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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
161

Utopia, feminismo e resignação em The left hand of darkness e The handmaid\'s tale / Utopia, feminism and resignation in The left hand of darkness e The handmaid\'s tale

Ana Rüsche 07 April 2015 (has links)
Os romances norte-americanos The left Hand of Darkness de Usula Le Guin (1969) e The Handmaids Tale de Margaret Atwood (1985) traduzem os anseios dos ideários políticos e feministas em seus momentos de publicação. As obras são consideradas, respectivamente, u m romance utópico do gênero ficção científica e um romance distópico que se tornou best seller. The left Hand of Darkness coloca, em fragmentos, a questão do planeta Gethen, que se vê diante de uma ginada histórica: ingressar ou não, figurando como uma nação periférica, no Ekumen, uma liga interplanetária. O planeta é habitado por seres ambissexuais e recebe a visita do Enviado, um homem, o incumbindo em trazer esta questão. The Handmaids Tale traz relatos da Aia Offred, residente de Gilead, nação que seria um fantasmagórico duplo dos Estados Unidos dos anos de 1980, onde se instituiu um governo teocrático, abolindo os direitos mais básicos de todas as mulheres, embora restem mantidas a propriedade privada e a produção capitalista. Offred é uma Aia, o seu útero é tutelado por este Estado e seus relatos foram reconstituídos por dois professores em um simpósio acadêmico no ano de 2195. No trabalho, discute-se a impossibilidade da configuração da utopia nos romances, observando-se as teorias feministas e estudos de gênero na segunda metade do século XX; as formas literárias dentro da noção do que seria o romance no pós - modernismo; a crítica da representação e suas funções ideológicas e a emergência de impulsos utópicos em produtos da cultura de massa, tendo em vista a medologia desenvolvida pela crítica materialista, com ênfase nas análises de Fredric Jameson na obra Archaeologies of the future: the desire called utopia and other science fictions. / The North American novels The Left Hand of Darkness by Usula Le Guin (1969) and The Handmaid\'s Tale by Margaret Atwood (1985) reflect the political and feminist aspirations at the time they were each published. They are considered, respectively, a science-fiction utopian novel and a best-seller dystopian novel. The Left Hand of Darkness presents, in a fragmented way, the question faced by the planet Gethen at a turning point in its history: to join or not, as a peripheral nation, the interplanetary league known as Ekumen. The planet is inhabited by \"ambisexuals\" beings and receives a visit from the Envoy\", a male, who is tasked with presenting this choice to Gethen. The Handmaid\'s Tale tells the story of the handmaid Offred, a resident of Gilead, a nation that represents a phantasmagoric version of the United States in the 1980s, where a theocratic government was stablished, suppresing the most basic rights of all women, while mantaining capitalism and private property. Offred is a handmaid, which uterus is managed by this state and her story is reconstituted by two professors in an academic symposium in the year 2195. In this paper, I discuss the impossibility of the utopia in these novels, taking in account feminist theo ry and gender studies in the second half of the twentieth century; literary forms and the idea of what would constitute the postmodern novel; the critique of representation and its ideological functions and the emergence of utopic impulses in the products of mass culture, having in mind the to metodology developed by the materialist critique, with emphasis in Fredric Jameson and his work Archaeologies of the future: the desire called utopia and other science fictions.
162

A morfologia do horror : construção e percepção na obra lovecraftiana / The morphology of horror story

Miguel, Alcebiades Diniz 13 January 2006 (has links)
Orientador: Suzi Frankl Sperber / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-05T13:08:06Z (GMT). No. of bitstreams: 1 Miguel_AlcebiadesDiniz_M.pdf: 7463751 bytes, checksum: 83ea4d9e3c61ddc864ad448512443693 (MD5) Previous issue date: 2006 / Resumo: O horror ficcional é uma das constantes na produção cultural do século XX, como um reflexo que acompanha o horror político. Esse horror culturalmente produzido, que é estético, podemos vislumbrar em vasta produção da indústria cultural ¿ que cobre as mais diversas mídias e formas de representação ¿, tendo seu momento inicial na ficção fantástica dos séculos XVIII-XIX. Na década de 1920-30, o escritor norte-americano Howard Phillips Lovecraft retomaria essa tradição do fantástico, acrescentando novos significados, formas, usos e estratégias. Neste trabalho, nossa meta foi realizar um panorama da ficção de horror abordando analiticamente elementos das narrativas de seu criador, H. P. Lovecraft / Abstract: An persistent principle in the contemporary cultural productions, as a reflection and a shadow of certains aspects of the reality, are the fictional horror. These horror, a cultural product as well, esthetical in its essence, can be discerned at wide areas of mass culture ¿ including several medias and representations ¿ and its start point are the fantastic fictions on the 18-19th centuries. Howard Phillips Lovecraft, in the first decades of the 20th century, retrivied this tradiction of the fantastic fictions, adding new meanings, forms, usages and strategies. In our work, the goal are made something like a panorama of the horror fiction through the analisys of H. P. Lovecraft fiction key-elements / Mestrado / Literatura em Lingua Inglesa / Mestre em Linguística
163

