This thesis concerns an exploratory practice (EP) project conducted at a two-year college in north east Japan, which was severely affected by the earthquake of March 2011. The focus of research is a 13-week EFL course for 25 first-year college students, specifically designed to enhance their future visions of themselves as L2 users (Dörnyei & Kubanyiova, 2014). This study examined opportunities that the course created for the students’ vision development in the classroom and the factors that may have contributed to these opportunities. The data came from 1) students’ written narratives, 2) semi-structured interviews, 3) teacher/researcher reflections, field notes and audio- and video- recordings of the classes, and 4) course evaluation questionnaires. Findings show that the course was beneficial for enhancing students’ appreciation of their language-relevant futures and the thesis engages with the factors that contributed to these findings by 1) tracing the trajectories of L2 learning and intercultural experiences of selected interview participants, 2) examining group dynamics and pedagogy adopted for the course, and 3) piecing together an understanding of the role that the teacher played in mobilising one focal participant’s future vision. The key contribution of this EP inquiry turned out to be more far-reaching than originally envisaged; however, pointing to the broader role that language education can play in young people’s lives. The thesis concludes by discussing educational and research consequences of this finding.

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The main aim of this study was to explore whether or not low achievers in EFL at a Japanese university perceive peer cooperation in cooperative learning contexts to be effective in improving their levels of expectancy, motivation and ultimate attainment in the L2. The main findings in this study pertain to the relationship between peer cooperation and L2 classroom motivation. The relationship involved several perceived routes which mainly indicated that the learners felt that peer cooperation had had a positive influence on their levels of motivation. The perceived routes linking peer cooperation to motivation can be roughly divided into two types; 1) the two routes which were mainly focused on in this study: through expectancy alone or a combination of levels of English and expectancy; and 2) other routes identified during the course of the study: through group cohesion and/or cohesion-generated factors (a sense of responsibility for their peers and having fun in class) or through factors related to status ordering or hierarchy among students (feelings of superiority/inferiority to their peers).

The research is a hermeneutic-cum-semiotic approach to the study of the translatability of religious language in a secular play, using The Merchant of Venice in China as a reference. Under the ”power turn” or “political turn” in translation studies, omissions and untranslatability of religious material are often seen as the product of censorship or self-censorship in the prevalent socio-political context. But the theology of each individual translating agent is often neglected as an important contributing factor to such untranslatability. This thesis offers a comprehensive approach in tracing the hermeneutical process of the translators/directors as a reader and the situational process and semiotics of theatre translation, which altogether gives rise to the image of translated literature which in turn influences audience reception. This interdisciplinary study thus traverses the disciplines of translation studies, hermeneutics, theatre studies, and sociology. In this thesis I argue that while translation theorists under the current “sociological turn” view social factors as the overarching factors in determining translation activities and strategies, I will show how the interaction between the translator’s or the dramatist’s theology and religious values interact with the socio-cultural milieu to carve out a unique drama production. Often, as one can see from my case studies, it is the religious values of the translating agents that become the overarching factor in determining the translation product, rather than social factors. This thesis further argues that the translatability of religious discourse should be understood in a broader sense according to the seven dimensions proposed by Ninian Smart, rather than merely focusing on untranslatability as a result of semantic and linguistic differences.

Today many Middle Eastern states are experiencing political violence, either in the form of foreign occupation, civil war, revolution or coup d’état. This regional violence is not dissociated from international politics. In fact many foreign states are directly involved through influencing, financing or manipulating the situation, and have subsequently been the target of violent attacks themselves. Responding to this situation, a plethora of academic and artistic output concerning Middle Eastern terrorism has emerged from the West. These efforts, especially in English-language fiction, have been mainly reductive and simplistic and have contributed to furthering an atmosphere of mistrust and Islamophobia that emerged after 9/11. Yet in the decade following 9/11 little attention has been given to Middle Eastern writers who have been treating the subject of political violence in their own fiction and whose works are available in a variety of languages. This thesis analyzes five Middle Eastern novels that depict major regional conflict zones. Alaa Al-Aswany, Orhan Pamuk, Assaf Gavron, Yasmina Khadra, and Mohsin Hamid’s novels describe the nuances of their respective contexts: Egypt, Turkey, Israel/Palestine, Iraq and Pakistan. The following analyses highlight the complexity of Middle Eastern political violence and shed light on how these authors perceive or respond to Terrorism discourse in their fictions.

This thesis explores the use of discourse markers (DMs) in the speech of Chinese non-native speakers (NNSs) of English and native speakers (NSs), using corpus methodologies, the 'Linear Unit Grammar' analysis (Sinclair and Mauranen 2006) and text-based analyses. It reports that the DMs for analysis, 'like', 'oh', 'well', 'you know', 'I mean', 'you see', 'I think' and 'now', occur more frequently in the dialogic genres than in the monologic genres extracted from the three corpora, SECCL, MICASE and ICE-GB. The co-occurrence of DMs is taken as evidence to determine the categories for discussion with the suggested functions being secondary interpretations. Surprisingly, there are similarities in the use of DMs between Chinese NNSs and NSs. For the differences, some require NSs to become more tolerant and inclusive of the versions of English and some require pedagogical interventions for the Chinese NNSs. This thesis demonstrates that the use of DMs correlates with the genre, context, type of activity and identity of the speaker. All such factors affect the speakers' choice of a DM to use when giving priority to discourse organisation, fluency, the engagement of the listeners, the construction of the speaker‟s persona and the creation of solidarity.

