Global ETD Search

1	Sir John Everett Millais' use of Tractarian symbolism, 1848-1852 / Millais' use of Tractarian symbolism, 1848-1852. Stiebeling, Detlef. January 1984 (has links) No description available. Millais, John Everett, Sir, 1829-1896. Symbolism in art. Oxford movement. Pre-Raphaelitism.
2	Sir John Everett Millais' use of Tractarian symbolism, 1848-1852 Stiebeling, Detlef. January 1984 (has links) No description available. Oxford movement. Symbolism in art. Millais, John Everett, Sir, 1829-1896. Pre-Raphaelitism.
3	Transmutations of Ophelia's "Melodious Lay" Byington, Danielle 01 May 2017 (has links) There are multiple ways in which language and image share one another’s aesthetic message, such as traditional ekphrasis, which uses language to describe a work of art, or notional ekphrasis, which involves literature describing something that can be considered a work of art but does not physically exist at the time the description is written. However, these two terms are not inclusive to all artworks depicting literature or literature depicting artworks. Several scenes and characters from literature have been appropriated in art and the numerous paintings of Ophelia’s death as described by Gertrude in Hamlet, specifically Millais’ Ophelia, is the focus of this project. Throughout this thesis I analyze Gertrude’s account in three sections—the landscape, the body, and the voice—and compare it to its transmutation on the canvas. Ophelia Ekphrasis Shakespeare Millais Representation Translation Arts and Humanities Literature in English, British Isles Theory and Criticism
4	Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860 Stiebeling, Detlef. January 1986 (has links) No description available. Symbolism in art Oxford movement Pre-Raphaelites. Painting -- Themes, motives
5	Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860 Stiebeling, Detlef. January 1986 (has links) No description available. Painting -- Themes, motives Symbolism in art Oxford movement Pre-Raphaelites.
6	Klišé v současné výtvarné fotografii / Cliché in Contemporary Art Photography Čejková, Michaela January 2015 (has links) The diploma thesis defines the therm "cliché" in art and specifically in photography. This definition stems from examining concepts that are closely related to cliché: paraphrase, kitch, copy, reproduction. The thesis also pinpoints various examples of cliché in today's photography. It follows the development of certain clichés and aims to answer the question that concerns the repetitive search and imitation of certain images, even by authors who are undoubtedly aware of their existence, as well as frequency.
7	Interpretations of Medievalism in the 19th Century: Keats, Tennyson and the Pre-Raphaelites Wilsey, Shannon K. 01 January 2010 (has links) This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott. Medievalism Nineteenth century Poetry Painting John Keats Baron Alfred Tennyson Pre-Raphaelites William Holman Hunt Sir Francis Bernard Dicksee Arthur Hughes Art Practice Literature in English, British Isles Medieval History

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