The 1972 Paris Peace Talks between Henry Kissinger and Le Duc Tho brought the American involvement in the Vietnam War to a close by early 1973. The main sticking points theretofore were stipulations in draft cease-fire agreements allowing Northern troops to remain in the South and the National Liberation Front's participation in South Vietnam's government. President of South Vietnam Nguyen Van Thieu adamantly opposed both proposed stipulations lest his power be diluted. Thus, Kissinger had to broker a diplomatic agreement between Thieu and Le Duc Tho which was acceptable to US foreign policy viz. “peace with honor.”

Thesis advisor: Robert Ross / This paper discusses the Linebacker II bombing campaign of the United States in North Vietnam, more famously known as the "Christmas Bombings." It examines the campaign as an attempt to compel North Vietnam to accept changes to the peace agreement being negotiated in Paris by Henry Kissinger and others. Specifically, it looks at three aspects of compellence—capability, credibility, and clarity of goals—and analyzes how the United States did in each of these three areas, concluding that the United States ultimately failed to adequately compel North Vietnam. / Thesis (BA) — Boston College, 2010. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Political Science Honors Program. / Discipline: College Honors Program. / Discipline: Political Science.

Why has the United States frequently intervened in the affairs of Latin American governments? How have the motivations changed over time, and how have they stayed the same? Are American Presidents more motivated by economic or political threats to hegemony? What methods has the United States used to maintain its dominance over the Western Hemisphere, and how have they changed? This paper seeks to address all of these questions, using a full historical examination as well as the case study of Salvador Allende's Chile. Drawing upon numerous scholars' work as well as individual research and investigation, this paper seeks to prove the following hypotheses: Since the creation of the Monroe Doctrine, which marked America’s entry into regional foreign affairs as a major player, the United States has acted upon a self-created moral imperative and entitlement to dominate the Americas. The motivation behind the indispensable maintenance of hegemony is as much symbolic as concrete. Many factors such as the threat of communism or European influence have been used as justification for American meddling. In fact, the main motivations are economic control of the hemisphere and the perception of American ideological supremacy among Latin American people (most importantly political leaders), not the spread of democracy or the promotion of human rights. Earlier in the United States' history, military intervention was more commonly used to achieve the aforementioned goals. With the onset of the Cold War, covert operations, equally potent, became increasingly prevalent. The following chapters present a story of the United States constantly positioning itself to be in the sole position of dominance (economic, political, and ideological) in the region of the Americas.

Thesis (M.A.)--Ohio University, August, 2009. / Title from PDF t.p. Release of full electronic text on OhioLINK has been delayed until September 1, 2014. Includes bibliographical references (leaves 120-125)

This thesis examines how designs based on a conjunction between craft and digital techniques may offer new possibilities for an architect or designer in contemporary practice. How is it relevant that what initially appear to be two distinct approaches to designing and making can be introduced to each other and coalesce to form a constructive attitude of mutually borrowed logic? The thesis champions the crafting of innovative design and the incorporation of digitally derived procedures that allow for globally efficient dissemination and malleability. Such procedures have occupied the practice of architecture and design for some time, giving rise to the current sobriquet of a 'post-digital age'. I propose that at this point in time we can usefully speculate on the relationship between physical making and computer-based production. Too often the stylistic overtures popularly attached to the terms 'digital' and 'craft' narrow our perception of what each term may encompass and how they are likely to manifest. Traditionally, digitally derived design practice is attributed the efficiency of a mathematically precise mode of operation - an oscillation between zeroes and ones that produces a universal logic of smoothly rendered forms. By contrast, 'craft' is often cast into the realm of amateurish making, complete with mistakes, dropped stitches, fingerprints or other traces of human fault that are understood as being charming in the context of handmade human endeavour yet fall short when measured against 'serious' artistic categories that include architecture, design and fine art. This thesis seeks to move beyond such accepted and somewhat polarised positions. First, the thesis offers clearer and more dynamic definitions of the terms 'craft' and 'digital', seeking the ability for each to hold fast to the inherent merits of their particular logic while also finding productive opportunities to integrate with each other. Second, the thesis examines how crafted production can combine with digital tools to offer a useful direction for contemporary design practice. Case studies of contemporary architects' and designers' works are drawn on to illustrate and make observations on the different relationships that the selected practitioners have discovered in their projects, all of which conjoin the conception and manifestation of digital craft. The case studies vary in scale from fabric and furniture production to large-scale installations of significant spatial effect, to entire architectural projects. The range is useful in discussing how the concept of digital craft in architecture can be re ad from various perspectives. This reflects the numerous ways in which digitally created design is used to realise crafted results and is mindful of the fact that architectural processes often follow technological innovation first practiced at more intimate scales such as in industrial design. It is also interesting to compare the idea of the more intimately scaled relationship that craft has traditionally held with architectural practice. Finally, the thesis will speculate upon future developments for the conjunction of digital craft in architecture and design, and will pose several questions for further discussion.

Thesis (Ed.D.)--University of Tulsa, 1990. / Includes bibliographical references.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1963. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (M.S.)--University of Nevada, Las Vegas, 1996. / Abstract. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 86-90).

abstract: Herbert G. Klein was one of the important political figures of the mid to late 20th Century. Born in 1918, Klein’s career spanned 63 years. He retired as Editor-in-Chief of Copley Press, a company he worked for from the start of his career as a young journalist covering an up-and-coming Richard Nixon and was active in public affairs up to his death in 2009. Klein is best known as longtime advisor to Richard Nixon, and was with Nixon at peak moments in his career, including the Checkers Speech, as well as Nixon’s 1960 and 1962 campaigns. Upon Nixon’s election as President, Klein became the White House Director of Communications, a new position Klein was tasked with designing. For four years, Klein is known as one of Nixon’s chief advisors. But then, for reasons historians never have fully explored, he disappears from Nixon’s political landscape as well as from scholarly and public prominence. The purpose of this dissertation is to establish Herbert G. Klein as a formative figure in the Richard Nixon White House, whose contributions to Nixon’s television strategies, their subsequent impact on the President’s actions and attitudes and eventual fall, have been largely overshadowed in the scholarly literature. The work draws from previously unexplored materials on Klein in the Nixon Library. The account is notable for the first examination of Klein’s only known oral history, lessening a gap in the existing literature on Nixon’s aides and his relationship with the media. / Dissertation/Thesis / Doctoral Dissertation Journalism and Mass Communication 2017

The Great Society programs, enacted in the mid 1960's under president Lyndon B. Johnson's administration, remain even after more than a half-century a controversial topic of American economic history. This thesis analyzes the main measures of the Great Society in context of escalating public expenditures to finance the Vietnam War. The results show major impact of the Great Society deepening of problems the US economy in the 1970's and for current structural imbalances of the Federal budget. The link with closing of the "golden window" is rather indirect and causes of unilateral break of Bretton-Woods Agreement was caused mainly by expansionary monetary policy and seeking of full employment level by the Nixon administration.