published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

Through varying personnel selection methods, corporations have obtained suitable employees. In the public, corporations use numerological ways to select employees can not to announce. This paper is to collect opinions of numerologists and corporations who have had the experience of use numerological ways to select employees, and to understand that selection by using numerological ways whether effects or not. The examination is done by analyzing tests materials collected from numerologists and corporations who have had the experience of use numerological ways to select employees. This research finds potential interviewers by leave messages at numerological websites. During interview, there is no job seeker has experience of numerological ways selection be find. Opinions of numerologists and corporations who have had the experience of use numerological ways to select employees are classified into two categories. Numerologists and corporations who have had the experience of use numerological ways to select employees think select employees by numerological way can be used. They think can screening job seeker¡¦s resume by Zewei numerology, Horoscope and blood type, and using Face reading in interview.

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This dissertation intends to demonstrate the impact of numerology in every aspect of the lives of ancient precolombian people as well as several contemporary American Indian tribes. For this reason numerology may be viewed as a true science, that is both an esoteric and a philosophical one. Thus, numbers may be looked upon not only as abstract signs, but as all inclusive entities in and of themselves. To the ancients, numerical symbols had an occult connotation that transcended the restrictive boundaries of simple computation. For instance, numerology had an integral role in Maya, Aztec, and some contemporary American Indian religious ceremonies. As an example, the high priests were able to predict future events by making intricate numerological computations. Further still, Maya and Aztec calendars were so accurate that they demonstrated an extraordinary knowledge of astronomical events. In order to accurately study the intricate subject of numerology it was necessary to divide the dissertation in several parts. These parts include a concise discussion of the Maya, the Aztec, and certain contemporary American Indian tribes. A general account of Maya, Aztec, and Contemporary American Indian culture and society was included, using the available data of present day archeological and written documents, in order to accurately describe the philosophy of these people. From an examination of the life and culture of these ancient societies, the basis for their myths of creation and the impact of numerology on those particular myths may be easily ascertained. The conclusion discusses how numerology shaped two great civilizations, that of the Maya and Aztecs, and how these basic esoteric numbers were absorbed and changed, to suit the needs and culture of some present day American Indian tribes.

An examination of the influence of medieval numerology and number theory upon the works of the Gawain poet, this essay seeks to connect the importance of numbers to the construction of the four poems. By examining such number theories as the Divine Proportion and marriage numbers, as well as Pythagorean number concepts of masculine and feminine numbers, a clear connection between the literature and the number can be found. The poet not only seeks to use numbers to impart important Christian doctrine to his readers in a subconscious way, he also demonstrates an extreme pre-planning of every line and layout of each poem upon the page. Continuing in current critical traditions of examining this manuscript as whole, "Pearl, " "Patience, " "Cleanness, " and "Sir Gawain and the Green Knight" are shown to join together in an interweaving of connectivity through number pattern and the repetition of important numerological concepts.

The motif of twins is one that permeates strongly throughout the Harry Potter series. Fred and George as a pair are immensely popular with fans, and the “very curious” twinship of Harry and Voldemort’s wands is a relationship greatly explored in the saga. In my paper, I shall further explore this prominent Potter motif and delve into the origins and symbolism behind this twinship. I will also recall the dark conclusion to the tale of the Weasley twins. The death of Fred as related to the series’ theme as a whole and the death of Harry in the attempt to remove his parasitic twin, Voldemort’s unintended horcrux, will be discussed. There will also be exploration of missing and broken twins, for example, where is Romulus since we know a Remus? Why are Padma and Parvati in different houses? What is the symbolism of Harry’s broken wand? I will discuss how Voldemort’s creation of horcruxes is an intentional twinning of his self, and thus a mutation of nature. An exploration of numerology in relation to this twin discussion will also be included. This paper will show that the motif of twins is not just an interesting addition to the Potter novels but rather a tie-in to the story’s core of insisting on duality when the truth is in wholeness.

This thesis supports the Master of Fine Arts exhibition, To End In Silence, at the Slocumb Galleries, East Tennessee State University, March 15-19, 2010. The exhibit consists of fourteen pieces, which are either presented on pedestals or mounted on the wall. To comment on the title of my thesis, it is a description of the state of calm that I strive to embrace during the creation of my work and the unobtrusive yet engaging tone that I hope for each finished composition to project. This paper explores the aesthetic and conceptual transitions in my work, inspired by a period of personal realization and acceptance. Influences discussed include a number of connections to historical practices including Buddhism, Numerology, and Traditional Japanese Aesthetics, as well as the works of contemporary artists, Agnes Martin, Lee Bontecou, and Manfred Muller. Also included is a complete catalogue of works from To End In Silence.

