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The essay critically examines Stanley Fish’s reader-response reading of Paradise Lost.In particular Fish’s main thesis that John Milton’s sole purpose in Paradise Lost is toeducate the reader on their position as fallen.The essay then examines two key claimsthat Fish employs to arrive at his conclusion, namely: (1) Fish’s notion of intendedreadership and authorial intent for Paradise Lost; and (2) Fish’s claims of readerresponse to Paradise Lost in two selected contexts (i) the reader response to Satan in thebeginning of Paradise Lost (ii) the reader response to an aspect of narration in ParadiseLost i.e. the poem’s epic voice. Based on the analysis of these two key claims the essayfinds Fish’s thesis unsubstantiated and in need of further argument.

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In my thesis, I examine Aminata Sow Fall's sixth novel Douceurs du bercail "The Sweetness of Home" through three lenses: race, gender, and nature. I analyze the way Sow Fall approaches each of these three areas in terms of paradox to emphasize her understanding of the complexity of these issues and her reluctance to outline them rigidly. Instead of putting forth hard opinions about how race, gender, or nature should be understood, Sow Fall exhibits a propensity to allow each area to remain complicated. I study why she allows racial, gendered, and environmental paradoxes to circulate around one another in her text rather than attempting to resolve them, concluding that she uses this strategy both as an organizing principle and as an invitation to her readers to question the extant theories surrounding these three issues. Sow Fall's use of language in all three areas signals an underlying fascination with the paradoxes inherent in each. In the chapter on race, I discuss the contrasting narrative styles Sow Fall uses to describe European airport officials versus the protagonist Asta's best friend, a French woman named Anne. Sow Fall's language is significant here because she contrasts two white Europeans, one characterized as systematic and cold, the other warm and open, respectively. I also discuss the way Sow Fall uses an informal and lethargic narrative voice to characterize a black secretary living in Senegal, further highlighting the disconnect between the two racial groups. In the chapter on feminism, I discuss a shift in Asta's language as she becomes more assertive. I also analyze the various aspects of femininity in Douceurs du bercail which have led some scholars to carry out feminist readings of the text, such as Asta's decision to leave her domineering and abusive husband, but recognize the more traditional aspects of the novel, such as Asta's marriage to Babou at Naatangué, as problematic to a purely feminist reading of the text. In the chapter on nature, I study Sow Fall's problematic use of Westernized language to describe the development of the untouched land of Naatangué into a lucrative farm. Throughout the chapters, I interpret Naatangué as the ultimate paradoxical space which is at once wrought with complicated language and conflicting ideals yet acts as a quasi-paradise where Asta and her friends balance the conflicting forces of tradition and modernity. Naatangué also acts as an organizing principle where all three areas of my study intersect.

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Problemformulering och syfte: Det övergripande syftet med denna studie är att undersöka Nent Groups förtroende ur ett postkris kommunikativt perspektiv i och med nylanseringen avParadise samt förutsättningarna för det nya formatet utifrån tidigare tittare av Paradise Hotel. Denna studie är intressant ur ett vetenskapligt och samhällsperspektiv då det inte gjorts många studier på denna kris och det är intressant att undersöka detta då Nent group gjort stora åtgärder efter krisen vilket är vetenskapligt intressant och viktigt ur ett post-kriskommunikativt perspektiv. Det är även intressant ur ett samhällsperspektiv då det blev en stor kritikstorm mot Nent group på sociala medier på grund av de sexuella ofredanden som uppstod. Vi har även tagit hjälp utav den potentiella publiken med fokusgrupper för att få deras attityder kring händelsen och för att analysera förutsättningarna för den nya programskissen. Allt detta har gjorts med grund i gestaltningsteorin, kriskommunikation, image repair theory och reputation theory. Metod och material: Vår empiri har vi fått genom att ha haft kvalitativa intervjuer i form avfokusgrupper. Vi har haft tre fokusgrupper och respondenternas svar har sedan analyserats utifrån teman och sedan kopplats till vårt teoretiska ramverk. Resultat: Vårt huvudresultat visar på att Nent group skött krisen bra enligt teorierna och utifrån respondenternas attityder så är förutsättningarna positiva för det nya programmet även om det finns tveksamheter inom fokusgrupperna om det faktiskt kommer bli någonförändring.

Wastewater effluent is a major source of aquatic pollution, discharging a continuous and complex mix of contaminants into the environment. The physiological impacts of exposure to individual contaminants are well characterized in fish, but less is known about the consequences of complex mixtures that typify wastewater effluent in the environment. This thesis explores the metabolic and respiratory effects of in situ wastewater exposure on bluegill sunfish (Lepomis macrochirus). By assessing multiple levels of biological organization, I provide evidence that wastewater exposure invoked a metabolic cost in bluegill, which was associated with physiological adjustments to enhance oxygen uptake, delivery, and utilization. These findings broaden our understanding of how fish tolerate life in effluent-dominated waters and support the emergence of metabolic and respiratory physiology as biomarkers in ecotoxicology. / Thesis / Master of Science (MSc)

John Milton has been frequently associated with rebellion, both by modern scholars and by his contemporaries. Objectively speaking, he may very well be a rebel; however, looking to his own works complicates the issue. In fact, Milton makes very clear in his writing, especially in The Tenure of Kings and Magistrates, that he abhors rebellion mainly because it is unlawful. Furthermore, he describes the uprising against King Charles I by disassociating it from any kind of rebellion, instead determining that the uprising was done lawfully. Milton writes about rebellion in the same way in many of his works leading up to and including Paradise Lost, where Satan resembles the rebel that Milton so vehemently despises. Given Milton's dislike of rebellion, his association of it with Satan complicates another commonplace scholarly argument; that Satan is sympathetic in Paradise Lost. This work will explicate Milton's definition of rebellion, especially through Tenure, and will then use that definition to demonstrate that Satan cannot be read as sympathetic. / Master of Arts