Inaug.-diss.--Würzburg. / Lebenslauf. "Literatur-verzeichnis": 4th prelim. leaf.

Texte remanié de: Th. doct. compl.--Lettres--Paris, 1959. / Document numérisé en mode texte. Extrait de l'ouvrage intitulé : "Écrits de jeunesse ; Journal (1820-1823) ; Mémorial Journal des idées" Texte daté de 1823, d'après Frantext. P. 75-177 du document original.

Texte remanié de: Th. doct. compl.--Lettres--Paris, 1959. / Document numérisé en mode texte. Extrait de l'ouvrage intitulé : "Écrits de jeunesse ; Journal (1820-1823) ; Mémorial Journal des idées" Texte daté de 1822, d'après Frantext. P. 181-218 du document original.

Diss.--Juristische Fakultät--München--Ludwig-Maximilians-Universität, 2003. / Bibliogr. p. 194-198.

Tesi di laurea--Storia--Padova--Università degli studi, Facoltà di lettere e filosofia, 1992.

Il s’agit d’étudier l’inscription en politique de l’ancien résistant et déporté Edmond Michelet (1899-1970) accédant à la carrière politique sous la Quatrième et la Cinquième République. Passant du gaullisme de guerre au gaullisme d’opposition puis au gaullisme politique dès le retour aux affaires de l’Etat du général de Gaulle en 1958, E. Michelet traduit son engagement en lien étroit avec la figure tutélaire du chef libérateur de la France. C’est donc en posant le degré de filiation, de pratiques et de mise en réseaux d’Edmond Michelet avec Charles de Gaulle, ses collaborateurs et ses détracteurs au sommet du pouvoir comme à la base de l’appareil militant, que se pose l’intérêt de notre étude. On insistera dans cette étude sur l’importance des trajectoires culturelles et idéologiques opérantes au sein des appareils politiques et dans l’environnement des gaullistes de De Gaulle à G. Pompidou. C’est l’occasion d’interroger enfin le style politique d’E.Michelet et le degré d’imprégnation des moments clés de son existence (les militances catholiques sociales de l’entre-deux-guerres ; la Résistance ; la déportation) adaptés à l’exercice original de ses activités politiques (militant et dirigeant de parti ; parlementaire ; membre de gouvernement, etc.). / It is a question of studying the registration in politics of the former Resistance fighter and the transported convict Edmond Michelet (1899-1970) reaching in the political career under the Fourth and the Fifth Republic. Passer-by of the war Gaullism in the Gaullism of opposition then the political Gaullism from the return to the affairs of the State of the general de Gaulle in 1958, Michelet translates its commitment in the service of the Gaullism into narrow link with the guardian face of the leader liberator of France. Thus while putting the degree of filiation, practices and putting in Edmond Michelet's networks with Charles de Gaulle, his associates and his detractors at the top of the power as on the basis of the militant device, arises the interest of our study. This study will emphasize the importance of operational trajectories within political apparatuses and in the Gaullist environment from De Gaulle to G. Pompidou. This is the opportunity to finally question the political style of E. Michelet and the degree of impregnation of the key moments of his life (the Catholic social militants of the inter-war period, the Resistance, the deportation) adapted to the exercise of his political activities (militant and party leader; member of government, etc.).

Submitted by Angela Maria de Oliveira (amolivei@uepg.br) on 2017-11-28T10:40:53Z No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Pamella Louise Camargo.pdf: 1295109 bytes, checksum: 1778739a61b2071632922d74a8bd07ed (MD5) / Made available in DSpace on 2017-11-28T10:40:53Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) Pamella Louise Camargo.pdf: 1295109 bytes, checksum: 1778739a61b2071632922d74a8bd07ed (MD5) Previous issue date: 2017-02-16 / A obra La Sorcière foi escrita em 1862 pelo historiador francês Jules Michelet e trata do tema da feitiçaria na Europa. A obra busca contemplar desde a criação da figura da feiticeira até a perseguição em massa promovida pela inquisição. Escrita em cerca de dois meses, em meio ao movimento romântico e em uma época de embates entre literatura e história, La Sorcière apresenta uma concepção romântica de concretude dos fenômenos mágicos e da bruxaria como crença de resistência popular ao clero e a nobreza. Pautada em uma estética literária próxima a do romance e com uma preocupação pedagógica; a obra acaba por ser precursora da noção de um culto organizado de bruxaria como rebeldia e “anti-religião”. Buscaremos demonstrar como a estética romântica e pedagógica de Michelet foi responsável pela ideia da bruxaria como permanência do paganismo europeu. Essa ideia de permanência e rebeldia auxiliou a moldar as modernas práticas de bruxaria e neopaganismo. Buscaremos, portanto, demonstrar que Michelet pode ser considerado, através de sua obra, um dos precursores da Wicca, a bruxaria moderna.Para tanto nos utilizaremos das teorias da Estética da Recepção de Jauss e a Teoria do Efeito Estético de Iser, dando ênfase a última. / The work La Sorcière was written in 1862 by the French historian Jules Michelet and deals with the theme of witchcraft in Europe. The work seeks to contemplate from the creation of the figure of the sorceress to a mass persecution promoted by the inquisition. Written in about two months, amid the romantic movement and in an era of interchange between literature and history, La Sorcière presents a romantic conception of the concretization of magical phenomena and witchcraft as a belief of popular resistance to the clergy and a nobility. Guided by a literary aesthetic close to the novel and with a pedagogical concern; The work turns out to be precursory of the notion of an organized cult of witchcraft like rebellion and "anti-religion". We will try to demonstrate how Michelet's romantic and pedagogical aesthetic was responsible for the idea of witchcraft as a permanence of European paganism. This idea of permanence and rebellion is responsible for practical practices of witchcraft and neopaganism. We will try, therefore, to demonstrate that Michelet can be considered, through his work, one of the forerunners of Wicca, a modern witchery. For this we will use the theories of the Aesthetics of the Reception of Jauss and the Theory of Esthetic Effect of Iser, emphasizing the last one.

