Diese Masterarbeit setzt sich mit der Problematik der Übersetzung von ideologisch geprägten Texten auseinander. Dies geschieht anhand eines Vergleiches zweier englischer Übersetzung von Adolf Hitlers \"Mein Kampf\", die im Abstand von 70 Jahren verfasst wurden. Gesellschaftliche Umstände, die Einstellungen der Übersetzer zur Thematik sowie textuelle Beispiele bilden den Kern der Arbeit. Unterstützt wird dies durch übersetzungswissenschaftliche Aspekte.

Univ., Habil.- Schr.--Hamburg, 1998. / Literaturverz. S. [342] - 348.

Made available in DSpace on 2014-06-11T19:23:35Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-09-05Bitstream added on 2014-06-13T18:50:53Z : No. of bitstreams: 1 oliveira_rc_me_arafcl_parcial.pdf: 129881 bytes, checksum: 25c60896b9f252bf8d39104cf28d44ce (MD5) Bitstreams deleted on 2015-07-02T12:36:02Z: oliveira_rc_me_arafcl_parcial.pdf,. Added 1 bitstream(s) on 2015-07-02T12:37:27Z : No. of bitstreams: 1 000703015_20250219.pdf: 119841 bytes, checksum: 686c14c50ae36d3932da3114f8f10a53 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / A presente pesquisa busca através do discurso e do projeto político nazista compreender as origens do pensamento conservador contemporâneo e as formas modernas de discriminação e violência, sobretudo as que são decorrentes da ideia de ordem e controle social, assim também como a relação entre o pensamento conservador e a sociedade de massas na crise da modernidade. Definimos nosso objeto em torno da análise do período que abarca do final da Primeira Guerra Mundial, até a expansão e chegada ao poder do Partido Nazista, na década de 1930. Tendo como objeto central a obra Mein Kampf de Adolf Hitler, analisaremos como diferentes ideologias concorreram para a criação de uma doutrina, e o papel do antissemitismo nesse processo. Remontamos as origens de diferentes discursos na sociedade alemã, e como esses discursos convergiram em um projeto político. Objetivamos compreender tanto o poder que a articulação de ideias pode ter dentro de um determinado contexto social, quanto as relações entre ideologia e sociedade. Analisamos as formas que o pensamento conservador assume para o reestabelecimento da ordem e do controle social e em última análise compreender como é possível “naturalizar” as diferenças e as práticas discriminatórias, num processo em que o outro é sub-humanizado, subalternizado, e que se legitimam a segregação, a violência e o extermínio / This research aims through political discourse and the Nazi project to understand the origins of contemporary conservative thought and modern forms of discrimination and violence, especially those arising from the idea of order and control partner, so as the relationship between conservative thought and mass society in the crisis of modernity. We define our object of analysis around the period spanning the end of World War I, to the expansion and rise to power of the Nazi Party in the 1930s. Taking as its central object the work of Adolf Hitler's Mein Kampf, consider how different ideologies contributed to the creation of a doctrine, and the role of anti-Semitism in this process. Reassemble the origins of different discourses in society, and how these discourses have converged on a political project. We aim to understand both the power of articulation of ideas can have within a given social context and the relationship between ideology and society. We analyzed the ways in which conservative thought takes for re-establishment of order and social control and ultimately understand how it is possible to naturalize the differences and discriminatory practices, a process in which the other is subhumanized, subordinazed, e its legitimized segregation, violence and the slaughter

Diese Masterarbeit setzt sich mit der Problematik der Übersetzung von ideologisch geprägten Texten auseinander. Dies geschieht anhand eines Vergleiches zweier englischer Übersetzung von Adolf Hitlers \"Mein Kampf\", die im Abstand von 70 Jahren verfasst wurden. Gesellschaftliche Umstände, die Einstellungen der Übersetzer zur Thematik sowie textuelle Beispiele bilden den Kern der Arbeit. Unterstützt wird dies durch übersetzungswissenschaftliche Aspekte.

This master diploma thesis is concerned with Hitler's stay in Vienna during the period from 1908 to 1913 and the way in which his experiences from this period influenced the anti-Semitic views presented especially in his crucial work, Mein Kampf. The first, introductory chapter describes Vienna at the turn of the 20th century and also factors leading to the emergence of the specific atmosphere of this period, called fin de siècle. The focus of the second chapter is put on the issue of Jewish population in Vienna, i.e. a growing number of Jews in the city, the difference between the two basic groups of Jews (east and west), and especially the sorts of anti-Semitism which could be encountered in Vienna at that time. The third, last chapter is dedicated to Adolf Hitler, his life before his arrival to the capital, and his way of life and occupation in Vienna. The last part of the chapter is focused on the anti-Semitic quotations in Mein Kampf and their probable sources in Hitler's Viennese experiences. The aim of the thesis is to determine how Hitler's stay in Vienna influenced his later anti- Semitic attitude.

The ubiquity of the ‘Nazi’ – the fictional Doppelgänger of the historical Nazi – in the various media of popular culture is both disturbing and fascinating. There is an important relationship between the ‘Nazi’ and its audience; related to but separate from the historical Nazi, the creation and reception of the ‘Nazi’ both enables and exemplifies the continual processing of the past. Using a purpose-built framework (concept and terminology) for the study of the ‘Nazi’ as a phenomenon in and of itself, in combination with Freud’s concept of the uncanny, this thesis examines the dynamics of the relationship between the ‘Nazi’ and its audience in four examples: television episodes “Deaths-Head Revisited,” “He’s Alive” (The Twilight Zone), and “Patterns of Force” (Star Trek); and Serdar Somuncu’s performances/readings of Mein Kampf. The temporal and geographical context of the episodes (1960s America) seem far removed from Somuncu’s performances (1990s/2000s Germany), but analysing the production and effects of the uncanny moments generated in each case reveals a provocative raison d’être that spans across the geographical and temporal divide. / Graduate / 0311 / 0900

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