Texte remanié de: Thèse de doctorat--Droit--Paris 2, 2002. Titre de soutenance : L'administration française d'un pays conquis sur la Maison de Savoie : le comté de Nice sous l'autorité de Louis XIV (1691-1696) (1705-1713). / En appendice, choix de documents. Bibliogr. p. 293-304. Notes bibliogr. Index.

Texte remanié de: Thèse de doctorat--Histoire--Nice, 2002. Titre de soutenance : La construction à Nice de 1860 à 1914. / La couv. porte en plus : "architecture, construction, urbanisation de 1860 à 1914" En appendice, choix de documents. Bibliogr. p. 479-500. Notes bibliogr. Glossaire. Index.

Rapport de stage diplôme de conservateur des bibliothèques : Bibliothéconomie : Villeurbanne, ENSSIB : 2003.

PARENTE JÚNIOR, Francisco Valber. Domínios isospectrais e a lei de Weyl. 2015. 33 f. Dissertação (Mestrado em Matemática) - Centro de Ciências, Universidade Federal do Ceará, Fortaleza, 2015. / Submitted by Erivan Almeida (eneiro@bol.com.br) on 2015-08-25T17:32:12Z No. of bitstreams: 1 2015_dis_fvparentejunior.pdf: 588914 bytes, checksum: 7d80c24d5eb7c6df49eb3d43f7aef800 (MD5) / Approved for entry into archive by Rocilda Sales(rocilda@ufc.br) on 2015-08-26T12:07:31Z (GMT) No. of bitstreams: 1 2015_dis_fvparentejunior.pdf: 588914 bytes, checksum: 7d80c24d5eb7c6df49eb3d43f7aef800 (MD5) / Made available in DSpace on 2015-08-26T12:07:31Z (GMT). No. of bitstreams: 1 2015_dis_fvparentejunior.pdf: 588914 bytes, checksum: 7d80c24d5eb7c6df49eb3d43f7aef800 (MD5) Previous issue date: 2015 / O som produzido por um tambor é determinado através de um conjunto de frequências vibracionais. Essas frequências chamadas de autovalores dependem da forma do tambor. Conhecendo os autovalores será possível determinar o formato de um tambor? Em outras palavras, será que pode-se ouvir a forma de um tambor? Essa pergunta foi colocada por Mark Kac(KAC) em 1966 e foi um problema que levou uma boa quantidade de anos para ser resolvido. Um resultado relevante provado mais cedo foi de que pode-se ouvir a área de um tambor. Em 1910 o grande físico H. A. Lorentz deu cinco palestras sob o título geral: “Velhos e novos problemas da Física" - e no final da quarta palestra, ele mostrou um problema em aberto, que em nossos termos dita uma relação entre os autovalores e a área de um tambor. Há um relatório que Hilbert previu que esse problema não seria resolvido em seu tempo de vida. Mas ele estava muito enganado, em menos de dois anos, Hermann Weyl(WEYL), que estava presente na palestra de Lorentz, prova o problema, o qual ficou conhecido por Lei de Weyl. O objetivo deste trabalho é provar a Lei de Weyl e dar um contraexemplo para o problema posto por Mark Kac. / O som produzido por um tambor é determinado através de um conjunto de frequências vibracionais. Essas frequências chamadas de autovalores dependem da forma do tambor. Conhecendo os autovalores será possível determinar o formato de um tambor? Em outras palavras, será que pode-se ouvir a forma de um tambor? Essa pergunta foi colocada por Mark Kac(KAC) em 1966 e foi um problema que levou uma boa quantidade de anos para ser resolvido. Um resultado relevante provado mais cedo foi de que pode-se ouvir a área de um tambor. Em 1910 o grande físico H. A. Lorentz deu cinco palestras sob o título geral: “Velhos e novos problemas da Física" - e no final da quarta palestra, ele mostrou um problema em aberto, que em nossos termos dita uma relação entre os autovalores e a área de um tambor. Há um relatório que Hilbert previu que esse problema não seria resolvido em seu tempo de vida. Mas ele estava muito enganado, em menos de dois anos, Hermann Weyl(WEYL), que estava presente na palestra de Lorentz, prova o problema, o qual ficou conhecido por Lei de Weyl. O objetivo deste trabalho é provar a Lei de Weyl e dar um contraexemplo para o problema posto por Mark Kac. / The sound produced by a drum is determined through a set of frequencies vibrational. These frequencies eigenvalues calls depend on the shape of the drum. Knowing the eigenvalues you can determine the shape of a drum? In other words, you can hear the shape of a drum? This question was posed by Mark Kac (KAC) in 1966 and was a problem that took a good amount of years to resolved. An important result was proved earlier that you can hear the area of a drum. In 1910 the great physicist H. A. Lorentz gave five lectures under the title general: "Old and new problems of physics" - and at the end of the fourth lecture, he showed an open problem, which in our terms dictates a relationship between the eigenvalues and the area of a drum. There is a report that Hilbert predicted that this problem would not settled in their lifetime. But was very mistaken, in less than two years, Hermann Weyl (WEYL), that was present at the lecture of Lotentz, proves the problem, which was known for Weyl’s law. The objective of this work is to prove the Weyl’ law and give a counterexample to the problem posed by Mark Kac.

