marginalia in Postilla by M. Daukša help reader to understand the text easily. Other function of marginalia of this book is that the author can show the beauty and riches of his language. In the appendix of the work there are 120 most interesting examples of glosses, where the relation between text and marginalia is shown.

Marginalijos – svarbus, informatyvus knygos elementas, atskleidžiantis ne tik marginalijų ypatybes, sukūrimo laiką, vietą, bet ir jų kūrėjo visai kitą asmenybės pusę. Bakalauro darbe aptariama marginalijų samprata, tyrimų kryptys ir vienas iš sudėtingiausių aspektų – marginalijų klasifikacija. Darbe analizuojamos Ž. Mikšio ŠU bibliotekai dovanotų knygų marginalijos, kurios sudaro tokias grupes: paprastosios arba bendrosios marginalijos, taisančiosios marginalijos ir papildoma informacija. Pagal marginalijų kūrėjo ryšį su tekstu, jo pateikiamią vertinimą šios grupės suskirstytos į smulkesnius pogrupius. Atlikus tyrimą, paaiškėjo, kad didžiąją marginalijų dalį sudaro paprastosios marginalijos, turinčios neigiamą reikšmę. Ž. Mikšio kritiški įrašai knygose atskleižia jo požiūrį į Lietuvoje leidžiamas knygas, jų kokybę, leidėjus. Taisančiųjų marginalijų ir papildomos informacijos pagrindinė funkcija – pagalba skaitytojui. Prieduose pateikiamas šaltinių sąrašas, kurį sudaro 297 knygos, iš kurių buvo išrinktos marginalijos. Taip pat prieduose pridėti įdomesni, informatyvesni Ž. Mikšio marginalijų pavyzdžiai. / Marginalia is an important and informative element of the book. What is more, it reveals not only the characteristics of marginalia, the creation of time, place, but also includes a completely different personality side of the creator. These Bachelor's thesis discusses about the concept of marginalia, research directions, and also focuses on one of the most challenging aspects – classification of marginalia. Moreover, this paper aims to provide analysis of marginalia, which are selected from the donated Ž. Mikšys books to Šiauliai university library. In this case they consist of the following groups: common marginalia, emendation marginalia and additional information. According to marginalia creator’s connection with the text and his presented evaluation, it has been decided to divide this group into smaller sub-groups. The investigation has shown that the majority of the marginality consist of ordinary marginality, which have negative meanings. Criticized Ž. Mikšys records in the books reveal his approach regarding the books published in Lithuania, their quality and publishers. The main feature of emendation marginalia and additional information – the aid to a reader. In the annexes is given a list of sources which indicates 279 books, and all marginalia have been selected from the presented books. It is important to mention that annexes include more interesting and informative examples of Ž. Mikšys marginalia as well.

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Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.

Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.

abstract: The early-16th-century manuscript commonly known as the Geese Book (New York, Morgan Library, M. 905) contains the entire Mass liturgy sung by the boys choir of the parish church of St. Lorenz in Nuremberg, Germany prior to the Reformation. This thesis addresses the location and function of the sometimes enigmatic marginalia and the decorated or historiated initials in this large two-volume gradual. The paper begins with an analytical case study of a scene within the margins in which a wild woman, wielding a club, confronts a female dragon who has taken a child. Subsequently the size, subject matter, and physical positioning of the illuminations and decorations within the book and on its pages are examined with respect to the gradual's liturgical contents. It is hoped that through such methods, new conversations may begin as to the roles that marginalia and decoration may play within the multiple organizational schemes within a musical text of this kind. / Dissertation/Thesis / M.A. Art History 2013

A pesquisa objetivou a investigação no acervo da biblioteca do escritor Mário de Andrade (1893-1945), em busca de livros e revistas sobre cinema, alguns com notas de leitura. A intenção foi perceber de que maneira as leituras de Mário de Andrade sobre cinema foram incorporadas à sua produção textual, em especial através do diálogo com intelectuais europeus. Documentos de processo relacionados às críticas de cinema de Mário de Andrade também interessaram à pesquisa, assim como a análise a referências à sétima arte presentes na poesia mariodeandradeana. O estudo desse corpus possibilitou apreender aspectos do pensamento de Mário sobre cinema e suas modificações no tempo. / The research aimed at an investigation in Mário de Andrades library, in search of books and magazines about cinema, some of them containing notes left by the Brazilian writer. The intention was to realize how the authors readings about cinema were incorporated to his textual production, mainly by the dialogues established with European intellectuals. Manuscripts related to Andrades cinema reviews were also focused by the research, as well as the interpretation of two references to the cinema in the writer´s poetry. The study of this corpus enabled to grasp Mário de Andrades reflection about cinema and its changes throughout time.

This thesis explores the attitudes of Swedish university library staff towards marginalia in library books. The study aimed to investigate their experiences and opinions on the topic and any existing routines and guidelines regarding marginalia. Additionally, the study aimed to compare its findings to previous literature, which had made negative assumptions about how librarians feel about marginalia. Despite these assumptions, there has been no research to support them. The study used a mixed-method approach and collected data through a questionnaire. The data were analyzed using descriptive statistics and qualitative content analysis. Based on the results, it was found that library staff regularly come across marginalia in library books. While most staff members hold a negative view towards marginalia, there are varying opinions that differ from what previous literature suggests. Those with negative attitudes believe that marginalia ruins the book as an object and hinders future readers from reading autonomously. However, there are also positive attitudes towards marginalia, with some believing that it is a sign of the book being used and that the reader has benefited in some way. Overall, those with both negative and positive views understand marginalia as a byproduct of reading and studying and as a study technique. Current routines and guidelines do not provide much information about handling books with marginalia, with only a few mentioning it. Some library staff believe that explicit guidelines are necessary, while others consider marginalia an inevitable part of libraries and therefore do not require guidelines.