Texte remanié de: Th. Ph. D.--University of Toronto, 1990.

Texte remanié de: Diss.--Tübingen, 1997. / Contient des citations en grec ancien. Bibliogr. p. 299-310. Notes bibliogr.

Texte remanié de: Diss.--Fakultät für Orientalistik und Altertumswissenschaft--Universität Heidelberg, 1995. Titre de soutenance : Aischylos, Orestie und Christa Wolf, "Kassandra". Wolfs Aischylos-Rezeption als Wirkungsgeschichte der Orestie. / Bibliogr. p. 388-398.

The target of this thesis is to derermine the quality of the aluminium base alloy and size of aluminium plates used for mountain bike equipment. Furthermore the thesis assigns one provider of this material for Shaman Racing company. There were chosen methods of multicriteria evaluation of alternatives to fulfill the target. These methods are ORESTE, TOPSIS and ELECTRE I. The thesis also proves the possibilities of practical application of determined methods and analyzes possible problems that could occur during handling the input data and process of selecting the "best" alternative.

Le mythe des Atrides, qui résume à lui seul, toutes les horreurs et toutes les cruautés dont l’homme a pu se rendre coupable – fratricide, régicide, parricide, matricide, infanticide, inceste, cannibalisme, sacrifice humain – et qui a été relativement négligé par la tragédie classique au XVIIe siècle, a connu un essor sans précédent au XVIIIe siècle où une vingtaine de pièces tragiques lui ont été consacrées, sans compter les opéras et les ballets. Mais ce théâtre tragique, en dépit de son immense succès auprès du public au XVIIIe siècle, a pâti par la suite d’un regrettable préjugé auquel le célèbre vers de Victor Hugo - « Sur le Racine mort, le Campistron pullule », n’est pas étranger. Nous élevant contre cette vision réductrice , nous avons voulu par cette étude qui a porté sur huit des œuvres dramatiques les plus significatives qui ont traité des principaux épisodes de la fable antique – allant du crime de Tantale à la vengeance d’Oreste, en passant par le sacrifice d’Iphigénie et le meurtre d’Agamemnon – montrer la spécificité dramatique, morale et philosophique de la tragédie des Lumières qui a été « un laboratoire des formes et des idées » où se sont élaborées à la fois une sensibilité nouvelle, une nouvelle dramaturgie et une nouvelle vision du monde, bien différentes de celles de la tragédie classique. / The myth of Atrides, which summarizes to him only, all the horrors and all the cruelties the man of which was able to be guilty - fratricide, regicide, parricide, matricide, infanticide, incest, cannibalism, human sacrifice - and which was relatively neglected by the classic tragedy in the XVIIth century, knew an unprecedented development about the XVIIIth century when about twenty tragic plays were dedicated to him, without counting the operas and the ballets. But this tragic theater, in spite of its immense success with the public in the XVIIIth century, suffered afterward from a regrettable prejudice to which Victor Hugo's famous verse - " On the Racine died, The Campistron swarms "-, is not foreign. Raising us against this reducing vision, we wanted by this study which concerned eight of the most significant dramatic works the significant which handled main episodes of the antique fable - going of the crime of Tantale to Oreste's vengeance, including the sacrifice of Iphigénie and the murder of Agamemnon - to show the dramatic, moral and philosophic specificity of the tragedy of the Lights which was " a laboratory of the forms and the ideas " where developed at the same time a new sensibility, a new dramatic art and a new vision of the world, very different from those classic tragedy.

