Thesis (D. Min.)--Midwestern Baptist Theological Seminary, 2006. / Abstract. Includes bibliographical references (leaves 114-117)

No artist can be set apart from the developments and problems of his day, and so it was that Hamlin Garland, literary spokesman for the Midwestern farmers of the last quarter of the nineteenth century, was inevitably bound to portray his region with all of its economic, social, and political complexities. His work was destined to be influenced by the echoes of the Civil War, the immigration of both Americans and foreigners to a fertile, grain-producing country, and by all the problems of adjustment that faced this agrarian society.

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No description available.

Master of Arts / Department of History / Bonnie Lynn-Sherow / This thesis recreates the relationship between humans and their physical environment in Fort Scott, Kansas between 1850 and 1920 and uses the poetry of J.S. Penny, a contemporary amateur poet living and writing in Fort Scott, as an essential primary resource. Settlers came to this area in southeastern Kansas in the 19th century for its timber-lined streams, high precipitation, and rich soil. The Missouri River, Fort Scott, and Gulf Railroad was extended through Fort Scott in December of 1869. The arrival of the railroad transformed the town. The natural resources which had been a mark of identity for the people of Fort Scott became commodities to be sold in national markets. Manufacturing and industry boomed, but population would eventually plateau in the early 20th century, creating a small industrial city that had maintained a strongly rural sense of community. Penny’s poetry provides a personal, emotional response to the rapid changes to the landscape around him. Some of his poems on the local landscape directly note specific changes in the local ecology, while some demonstrate Penny’s religious connection the natural world—a common perspective during his time. Other pieces show us Penny’s observations of how his neighbors reacted to the weather and environment in Fort Scott. Penny, like many Americans in the early 20th century, saw the history of his home as one of agrarian development and westward expansion over an empty landscape; the Jeffersonian and Turnerian roots of his perspective are evident in his poetry. With Penny’s poetry, we can create a more complete environmental history of Fort Scott by understanding how Fort Scott residents related to the land around them.

Why did black southern migrants during the Great Migration not get off the train along the migratory corridor that connected the points of departure and arrival, i.e. the Jim Crow South and the urban North? How did midwestern small-towns and black America come to be understood as polar opposites? Based on archival and ethnographic research, this project answers these questions by disrupting grand narratives about the Great Migration and the Midwest: 1) it disrupts the idea of predefined destinations of southern black migrants by illustrating that not all wanted to settle in big cities; 2) it disrupts the midwestern whiteness by displaying resilience and resistance of minorities in the same landscape; and 3) it disrupts stereotypes of midwestern friendliness by uncovering the self-perceived understanding of midwestern hospitality of Hoosier communities that stands in stark contrast with the unwelcoming environment as experienced by outsiders. Together, the chapters in this dissertation record the racialized geographies of Indiana and provide a nuanced understanding of identity and belonging in the Midwest. Analysis of the data identifies cultures of exclusion prevalent in midwestern small towns.

Thesis (D. Ed. Min.)--Midwestern Baptist Theological Seminary, 2006. / Includes bibliographical references (leaves 328-336).

Thesis (D. Ed. Min.)--Midwestern Baptist Theological Seminary, 2006. / Includes bibliographical references (leaves 328-336).

No description available.

No description available.