À une époque où les technologies digitales, la profusion d’images reçues et partagées, la vitesse et la mobilité n’ont jamais été si manifestes, se pose la question de la relation entre les gestes, les objets connectés et les pratiques créatives artistiques voire « amateures ». Dans un monde désormais localisable, connu et reconnu de tous, l’expérience du voyage traditionnel aurait-elle laissé place à la navigation de tous les jours sur Internet ? Que provoque la présence de cet outil dans l’expérimentation de l’artiste ? Comment l’utilise-t-il ? Montre-t-il, d’ailleurs, quelque chose de cette expérience ? De nouvelles formes apparaissent-elles avec l’accompagnement du téléphone mobile, intelligent ? Changent-elles notre perception et relation à l’image ? Que produit l’environnement numérique sur ces formes, qui, quand elles se révèlent, ou sont révélées, contrastent singulièrement avec les œuvres d’art dites « traditionnelles ». Elles constituent des modes de résistance face aux conceptions « reconnues » de l’art, comme celles de la présentation de l’œuvre. Un des enjeux essentiels de la thèse pointe la réflexion sur l’acte d’image réalisée avec le mobile, ou le geste « fait » souvent plus que l’œil « voit » ou contrôle. Une expérience artistique et réflexive au cœur de mobilités cumulées ; où un nouveau paradigme de l’œuvre, des modes de diffusion est spécifiquement pensé en relation avec l’image saisie. / At this time of digital technologies, the profusion of received and shared images, speed and mobility have never been so evident, we can discuss the question of the relationship between gestures, connected objects and creative artistic practices, which can appear as “amateurs”. In a world now localizable, known and recognized by all, the experience of traditional travel would have given way to navigation on the Internet every day? What can cause the presence of this tool in the artist experimentation? How does he use it? Does he show, although, something of this experience? Do new forms appear with the accompaniment of the mobile phone, intelligent? Do they change our perception and relationship to the image? What does the digital environment produce on these forms, which, when they are revealed, or if they are revealed, are contrasting to the so-called "traditional" works of art. They constitute modes of resistance to the "recognized" conceptions of art like those of the work presentation. One of the essential object of the thesis is the reflection on the act of image realized with the mobile, or the gesture “made” often more than the eye "sees" or controls the frame. It is an artistic and reflective experience at the heart of cumulative mobility; where a new work paradigm, modes of diffusion is specifically thought in relation to the captured image.

Paralelas Cruzadas: propostas poéticas em arte móvel apresenta uma pesquisa teórico-prática que mergulha no potencial criativo dos dispositivos portáteis tecnológicos com conexão em rede a distância, inseridos no contexto da computação ubíqua, pervasiva e sensiente. Foram retomados temas relacionados à conexão poética existente entre a mobilidade, a tecnologia e a cibercultura, em especial arte móvel, arte locativa, realidades mistas e realidade aumentada. Durante o percurso, três práticas artísticas se concretizaram: Paralelas Cruzadas, projeto híbrido que envolve arte móvel, arte locativa, artes visuais, performance e realidades mistas, desenvolvendo-se durante residência artística em La Paternal Espacio y Proyecto (Buenos Aires/Argentina), Fundación Casa Tres Patios (Medellín/Colômbia); São Paulo/Brasil; Corpo In (Visível), criação de Cássia Aranha e Danilo Patzdorf, contemplado no edital Dança em Site Specific do CCSP / 2015; Código Facial, criação artística de Cássia Aranha e Luciana Mantovani; obra de arte híbrida que envolve artes visuais, realidade aumentada, dramaturgia e videoperformance, a partir de uma criação em site specific, contemplada no Edital da ProACArtes Integradas/ 2015 da Secretaria de Cultura do Estado de São Paulo. / Crossed Parallels: poetic proposals in mobile art presents a theoretical-practical research that plunges into the creative potential of technological, portable devices, with distance network connection, within the context of ubiquitous, pervasive, and sentient computing. Themes and issues were taken up related to the poetic connection existing in between mobility, technology, and cyberculture, in special the mobile art, locative art, mixed realities, and augmented reality. Along the way, three artistic practices materialized: Crossed Parallels, hybrid project developed during artist residency in La Paternal Espacio y Proyecto (Buenos Aires / Argentina), Fundación Casa Tres Patios (Medellín / Colombia); São Paulo / Brazil, and involving mobile art, locative art, visual arts, performance and mixed realities. Body In (Visible) (creation of Cassia Aranha and Danilo Patzdorf contemplated in the Dance Edicts for Site Specific CCSP / 2015); FaceCode (a site specific artistic creation by Cassia Aranha and Luciana Mantovani; hybrid work of art involving visual arts, augmented reality, drama, and video performance, addressed in the Edicts of ProAC - Integrated Arts/ 2015, by the Government of the State of São Paulo - Secretary of Culture).

Paralelas Cruzadas: propostas poéticas em arte móvel apresenta uma pesquisa teórico-prática que mergulha no potencial criativo dos dispositivos portáteis tecnológicos com conexão em rede a distância, inseridos no contexto da computação ubíqua, pervasiva e sensiente. Foram retomados temas relacionados à conexão poética existente entre a mobilidade, a tecnologia e a cibercultura, em especial arte móvel, arte locativa, realidades mistas e realidade aumentada. Durante o percurso, três práticas artísticas se concretizaram: Paralelas Cruzadas, projeto híbrido que envolve arte móvel, arte locativa, artes visuais, performance e realidades mistas, desenvolvendo-se durante residência artística em La Paternal Espacio y Proyecto (Buenos Aires/Argentina), Fundación Casa Tres Patios (Medellín/Colômbia); São Paulo/Brasil; Corpo In (Visível), criação de Cássia Aranha e Danilo Patzdorf, contemplado no edital Dança em Site Specific do CCSP / 2015; Código Facial, criação artística de Cássia Aranha e Luciana Mantovani; obra de arte híbrida que envolve artes visuais, realidade aumentada, dramaturgia e videoperformance, a partir de uma criação em site specific, contemplada no Edital da ProACArtes Integradas/ 2015 da Secretaria de Cultura do Estado de São Paulo. / Crossed Parallels: poetic proposals in mobile art presents a theoretical-practical research that plunges into the creative potential of technological, portable devices, with distance network connection, within the context of ubiquitous, pervasive, and sentient computing. Themes and issues were taken up related to the poetic connection existing in between mobility, technology, and cyberculture, in special the mobile art, locative art, mixed realities, and augmented reality. Along the way, three artistic practices materialized: Crossed Parallels, hybrid project developed during artist residency in La Paternal Espacio y Proyecto (Buenos Aires / Argentina), Fundación Casa Tres Patios (Medellín / Colombia); São Paulo / Brazil, and involving mobile art, locative art, visual arts, performance and mixed realities. Body In (Visible) (creation of Cassia Aranha and Danilo Patzdorf contemplated in the Dance Edicts for Site Specific CCSP / 2015); FaceCode (a site specific artistic creation by Cassia Aranha and Luciana Mantovani; hybrid work of art involving visual arts, augmented reality, drama, and video performance, addressed in the Edicts of ProAC - Integrated Arts/ 2015, by the Government of the State of São Paulo - Secretary of Culture).

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