The present study aims to bring into focus the antinomian doctrine of redemption through sin as it appears in Jules Michelet’s La Sorcière. According to Michelet, the witch-cult was both vestigial paganism and an attempt at overthrowing the Christian political order. The witch redeemed mankind by sinning against the Christian order, thus anticipating the Renaissance and the Enlightenment, as well as the French Revolution. The notion of redemption through sin, borrowed from Gershom Scholem, will enable us to compare Michelet’s and Scholem’s approaches to history and counter-history. It will also allow us to read La Sorcière against a broader religious background than is usually employed. Among the sources of Michelet, the often overlooked kabbalistic, possibly Sabbatian, subtext will be assessed in relation to his peculiar female messianism. Likewise, the episode, in La Sorcière, of the encounter between the witch and the Jew will be thoroughly studied. This may lead us to better comprehend Michelet’s theology, with the biblical God being akin, in his opinion, to that of the witches.

La présente étude est destinée à l’éclaircissement de la représentation de l’affaire Dreyfus dans l’oeuvre de Proust, de Jean Santeuil à la Recherche du temps perdu. L’évolution du thème est étudiée à travers une analyse philologique et historique de cinq grands textes : Jean Santeuil (rédigé entre 1895 et 1899) ; « Sentiments filiaux d’un parricide » (1907) ; « ‘L’affaire Lemoine’ par Michelet » (1908) ; Sodome et Gomorrhe I ; le cycle d’Albertine (La Prisonnière et Albertine disparue). La première partie propose une étude critique des treize fragments de Jean Santeuil comportant des références explicites à l’affaire Dreyfus. La seconde partie décrit la transformation de la mémoire de celle-ci dans les écrits de 1907 à 1922, en établissant l’influence de Michelet sur la représentation de la victime dans « Sentiments filiaux d’un parricide » ; l’apparition du point de vue antisémite de l’Affaire et la constitution du parallélisme entre juifs et homosexuels dans « ‘L’affaire Lemoine’ par Michelet » ; l’achèvement du dreyfusisme proustien dans Sodome et Gomorrhe I ; la transposition critique des discours dreyfusards, antidreyfusards et antisémites dans le cycle d’Albertine ; l’influence de la Première Guerre mondiale (espionite, chasse aux traîtres, mobilisation des juifs) sur l’écriture de l’affaire Dreyfus dans la Recherche. L’examen chronologique et événementiel est complété par l’analyse de deux métaphores optiques employées pour décrire les juifs à l’époque de l’Union sacrée sous l’angle de l’histoire juive de longue durée : le kaléidoscope social et les rayons X. / This study proposes to clarify the representation of the Dreyfus affair in the works of Proust, from Jean Santeuil to À la recherche du temps perdu. The evolution of the theme is studied through a philological and historical examination of five important writings: Jean Santeuil (written between 1895 and 1899), « Sentiments filiaux d’un parricide » (1907), « ‘L’affaire Lemoine’ par Michelet » (1908), Sodome et Gomorrhe I and the Albertine cycle (La Prisonnière and Albertine disparue). The first part is a critical study of thirteen fragments of Jean Santeuil containing explicit references to the Dreyfus affair. The second part describes the transformation of the memory of the Affair in the writings composed between 1907 and 1922, demonstrating Michelet’s influence on the representation of the victim in « Sentiments filiaux d’un parricide », the appearance of the anti-Semitic interpretation of the Affair and the constitution of a parallelism between Jews and homosexuals in « ‘L’affaire Lemoine’ par Michelet », the achievement of Proust’s Dreyfusism in Sodome et Gomorrhe I, the critical transposition of Dreyfusard, anti-Dreyfusard and anti-Semitic discourses in the Albertine cycle, the influence of the World War I (spy paranoia, traitor hunts, mobilization of the Jews) on the description of the Dreyfus Affair in the Recherche. The chronological and factual examination is completed by the analysis of two optical metaphors used to describe the Jews in France at the time of the ‘Union sacrée’ from the perspective of long-term Jewish history: the social kaleidoscope and the X-rays.

Orientador: Maria Stella Martins Bresciani / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-28T06:20:40Z (GMT). No. of bitstreams: 1 Schreiner_Michelle_M.pdf: 10064439 bytes, checksum: 66145fdcd90fad2bc33b2ba5915f1e09 (MD5) Previous issue date: 2001 / Resumo: Nosso objetivo é analisar a constituição do "povo", bem como de alguns temas a ele relacionados, tais como nação, classe, raça, massa e outros agentes históricos na obra de Jules Michelet. Reconhecidos enquanto possuidores de uma existência própria, regulada por um conjunto de relações sócio-econômicas, visto que sujeita à ação do homem e revelada num tempo real, histórico e que se perfaz por meio de mudanças, esses operadores teriam sofrido um processo de historicização que faria parte do movimento romântico e cujo teor viria acompanhado por uma narrativa de cunho essencialmente político / Abstract: This work intends to analyse the constitutionof the "people" besides some other themes relating to it, just as nation, class, race, mass and another historical agents in Jules Michelet's work. These agents were admitted like possessed an own existence controlled by social and economic relations, inasmuch as be exposed to the human action and developed in a historical time by means of changes and transformations. This process that "see everything in a historical flux" proceeds of the romantic movement and its tenor comes followed with a political narrative / Mestrado / Mestre em História