Figurações dramatúrgicas do indivíduo em \'Suppressed desires\' (1915), de Susan Glaspell e George Cram Cook, e \'Before breakfast\' (1916), de Eugene O\'Neill: um recorte analítico da dramaturgia dos The Provincetown Players / Dramaturgical figurations of the self in \"Suppressed Desires\" (1915), by Susan Glaspell and George Cram Cook, and \"Before Breakfast\" (1916), by Eugene O\'Neill: an analytical outline of The Provincetown Players drama

Paola Piovezan Ferro 03 March 2016 (has links)
Esta dissertação tem como objetivo analisar a figuração dramatúrgica do indivíduo em duas peças produzidas pelo grupo teatral The Provincetown Players: Suppressed Desires (1915), de Susan Glaspell e George Cram Cook, e Before Breakfast (1916), de Eugene ONeill. Consideramos que o estudo da produção desse grupo norte-americano traz importantes reflexões acerca da representação de questões históricas, políticas e estéticas recentes naquela época , e que vieram a ter desdobramentos em diversas direções no teatro contemporâneo. / This work aims at analyzing the dramaturgical figurations of the self in two plays produced by The Provincetown Players: Suppressed Desires (1915), by Susan Glaspell and George Cram Cook, and Before Breakfast (1916), by Eugene O\'Neill. We believe that the study of the production of this American group introduces important reflections on the representation of historical, political and aesthetic factors recent then , which came to have developments in several directions in contemporary theater.
164

Vocação agrícola: a inserção do Império brasileiro no comércio internacional e a percepção de viajantes britânicos e norte-americanos (1840-1870) / Agricultural propensity: the entry of the Brazilian Empire in international trade and the perception of British and American travelers (1840-1870)

Tathiane Pinto Gerbovic 06 November 2017 (has links)
O Brasil do Segundo Reinado é objeto de relatos de viajantes britânicos e norte-americanos produzidos no contexto imperialista do século XIX. Na busca por mercados produtores e consumidores, a vocação agrícola brasileira é abordada pelos viajantes articulada à influência britânica mantida no Brasil e à crescente confiança dos Estados Unidos em ampliar as relações com o Império brasileiro, no jogo de interesses geopolíticos e econômicos em que o país atuava como fornecedor de produtos agrícolas e matérias-primas, tendo parte considerável de seu aparato produtivo e infraestrutura voltados a atender à procura desses gêneros nos países de origem dos viajantes. No apêndice há o resumo biográfico dos viajantes estudados. / The Second Empire Brazil is the subject of reports from British and North-American travelers produced in the imperialist context of the nineteenth century. In the quest for producer and consumer markets, Brazil\'s agricultural propensity is approached by travelers hinged to British influence upheld in Brazil and the growing confidence of the United States regarding broadening relations with the Brazilian Empire, in the game of economic and geopolitical interests in which the country played as a supplier of agricultural commodities and raw materials, with a considerable portion of its production apparatus and infrastructure aimed at handling the demand for such genres in travelers home countries. The researched travelers biographical abstract can be found at the Appendix section.
165

The British Empire in the Atlantic: Nova Scotia, the Board of Trade, and the Evolution of Imperial Rule in the Mid-Eighteenth Century

