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1	Properties of an Integral of E.J. McShane Dennis, Thomas B. 08 1900 (has links) The problem with which this paper is concerned is that of investigating the properties of an integral which was first defined by E. J. McShane in lecture notes presented at the Conference on Modern Theories of Integration, held at the University of Oklahoma in June, 1969. integrals E. J. McShane
2	Integración en espacios de Banach Rodríguez Ruiz, José 01 March 2006 (has links) Esta tesis doctoral se enmarca dentro de la teoría de integración de funciones con valores en espacios de Banach. Analizamos con detalle la integral de Birkhoff de funciones vectoriales, así como sus correspondientes versiones dentro de los contextos de la integración respecto de medidas vectoriales y la integración de multi-funciones. Comparamos estos métodos de integración con otros bien conocidos (integrales de Bochner, Pettis, McShane, Debreu, etc.). Caracterizamos, en términos de integración vectorial, algunas propiedades de los espacios de Banach donde las (multi-) funciones toman valores. / The general framework of this memoir is the theory of integration of functions with values in Banach spaces. We analyze in detail the Birkhoff integral of vector-valued functions, as well as its corresponding versions within the settings of integration with respect to vector measures and integration of multi-valued functions. We compare these methods of integration with others which are well known (Bochner, Pettis, McShane, Debreu, etc.). We characterize, in terms of vector integration, some properties of the Banach spaces where the (multi-) functions take their values. Bochner Birkhoff integral vector measure Banach space operador absolutamente sumante multi-función Debreu McShane Pettis Bochner Birkhoff integral medida vectorial Espacio de Banach Pettis McShane Debreu multi-function absolutely summing operator Análisis matemático 51 510 517
3	Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009 Fanning, Sarah Elizabeth January 2012 (has links) The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel. 823

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