Deacon is a novel about how much the narrator loves the house where his grandparents used to live, loves strawberries, loves his dog. It is largely a novel about love. It is also a novel about rivalry, fixation, enemies, and neighbors via the character of the Deacon, and the narrator's perceived rivalry with the Deacon. The novel explores the ebbs and flows of this dynamic, as well as the rivalry's efficacy and reality. The narrator becomes frustrated with a desire to love and enjoy the place for a few quiet days with his dog, who he loves, and his inability to not let his paranoia regarding the Deacon cloud his days. / Master of Fine Arts / Deacon is a novel about love, rivalry, and to some degree, madness.

Texte remanié de: Th. doct.--Histoire--Nice-Sophia Antipolis, 1992. Titre de soutenance : Denis Gavini, 1819-1916, le préfet de Nice sous le Second Empire. / Bibliogr. p. 350-355. Notes bibliogr.

Les arts plastiques à Nice dans l’entre-deux-guerres se développent au sein de deux catégories d’institutions : les institutions privées et les institutions publiques. Ces deux catégories ne sont pas homogènes étant donné la variété des structures, des objectifs et des formes d’art plébiscitées au sein des institutions publiques et privées. La période étudiée s’étend de 1919, au lendemain de la Première Guerre mondiale, jusqu’au début de la Deuxième Guerre mondiale en 1939 ; elle est marquée par les conséquences de la Grande Guerre, la crise économique mondiale de 1929 et la montée des tensions internationales au cours des années trente. Malgré l’effondrement du tourisme de luxe qui touche la ville de Nice, la cité, favorisée par une stabilité politique municipale, entreprend au cours de cette période de vastes projets de modernisation. Pendant la Belle Époque la ville de Nice, capitale d’hiver, est surtout associée aux loisirs fastueux et distractions légères de la clientèle mondaine et aristocratique. Pendant la période de l’entre-deux-guerres, les responsables culturels de la ville, soutenus par certains responsables locaux dont en premier lieu Jean Médecin, vont essayer de donner à la ville une autre image, par le biais de la création de nouvelles institutions culturelles et artistiques publiques, dont en particulier : le Musée Masséna en 1921, le Musée des Beaux-Arts Jules Chéret en 1928, et le C.U.M. en 1933. Une fois créées, ces institutions mettent en place de nouvelles formes d’activités en espérant séduire le public local. Ces deux types d’institutions, privées et publiques, œuvrant en faveur des arts plastiques, participent à l’enrichissement culturel de la ville de Nice dans l’entre-deux-guerres. / Plastic arts in Nice between the two world wars are developing inside two categories of institutions: private and public. These two categories are not homogenous taking into account the variety of structures, objectives and art forms of those private and public institutions. Our period of study goes from the end of the First World War in 1919 until the beginning of the Second World War in 1939, it is punctuated by the consequences of the First World War, the 1929 world economic crisis and the escalation of international tensions in the thirties. In spite of the luxury tourism collapse which affects Nice at the time, the city benefits from the political stability and realizes during this period several big modernization projects. Considered as winter capital during the Belle Époque, the city of Nice is since associated to beautiful parties and carefree luxury life led by the aristocratic society. Between the two world wars, the cultural authorities supported particularly by the mayor Jean Médecin, will try to give a different image to the city, through the creation of the new public institutions related to culture and arts, which are: the Massena Museum in 1921, The Beaux-Arts Jules Chéret Museum in 1928, the C.U.M. (Mediterranean University Centre) in 1933. Those institutions then elaborate new kinds of activities in order to attract local visitors. These two types of institutions, private and public, working in the field of plastic arts, contribute to the cultural enrichment of the city of Nice between the two world wars.