Hully, Thomas R January 2012 (has links)
Despite considerable research on the British North American colonies and their political relationship with Britain before 1776, little is known about the administration of Nova Scotia from the perspective of Lord Halifax’s Board of Trade in London. The image that emerges from the literature is that Nova Scotia was of marginal importance to British officials, who neglected its administration. This study reintegrates Nova Scotia into the British Imperial historiography through the study of the “official mind,” to challenge this theory of neglect on three fronts: 1) civil government in Nova Scotia became an important issue during the War of the Austrian Succession; 2) The form of civil government created there after 1749 was an experiment in centralized colonial administration; 3) This experimental model of government was highly effective. This study adds nuance to our understanding of British attempts to centralize control over their overseas colonies before the American Revolution.
166

Folic acid nutritional status of British Columbia Indian populations

Porritt, Barbara January 1976 (has links)
Recent studies suggest that folic acid nutritional status may be poor among Canadian Indians, particularly among those living in isolated areas. However the prevalence and causes of folic acid deficiency have not been assessed. The present study was conducted in order to assess the magnitude of the problem among British Columbia Indians and to examine the possible relationship between low dietary intakes of folic acid and the occurrence of low blood folate values. Using a 24-hour diet recall, dietary folate intakes were estimated at four relatively isolated Indian reserves (106 subjects) and at three reserves adjacent to urban centres (144 subjects). A more detailed study, involving estimation of dietary folate intake, measurement of serum and red blood cell folate, and examination of related hematological parameters was undertaken at one isolated reserve (Fort Ware, 28 subjects) and two non-isolated reserves (Necoslie and Sechelt, 63 subjects) as well as at a school residence (70 children, age 6 to 16 years). Meal samples were collected and assayed for folic acid, in order to verify the recall calculations. Results indicate that calculated and assayed folate values are similar and are significantly correlated (r=.9694). Total folate consumption is significantly higher at non-isolated reserves than at isolated reserves, and males consume significantly more folic acid than do females. Dietary folic acid intake is higher at the residence than at the reserves. Serum folate values are significantly correlated with dietary folate intake. Serum values are lower at Fort Ware than at Necoslie and Sechelt. Children living on reserves have lower serum folate values than do children living in residence, and have a larger proportion of children classified as "at risk". On the basis of red cell folate values, 16 to 45% of the subjects at the three reserves are classified as "at risk", however, no evidence of megaloblastic anemia is indicated from the hematological examinations. It is concluded that many individuals are either bordering on or are deficient with respect to folic acid. This appears to be a more serious problem at isolated reserves than at those adjacent to urban centres and it is suggested that this is a consequence of the availability, variety and selection of foods. / Land and Food Systems, Faculty of / Graduate
167

SURVIVAL TECHNOLOGIES: AFRICAN-AMERICAN MUSICAL MODERNISMS

Jeffrey A Wimble (6634379) 02 May 2020 (has links)
<p>This dissertation focuses on a variety of African-American musical expressions of the later twentieth century, situating them along a continuum of musical modernism that constitute various modes of survival technology, inextricably connected to the cultures from which they arise. My application of the term <i>survival</i><i>technologies </i>denotes two primary aspects: musical “technologies” in the sense that the term is commonly understood to refer to the construction of musical instruments and recording instruments both old and new, but also “technologies” in the sense of the term employed by Murray and Dinerstein: as modes of knowledge and strategies of resistance. My use of <i>survival technologies</i>as the conceptual underpinning that unifies my research entails bringing these two aspects together, and the two senses of the term converge especially when African-American musicians use musical instruments and tools in new, unexpected ways, as frequently happens throughout the history of African-American music in the twentieth century. I analyze how African-American musicians’ use of electric guitars, amplification, synthesizers, analog sequencers, studio effects, turntables, samplers, drum machines, and digital audio workstations constitute a uniquely African-American mode of musical knowledge and practice that is improvisational, heuristic, non-linear, and constantly aware of the past while simultaneously re-imagining the future. I link this analysis to works by twentieth-century literary authors and theorists in order to examine how African-American musicians’ <i>modus operandi</i>, varied and distinct as they are, are nonetheless consistent not only across divergent musical styles and eras, but also function inseparably from other arts and broader cultural contexts.</p><p>Throughout this project, written words interact with musical recordings. I strive to “hear” written texts (literature and literary criticism) and to “read” sound texts (recordings), highlighting the resonances between “literary texts” and “sound texts.” The Chicago blues style of Muddy Waters interacts with Richard Wright’s literary documentary of life on Chicago’s South Side, <i>12 Million Black Voices,</i>to highlight how old rural black vernacular “folk” expressions could serve as the basis of a new urban African-American modernism. Likewise, the electronic experiments of Herbie Hancock, which innovatively combined European modes of music creation and African diasporic musical concepts, interacts with Henry Louis Gates Jr.’s <i>The Signifying Monkey </i>to highlight how African-American modernism entails Signifyin(g) on European precedents as well as precedents in African-American art. Additionally, the historically informed jazz of Wynton Marsalis interacts with T. S. Eliot’s ideas of tradition in order to highlight how artistic conceptions of the past inform African-American modernist expressions today, such as jazz and sampled electronic music. Finally, Detroit techno music interacts with the musical and cultural criticism of Theodor Adorno to highlight how African-American modernism uses survival technologies to construct visions of the future that resist what Adorno called the “culture industry.”</p>
168

