<p>Within the context of South Africa&lsquo / s diverging religious, cultural and social backgrounds, new questions on the nature of a multicultural society are raised from the perspective of human rights.&nbsp / The universality and indivisibility of human rights are challenged by this diversity and consequently implies that standards, concepts and structures for implementation have to be reconsidered.&nbsp / International and national standards are being (re)interpreted and attention is not only focused on the contents of the norms but on the limitations imposed thereupon. The debate on whether limits should be set in permitting or accommodating cultural or religious pluralism is becoming extremely relevant. The manner in which these questions are responded to&nbsp / is even more prominent in the light of our history of apartheid which has disregarded respect for religious and cultural diversity. In the scope of this research emphasis will be placed on the&nbsp / right to freedom of religion and in particular the limitation of the right to religion in an attempt to balance conflicting rights and accommodates religious diversity. The right to freedom of religion&nbsp / albeit constitutionally entrenched is subject to reasonable and justifiable limitations. However, no clear guidelines have been formulated on the criteria for limiting the right to freedom of&nbsp / religion. The main aim of this research is to find guiding criteria to facilitate the imposition of limitations on the right to freedom of religion. The limitations of the right to freedom of religion are&nbsp / interrelated with the following research questions: Firstly, the definition afforded to the right to freedom of religion in accordance with national and international standards / secondly, the relationship between culture and religion and any interconnection that exists between these rights. This is followed by the influence of the particular value framework or normative commitments&nbsp / f the judiciary on the interpretation of the right to religion, as well as the relationship between the state and religion. The above issues will be researched both on a national and&nbsp / an international level. The aim is to conduct research that will build on an appreciation of the guidelines that should be employed in ensuring the protection of the right to freedom of religion. To this end comparisons will be drawn with other legal&nbsp / systems, which on the one hand acknowledge the protection of the right to freedom of religion and on the other hand have to find ways in which the right can be balanced in the event of conflict. It is envisaged that the research of the criteria imposed on the limitation of the right to religion both on a national and an international level will assist in suggesting criteria that will influence&nbsp / scholarly debate on the topic. In addition that this debate will allow for the formulation of a transformative approach within the South African context that sanctions the celebration of diversity in all&nbsp / its aspects and in particular the right to freedom of religion.<br /> &nbsp / </p>

The thesis explores the ways in which Serbian ethnic media in Canada represent their own group and “Others”, specifically Croats, Slovenians and Catholics, Bosniaks, Albanians and Muslims, Montenegrins and the West. The research investigates the convergence of these representations with Canadian multiculturalism. The thesis epistemologically feeds from Jean Jacques Rousseau’s 18th century theories of recognition and patriotism, Stuart Hall’s (1997) theory of representation and identity and Edward Said’s (1978) theory of Orientalism, and is further guided by the theoretical frameworks of Charles Taylor’s (1994) politics of recognition, Benedict Anderson’s (1992) long-distance nationalism and Maria Todorova’s (1994) Balkanism. Qualitative content analysis through purposive and sequential sampling of Serbian ethnic broadcasting is conducted to gauge the programs’ representations of the “Self” and “Others”. Ethnic media provide a method to promote a minority group’s heritage, but also to facilitate communication between various cultural, ethnic, religious and racial groups. In the age of an increased critique of multiculturalism, the role of ethnic media rises in importance. The findings of the thesis show that Serbian ethnic media employ Canadian multiculturalism to promote Serbian heritage, but also to stereotype other groups. Applying the theoretical juxtaposition of multiculturalism, nationalism and “Othering”, this research argues that through negative identification of “Others”, Serbian ethnic media deviate from Canadian multiculturalism that calls for a positive recognition of all Canadian groups.