Cloud computing is an emerging trend where clients are billed for services on a pay-per-use basis. Service level agreements define the formal negotiations between the clients and the service providers on common metrics such as processing power, memory and bandwidth. In the case of service level agreement violations, the service provider is penalised. From service provider's point of view, providing cloud services efficiently within the negotiated metrics is an important problem. Particularly, in large-scale data center settings, manual administration for resource allocation is not a feasible option. Service providers aim to maximize resource utilization in the data center, as well as, avoiding service level agreement violations. On the other hand, from the client's point of view, the cloud must continuously ensure enough resources to the changing workloads of hosted application environments and services. Therefore, an autonomous cloud manager that is capable of dynamically allocating resources in order to satisfy both the client and the service provider's requirements emerges as a necessity. In this thesis, we focus on the autonomous resource allocation in cloud computing environments. A distributed resource consolidation manager for clouds, called IMPROMPTU, was introduced in our previous studies. IMPROMPTU adopts a threshold based reactive design where each unique physical machine is coupled with an autonomous node agent that manages resource consolidation independently from the rest of the autonomous node agents. In our previous studies, IMPROMPTU demonstrated the viability of Multiple Criteria Decision Analysis (MCDA) to provide resource consolidation management that simultaneously achieves lower numbers of reconfiguration events and service level agreement violations under the management of three well-known outranking-based methods called PROMETHEE II, ELECTRE III and PAMSSEM II. The interesting question of whether more efficient single synthesizing criterion and outranking based MCDA methods exist was left open for research. This thesis addresses these limitations by analysing the capabilities of IMPROMPTU using a comprehensive set of single synthesizing criterion and outranking based MCDA methods in the context of dynamic resource allocation. The performances of PROMETHEE II, ELECTRE III, PAMSSEM II, REGIME, ORESTE, QUALIFEX, AHP and SMART are investigated by in-depth analysis of simulation results. Most importantly, the question of what denotes the properties of good MCDA methods for this problem domain is answered. / Graduate / 0984

De spectacle vivant, le théâtre d'Euripide devient très vite une pièce de collection dont la conservation, comme celle des deux autres grands poètes dramatiques, Eschyle et Sophocle, est décrétée par le législateur athénien Lycurgue. Très vite aussi, il est commenté, critiqué, enseigné. À travers les témoignages de sa réception, on veut comprendre quellesinterprétations antiques étaient proposées d’une tragédie d’Euripide, l’Oreste. On cherche dans le premier chapitre à établir la réception du personnage lui-même et de l’acte qui lui apporte une gloire équivoque – la vengeance du père par le meurtre de la mère – dans la tradition mythographique et judiciaire, et voir quelle part y prennent les questions posées parl’Oreste d’Euripide. Le deuxième chapitre examine la place que la tragédie occupe dans l’enseignement antique par l’étude des textes scolaires, exercices élémentaires découverts sur les papyri, manuels de rhétoriques, exercices types (progymnasmata) et déclamations. Les troisième et quatrième chapitres étudient les extraits les plus commentés : d’abord, les deux scènes les plus célèbres, le récit du messager et le diptyque de la maladie d’Oreste, qui se distinguent par la façon dont est traité leur sujet, le récit d’une assemblée politique et la représentation de la folie ; puis, des morceaux choisis pour leur genre, lyrique ou gnomique. Enfin, on examine dans le dernier chapitre les témoignages des spécialistes du « livre », de ceux qui ont transmis, édité, commenté, conservé l’Oreste d’Euripide. / From performing art, Euripides’ theatre very soon becomes a piece of collection, whose preservation, as for the two other Great tragedians, Aeschylus and Sophocles, is decreed by the Athenian statesman Lycurgus. It also is soon commented, criticized, taught. Through the reception’s testimonies, we want to understand which interpretations were given of anEuripidean tragedy, the Orestes, in the Antiquity. In the first chapter, we try to determine how Orestes’ figure itself and the equivocal glory of his act – i.e. avenging his father by killing his mother – were perceived in the mythographical and judiciary tradition, and which importance both of them give to the issues which are at stake in Euripides’ Orestes. The second chapter investigates which place the drama takes in teaching in Antiquity through school-texts, elementary exercises discovered on papyri, rhetoric handbooks, model exercises (progymnasmata) and declamations. The third and fourth chapters study the most commented extracts : first, the two most famous scenes, the messenger’s speech and thediptych of Orestes’ illness, which stand out through the treatment of their subject, i. e. the narration of a political assembly and the representation of madness ; then, some selected pieces on generic criteria, lyrical or gnomical. Finally, we investigate in the last chapter the testimonies of « book »’s specialists, of those who have transmitted, published, commented, preserved the Euripides’ Orestes.

The thesis describes the application of several methods of multicriterial evaluation of alternatives (MEoA) in various phases of the recruitment process for the position Corporate Account Manager in Telefónica O2 Czech Republic, a.s. In the first round, the group of all enrolled candidates is reduced using aspiration levels. In the second round, this narrowed down group goes through the Assessment Centre. Using other methods of MEoA, the most suitable candidate for the position is chosen.