Les Vallons Obscurs sont des sites Natura 2000 de la région niçoise, ensemble de vallons de rive gauche du Var, proches de la ville et protégés sur les plans régional, national et européen. Au XIXe siècle, le Vallon Obscur était un site niçois célèbre pour ses caractères physiques. La recherche porte d’abord sur la définition de cet objet géographique. Que sont les vallons obscurs, quels critères leur donnent vie et permettent de les localiser ? Cette expression imagée est à la fois toponyme, but de promenades touristiques et site remarquable.La deuxième partie, fondée sur l’exploitation des relevés de terrain et des documents d’archive, aborde l’origine et l’originalité de l’obscurité et compare les géosystèmes et les paysages des vallons obscurs à ceux des vallons qui ne le sont pas. La troisième partie explore l’avenir de ces vallons. La disparition du Vallon Obscur originel pose la question de la sensibilité et de la fragilité de tels sites. Une typologie des vallons étudiés ouvre la réflexion sur les processus à l’origine des mesures de protection et sur leurs conséquences. L’étude du vallon obscur, petit objet géographique qui n’est ni vallon sombre ni ravin obscur, conduit à discuter des politiques de gestion de l’environnement à échelles emboîtées. / The Vallons Obscurs are “Natura 2000” sites in the Nice area. The series of valleys are situated on the left bank of the river Var near the city and are protected on a regional, national and European level. In the 19th century, the Vallon Obscur was a unique valley in the region famous for its physical charecteristics. The research focuses primarily on the definition of the geographical object. Of what do the valleys consist and what criteria bring them to life and allow us to locate them? The Vallons Obscurs indeed a very colourful expression, is simultaneously a habitation name, an area of reputable tourist trails and a truly remarkable site. The second part, based on the exploitation of field surveys and archival documents, examines the origins and originality of the darkness of the vallon obscur and compares their geo-systems and landscapes to those of the valleys not considered obscure.The third part explores the future of these valleys. The disappearance of the original Vallon Obscur raises the question of the sensitivity and fragility of such sites. A typology of the valleys opens reflection allows us to reflect on the procedure behind protection measures and their consequences. The study of the vallon obscur, a small spatial object that is neither a dark valley nor a dark ravine will lead us to consider the politics of environmental management on a more fitting level.

« Identité » est un terme qui a fait irruption dans les sciences sociales dans les années 70 puis, à partir des années1990, dans les politiques de développement européenne et française comme dans les recommandations de l’UNESCO. « Identité » devient alors un sésame des subventions, élément incontournable des politiques publiques, indispensable à tout dirigeant local en quête de reconnaissance. Ce marqueur de visibilité sur un marché touristique de plus en plus concurrentiel fait naître à Nice l’urgence de se doter d’une « identité », alors même que la ville traverse une crise de son économie touristique et sort tout juste d’un important marasme politique.Relayées par des associations culturelles, les sept années de politique municipale des « Etats généraux de l’identité niçoise » font naître le “Comté de Nice”. Conceptualisé à partir d’un acte fondateur – la Dédition de Nice à la Savoie – ce « Comté de Nice » sert d’alibi à une demande de recomposition territoriale dont les principaux moteurs sont la volonté récurrente de se défaire de la tutelle de Marseille et la revendication d’une place privilégiée dans les négociations en cours sur la répartition des rôles dans les nouveaux territoires européens.L’offre croissante de biens culturels et matériels à référence identitaire contribue à leur diffusion et rend leur usage de plus en plus naturel, ce qui aboutit à la création d’une communauté imaginée de Niçois source d’un communautarisme revendicatif, dans une ville dont le cosmopolitisme avait jusque-là contribué à la renommée. / Identity” is a term that first appeared in social sciences in the seventies, and in European and French developmentpolicies, as well as in the UNESCO Recommendations, in the nineties. “Identity” then became a means to acquiresubsidies, a key component to public policies and an essential aspect for any leader seeking recognition. Thismarker of visibility in an increasingly competitive tourism market created the urgency for Nice to adopt an“Identity”, although the town was going through a tourism economy crisis and just pulling out of a significantpolitical slump. Relayed by cultural associations, the seven years municipal policy of the “Etats généraux del’identité niçoise” gave rise to the “County of Nice”. Conceptualised from a founding act – the Dédition of Nice toSavoie – this “County of Nice” has been used as an alibi for a territorial recombining request, whose main driversDépôt de thèseDonnéescomplémentairesare the willingness to separate from the administrative supervision of Marseilles and the call for an advantageousposition in the current negotiations regarding the role distribution in the new European territories. The increasingsupply of identity-related cultural and material goods contributes to their dissemination and makes them evenmore mainstream, which has led to the creation of an imagined community from Nice as the source of a protestingcommunitarianism in a town where cosmopolitanism had been a contributing factor of fame.

Mémoire d'étude (DCB) : Ecole nationale supérieure des sciences de l'information et des bibliothèques : Villeurbanne (France) : 2001. / Notes bibliogr.