In writing this thesis, I plotted where the streams of whiteness theory, life-writing theory and practice, and Daphne Marlatts novel <i>Ana Historic</i> converge. In the introduction, I outline the development of my own subjectivity, focusing on my identification with multiple ethnic communities, and on my racial and working class identity. My second chapter surveys current whiteness theories, accepting some and rejecting others, and drawing significantly upon theory that is accessible and personal, a decision that undoubtedly resulted because of my working class practicality. In this chapter, I conclude that whiteness and white solipsism (theoretically comparable to Simone de Beauvoirs challenge that masculinity as the neutral and positive gender renders femininity and other gendered constructions negative), actually envelope multiple identities, but argue that the way in which whiteness is experienced by those on its margins is often monolithic. In the third chapter, I investigate Marlatts biography and her life writing theory, arguing that her experience as a once immigrant foregrounds many issues relevant to the Canadian white identity, and that because her theory is so conscious of how identity is constructed, relying on fact and fiction, <i>Ana Historic</i> provides a portrait of white Canadian identity and the context in which that identity has been constructed. In Chapters 4 and 5, I apply the theories of life writing and whiteness to the characters of Ana, Ina, and Annie, challenging that their identities as colonizer, emigrant, and immigrant, respectively, illustrate the evolution resulting in the current white Canadian identity. Further, because Marlatt chooses these characters who occupy different positions in history, she shows her reader that contemporary Canadian white identity has grown out of colonial times, creating a continuum. The history out of which each of these women emerges is never contained because aspects of their identity carry forward into subsequent generations.

Although Canada is internationally known for its multicultural practices, the work life experiences of visible minority female school principals are unheard and absent from educational leadership research in Canada. In light of the fact that the student population in Canadian schools is increasingly diversifying, it is important to examine the experiences of visible minority female school principals from their own perspectives in order to gain a better understanding of their work life in the education system across Canada.<p> This research is a qualitative case study of the administrative work life experiences of five visible minority female school principals in five selected Western Canadian public schools. The purpose of the research was to examine and describe the administrative work life experiences of the selected visible minority female principals, with a particular focus on the path they took to become principals, the challenges they faced, and the strategies they used to foster inclusive schools. In-depth interviews were the main research method used in this study, supplemented by document and record analyses and the researchers reflective journal. Each of the five participants was interviewed three times in order to provide an in-depth analysis of their work experiences. The data were analyzed by using narrative and inductive analysis to let the participants tell their stories first and analyze the research questions inductively second. The results of this study revealed that the path to the principalship for visible minority female principals is influenced by multi-factors, personal abilities and strengths, challenges, supports, and preparatory and training programs. Each of the participants went through different processes to achieve their goal based on their own unique situations. This study also revealed the participants in their principal positions faced personal, professional, and organizational challenges related to gender, race, and accent. However, the participants regarded these challenges as opportunities for them to learn and to grow.<p> The strategies used to build inclusive schools by the five participants stemmed from the participants personal attributes, skills, support systems, and the contribution of their minority status. In their leadership positions, individuals set a clear mission, varied leadership styles, used reciprocal empowerment, demonstrated an ethic of care, acted as mentors, pursued networking, and mastered necessary positional knowledge.<p> This study provides recommendations for other visible minority female principals and visible minority female teachers who aspire to principal positions by identifying steps needed to prepare for the principalship; recommendations for Boards of Education on policy making and action as well as recommendations for professional development. Implications for future research are also set out. This study, while confirming the findings of the research done by other scholars, also has its own unique findings, and the five participants work life experiences provided five pictures of successful visible minority female school principals in Western Canadian public schools

This thesis draws from ten semi-structured interviews with multiracial men in Toronto, Canada. It is an exploratory study that examines how participants experience race, masculinities and identities. Multiracial identities challenge popular notions of racial categories and expose social processes of racialization and the shifting nature of social identities. I explore how gender impacts participants’ experiences of multiple, fluid or shifting racial identities, and the importance of context in determining how they identify themselves. Participants also discussed the impact of multiculturalism and their understandings of racism in Canada. There were differences in the experiences of Black multiracial men and non-Black multiracial men in terms of how gender and race impact their lives. These differences imply that the colour line in Canada is shifting and that categories like ‘whiteness’ are being redefined. Analyses of these topics are taken up from an anti-racist and critical mixed race studies perspective.

Critical Indigenous scholars and their explicit allies have emphasized the need for curriculum and pedagogy in teacher education to address settler colonialism in Canada (Cannon, forthcoming(a); Cannon and Sunseri, 2011; Dion, 2009; Friedel, 2010a; Haig-Brown, 2009; Schick, 2010; Schick and St. Denis 2003, 2005; & St. Denis, 2007) . This thesis is primarily concerned with the existence of and possibilities for such a curriculum. In this thesis, I analyzed the curricula used in the three required courses of the secondary consecutive Initial Teacher Education (ITE) program in the 2011-2012 year at OISE for representations of settler colonialism in Canada. This study finds that while the curriculum in the ITE program at OISE focuses broadly on social justice, it shies away from addressing the ways that Canadians are complicit in ongoing colonialism. The thesis ends by highlighting some clear possibilities and challenges for a curriculum of settler colonial responsibility.