Las ofrendas quechuas del sur del Perú son platos alimenticios, banquetes destinados principalmente a la pachamama y los apus, pero también elaborados sistemas matemáticos regidos por operaciones sofisticadas. Sirviéndose de dos números fundamentales, el 3 y el 4, los especialistas rituales son capaces de transmitir mensajes polisémicos. Mediante el número 3 aglutinan clientes, parajes y cerros, en suma, «personas» capaces de interactuar entre sí. El 3 aparece en los k’intus de hojas de coca y en las oraciones que se recitan durante el proceso de realizar la ofrenda. Por el contrario, el número 4 no indica relaciones sino formas espaciales: es un operador geométrico que unifica la servilleta ceremonial (unk’uña), el papel envoltorio y el paquete acabado para representar las cuatro direcciones del mundo y hacer de la ofrenda un mundo en miniatura. Gracias a los dos números el ritualista puede recrear el cosmos, establecer convenios con los dioses y definir nuevas situaciones favorables para la vida de sus clientes. / The Quechua offerings in the South of Peru are banquets dedicated to the Pachamama and the Apus, and at the same time, are elaborated mathematical systems controlled by sophisticated operations. Using two principal numbers, 3 and 4, the religious specialist is capable of transmitting polysemic messages. Through the number 3, the religious specialist refers to the people, landscapes and mountains, in sum, to «persons» able to interact among themselves. The number 3 appears in the k’intus, composed of coca leaves, also in the prayers said during the process of the offering ritual. On the contrary, the number 4 does not indicate relationships but spatial forms: it is a geometrical operator that is constructed of the ceremonial square napkin (unk’uña) and paper in which the offering is completely wrapped to make the offering a miniature world, containing the «four directions of the world.» Using these numbers, the religious specialist can recreate the cosmos, establish covenants with the gods and define new situations favorable to the life of Quechuas.

Keyphrases describe a document in a coherent and simple way, giving the prospective reader a way to quickly determine whether the document satisfies their information needs. The pervasion of huge amount of information on Web, with only a small amount of documents have keyphrases extracted, there is a definite need to discover automatic keyphrase extraction systems. Typically, a document written by human develops around one or more general concepts or sub-concepts. These concepts or sub-concepts should be structured and semantically related with each other, so that they can form the meaningful representation of a document. Considering the fact, the phrases or concepts in a document are related to each other, a new approach for keyphrase extraction is introduced that exploits the semantic relations in the document. For measuring the semantic relations between concepts or sub-concepts in the document, I present a comprehensive study aimed at using collaboratively constructed semantic resources like Wikipedia and its link structure. In particular, I introduce a graph-based keyphrase extraction system that exploits the semantic relations in the document and features such as term frequency. I evaluated the proposed system using novel measures and the results obtained compare favorably with previously published results on established benchmarks.

<p>Lost-and-found purity is central to William Blake’s illuminated book <em>Visions of the Daughters of Albion</em> (1793). In <em>Visions</em>, Blake’s central character Oothoon embraces the otherness of her sexual desires, flies off to be with her lover Theotormon, but not before being brutally raped and impregnated by Bromion. The assault leads to Theotormon’s refusal to be with Oothoon because of her putatively compromised state. Today, in the shadow of queer conceptualizations of gender, sexuality, and virginity, how do we understand Blake’s narrative of loss and rejection, of injurious force and sexual violence? This thesis lays the critical groundwork for a queer reading of the text that is more than critical – i.e. that is a re-visioning of the text’s details, and is re-writing of its narrative premise.</p> <p>Through unconventional scholarly approaches, this thesis tackles issues of identity in Blake’s <em>Visions</em> from three separate vanguards that each further break open the heuristic and speculative possibilities in Blake’s work. Approaching Blake’s <em>Visions</em> from a Numerological perspective via deconstructing the central characters’ names and explicating the poem through their respective algorithms, the first section examines eighteenth century conceptions of the soul and its place within literature through locating and recognizing the souls of Blake’s poetry of lost souls. Considering sexual essentiality and the potential recovering of virginity, the second section reads <em>Visions</em> from the vantage of Schizosexuality (a fourth component to the hetero-/homo-/bisexual paradigm) to liberate Oothoon from both literal and metaphorical chains. From these critical approaches of Numerology and Schizosexuality, the thesis concludes with a visual book. Through inverting the gender axes of the love triangle central to Blake’s <em>Visions</em>, the visual book queerly re-visions <em>Visions</em> by following a male-Oothoon (Oathe13) flying off to be with his male lover (a homo-oriented Theotormon – Zucchicarro34) but not before being accosted by a female-Bromion (Aquabolt21). The critical chapters together with the visual book complete this thesis’ queer re-vision of Blake’s <em>Visions of the Daughters of Albion. </em></p> / Master of Arts (MA)