This study analyses the ways in which gender relations are expressed and articulated through the use of folk proverbs amongst Pashto-speaking people of Pakistan. Previous work on Pashto proverbs have romanticised proverbs as a cultural asset and a source of Pashtun pride and ethnic identity, and most studies have aimed to promote or preserve folk proverbs. However, there is little recognition in previous literature of the sexist and gendered role of proverbs in Pashtun society. This study argues that Pashto proverbs encode and promote a patriarchal view and sexist ideology, demonstrating this with the help of proverbs as text as well as proverbs performance in context by Pashto speakers. The analysis is based on more than 500 proverbs relating to gender, collected from both published sources and through ethnographic fieldwork in the Khyber Pakhtunkhwa province of Pakistan. Qualitative data was collected through 40 interviews conducted with Pashto-speaking men and women of various ages and class/educational backgrounds, along with informal discussions with local people and the personal observations of the researcher. The study is informed by a combination of theoretical approaches including folkloristics, feminist sociology and sociolinguistics. While establishing that patriarchal structures and values are transmitted through proverbs, the study also reveals that proverbs’ meanings and messages are context-bound and women may, therefore, use proverbs in order to discuss, contest and (sometimes) undermine gender ideologies. More specifically, it is argued that: (1) Proverbs as ‘wisdom texts’ represent the viewpoint of those having the authority to define proper and improper behaviour, and as such, rather than objective reality represent a partial and partisan reality which, in the context of the present research, is sexist and misogynist. (2) While proverbs as ‘texts’ seem to present a more fixed view of reality, proverbs as ‘performance in context’ suggest that different speakers may use proverbs for different strategic purposes, such as to establish and negotiate ethnic and gendered identities and power which varies on the basis of gender, age, ethnicity, and class of the interlocutors. The thesis concludes that, rather than considering folk proverbs as ‘factual’ and ‘valuable’ sources of cultural expression, scholars should pay more attention to their ‘performatory’, ‘derogatory’ and ‘declaratory’ aspects as these often relegate women (and ‘other’, weaker groups) to a lesser position in society.

The present work addresses the notions of poverty and poverty relief in Buddhist social and economic ethics, comparing them to current approaches to conceptualizing poverty used in the development community. Given the Buddhist preoccupation with ceasing suffering and removing its causes, and the key Buddhist principle of Right Livelihood that is found in the Ennobling Eightfold Path to enlightenment taught by the Buddha, economic ethics appear to be central to the Buddhist path and a concern for the suffering caused by extreme poverty therefore ought to be a key point of concern in Buddhist ethics. Buddhist ethics has developed into a field of study all its own over the last few decades, addressing issues in applied ethics from bioethics to human rights and environmental concerns, but little has been written by virtually any standard on the important topic of poverty relief. The present work makes a step toward filling that gap by examining relevant passages in the Pāli Canon as well as popular and influential Mahāyāna sūtras to demonstrate that a concern for deprivation or non-voluntary impoverishment is evident in key Buddhist doctrines and teachings from the earliest recorded history of the Buddhist tradition. The thesis further discusses the duties to relieve poverty outlined in Buddhist social ethics as well as the development of Buddhist economics and its critique of dominant mainstream economics. It also offers a comparison of Buddhist conceptions of poverty with contemporary notions of poverty, such as the capabilities approach to poverty developed by Amartya Sen and currently in use by the UNDP. In both of these cases poverty is portrayed in a comprehensive and multi-dimmensional manner which views income as only one aspect of poverty. Additionally, this dissertation examines the contemporary Socially Engaged Buddhist movement and identifies historical and contemporary examples of Buddhist poverty relief efforts.

This Creative Writing PhD consists of a novel, The Encyclopaedia of Istanbul, and accompanying critical essays, Ottoman Crossroads: Coffeehouses, Politics, Theatres and Storytelling. The Encyclopaedia of Istanbul is historical in nature, and magically real in temperament. It is an account of fin de siècle Constantinopolis, and contains forgotten fairy tales, remnants of an ancient manuscript culture, Armenian playwrights, Turkish feminists, Greek fortune-tellers and Sephardim cantors. It tells the tale of six intersecting lives in 1876, a time known as “the year of the three Sultans” in Ottoman history. This period was filled with tensions between traditionalism and Westernization, but also new political possibilities forwarded by the Young Ottomans. While the characters in The Encyclopaedia of Istanbul are fictitious, they are inspired by historical events and figures. The second element of my PhD, Ottoman Crossroads, is made up of four individual essays that focus on selected themes from the novel. They scrutinize, in order of presentation, the history of coffeehouse culture, the secretive society of the Young Ottomans and their political thought, the formation of Armenian-Turkish theatre, and the rediscovery of Ottoman fairy tales. Whilst the novel and essays are coherent independently, they also link to each other in ways that are sometimes direct, and at other times subtle.