Critical Indigenous scholars and their explicit allies have emphasized the need for curriculum and pedagogy in teacher education to address settler colonialism in Canada (Cannon, forthcoming(a); Cannon and Sunseri, 2011; Dion, 2009; Friedel, 2010a; Haig-Brown, 2009; Schick, 2010; Schick and St. Denis 2003, 2005; & St. Denis, 2007) . This thesis is primarily concerned with the existence of and possibilities for such a curriculum. In this thesis, I analyzed the curricula used in the three required courses of the secondary consecutive Initial Teacher Education (ITE) program in the 2011-2012 year at OISE for representations of settler colonialism in Canada. This study finds that while the curriculum in the ITE program at OISE focuses broadly on social justice, it shies away from addressing the ways that Canadians are complicit in ongoing colonialism. The thesis ends by highlighting some clear possibilities and challenges for a curriculum of settler colonial responsibility.

This thesis offers a comparison, which rarely, if ever, has been made between Isaiah Berlin and Charles Taylors account of the ideas of Johann Gottfried Herder on the relationship of language, culture and nationality. It argues that Berlin misrepresents Herders ideas in emphasizing the extent to which differences in language and culture necessarily result in ethnic and national conflicts between incompatible cultural worldviews, while Taylor does correctly understand that Herder sees no reason for why such conflict between cultural entities should be inevitable either within a single state or between states. The thesis concludes by offering reasons for why Herder, properly understood, allows us to be optimistic about the future of both intrastate and interstate relationships among diverse cultural groups.

This thesis offers a comparison, which rarely, if ever, has been made between Isaiah Berlin and Charles Taylors account of the ideas of Johann Gottfried Herder on the relationship of language, culture and nationality. It argues that Berlin misrepresents Herders ideas in emphasizing the extent to which differences in language and culture necessarily result in ethnic and national conflicts between incompatible cultural worldviews, while Taylor does correctly understand that Herder sees no reason for why such conflict between cultural entities should be inevitable either within a single state or between states. The thesis concludes by offering reasons for why Herder, properly understood, allows us to be optimistic about the future of both intrastate and interstate relationships among diverse cultural groups.

Performances of poetry constitute significant cultural and literary events that challenge the representational limits and possibilities of transposing written words into live and recorded media. However, there has not been a comprehensive study of Canadian poetry that focuses specifically on performance. This dissertation undertakes a theorizing of performance that foregrounds mediation, audience, and presence (both readerly and writerly). The complex methodology combines theoretical approaches to reading (Linda Hutcheon on adaptation, Wolfgang Iser on the reader, and Roland Barthes on the materiality of writing) with poetics as theorized by Canadian poets (namely bpNichol, Steve McCaffery, Jan Zwicky, Robert Bringhurst) in order to argue that performances of poetry are responsive exchanges between performers and audiences. Importantly, the dissertation argues that performances of poetry call for a re-evaluation of reading as listening, thereby altering the interaction between audience and performance from passive to participatory. Arranged in four chapters, the dissertation examines a range of Canadian poets and performances: The Four Horsemen (Rafael Barreto-Rivera, Paul Dutton, Steve McCaffery, and bpNichol), dance adaptations of Michael Ondaatje’s poems, George Elliott Clarke’s poetic libretti, and Robert Bringhurst’s polyphonic poetry. Following the Introduction’s outlining of the term performance, Chapter One examines processes of recording and adapting avant-garde sound poetry, specifically in the sound and written poetry of Nichol and McCaffery. Chapter Two theorizes adaptation as a responsive reading practice in the context of dance adaptations of Ondaatje’s writing (Bruce McDonald’s Elimination Dance and Veronica Tennant’s Shadow Pleasures). In Chapter Three, Clarke’s jazz opera Québécité, with libretto by Clarke and music composed by D.D. Jackson, foregrounds a central argument of this dissertation: that multi-vocal poetics can, in fact, reconfigure multicultural politics. Chapter Four turns to polyphony as a textual representation of multi-vocality in the poetry of Robert Bringhurst. Through a close-listening to a musical poem by Jan Zwicky, the Conclusion points towards new critical directions in listening to Canadian poetry. Only in understanding how cultural and political performances are recorded, enacted and received both on and off the page can we listen, critically and actively, to our multi-voiced Canadian soundscapes.