Post Time

Coates, Peter F. (Peter Francis) 08 1900 (has links)
Post Time is a non-fiction video program depicting some of the careers found at North American horse race tracks. Through the use of videotaped footage taken at eight race tracks and three training farms, the horse racing industry's trainers, jockeys, owners and grooms are profiled in the world they call the backstretch. The video begins with a brief history of horse racing and the origins of thoroughbred horses followed by closer examinations of the economic and social experiences faced by the owners, trainers, jockeys, and grooms as they attempt to prepare horses for racing every week.
169

COWBOY CAPITALISM AND THE IBP REVOLUTION: HOW THE MEATPACKING INDUSTRY CHANGED AMERICA, 1960-1990

Michelle M Martindale (9127097) 05 August 2020 (has links)
<p>This dissertation examines the rise of the country’s largest beef processor, IBP, Inc., during the late-twentieth century and its effect on laborers, farmers, business, and the communities in which it operated. Though scholars have cited IBP’s technological advances as the reason for the company’s success, I argue that IBP’s unique public relations approach that manufactured the consent of local communities to pay comparatively low wages, provide tax breaks, and in the instance of cattle producers defend IBP’s right to “free enterprise,” provided it with a competitive advantage. From 1960 through the 1980s, the meatpacking industry endured a revolution stemming from IBP’s ability to maintain enough community consent to gain large market shares and draw down substantial profits.</p> <p>Yet gaining and keeping consent was not easy, nor was it linear. At one point or another all of these entities opposed IBP on a myriad of fronts, but their early cooperation aided in creating a corporate juggernaut that often limited their economic or political power. For IBP’s part, the company’s founders and subsequent executive managers fostered a masculine, individualistic sense of corporate capitalism, which I refer to as cowboy capitalism. Executives painted themselves as farm boys and cowboys, as renegades who were bringing hard work and plain talk to the inefficient meatpacking industry. This conservative, bootstrap mentality played well in the Siouxland region of the Northern Great Plains, where IBP began. Just as corporate success is aided by community consent, rescinding consent creates challenges for the company that can temporarily cause a decline, or at the very least roadblock to company growth. Though founders, managers, and key innovators gain critical and laudatory attention for their role in growing American capitalism; extended community support in terms of governmental and non-governmental actors rarely have been the focus of a corporate study. It is community consent, both active and latent, governmental and non-governmental, that supported the cowboy capitalism IBP deployed to start a revolution.</p>
170

A Dramaturgical Perspective on North American and Chinese Students’ Social Integration in Israel

Wu, Jiabin 07 March 2022 (has links)
Through the lens of dramaturgy theory, this study conceptualizes Israel as the stage, North American and Chinese students as two groups of actors, and social integration as their play, seeking to answer this question: how do the different roles North American students and Chinese students play in Israel lead them to different experiences of social integration? This study attempts to understand what roles American and Chinese students initially wanted to play and what shaped them, where, how and with whom they conducted their performances, and if the roles they played were adjusted during the process. Eight sets of semi-structured in-depth interviews were conducted with four American students and four Chinese students. The research findings and analysis reveal that although American and Chinese students do have different experiences of integration, they nonetheless share similar strategies that a dramaturgical framework can successfully elicit. Moreover, the analysis presented in this thesis, also, suggests that the experience of international students is likely much more layered than what is reflected in much of the literature that addresses the integration of international students.

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