Literatūros sociologai teigia, jog lietuvių poezijai praėjusio amžiaus IX – X dešimtmečiai itin reikšmingi, nes tuo laikotarpiu gimė nauja kūrėjo laikysena – poetai aplinką ėmė vaizduoti šaltą ir atstumiančią, į poeziją įtraukiamas visuomenėje plintančio reiškinio – prievartos – vaizdinys. Poezija kito kartu su politiniais, ekonominiais ir socialiniais pokyčiais valstybėje. Minėtam laikotarpiui būdingus eilėraščius kūrė dviejų kartų poetai. Šio darbo objektas – G. Patacko eilėraščių rinktinė „Jazmino žiedas vakarą prakalbina“ bei V. Gedgaudo poezijos rinkiniai „Vakaras be žiburio“ ir „Kapsulė“. Poetų kūryba pasirinkta neatsitiktinai – jie panašūs savo pasaulėžiūra, kurią galima pavadinti prometėjiška. G. Patackas ir V. Gedgaudas atmeta klasikinį grožio supratimą, pasitelkdami prievartos ir brutalumo metaforas griauna poezijoje nusistovėjusias normas, nes tai – reiškiniai, atspindintys šiuolaikinį pasaulį. Magistrinio darbo tikslas – pasitelkiant literatūros sociologijai rūpimus klausimus, aptariant literatūrinį poetų kūrybos lauką panagrinėti kodėl ir kokiu būdu G. Patackas ir V. Gedgaudas savo kūryboje plačiai vartoja prievartos variantus, kokias prasmes šie variantai įgauna lyrikoje. Fundamentali prievartos ar smurto reikšmė – jėgos vartojimas, vertimas ką daryti, žala žmonėms juos žudant, luošinant ar sužeidžiant. Mokslininkai išskiria kelias prievartos rūšis, magistriniame darbe jos vadinamos variantais, pagrindinės jų – fizinė ir psichologinė. Šiuos... [toliau žr. visą tekstą] / The sociologists of Lithuanian literature say that IX and X decades of the last century are very important to Lithuanian poetry as then the new author’s attitude was born – poets began representing cold and repulsive surroundings in their creations. They included the images of violence which became the everyday occurrence in our society of that time. Poetry was changing together with political, economical and social life in our state. Two poets of those generations wrote poems which have characteristics of that particular period. The object of the presented work is G. Patackas’ selection of poems “Jazmino žiedas vakarą prakalbina” („The Jasmine Blossom is Making an Approach to the Evening“) and two collections of poems by V. Gedgaudas – “Vakaras be žiburio” (“An Evening without the Light”) and “Kapsulė” (“The Capsule”). These poets were chosen not accidentally – they are similar in their poetry by their outlook on the world, which could be called “prometheism”. G. Patackas and V. Gedgaudas reject the classical conception of beauty, they are destroying the standards of the poetry. Poets invoke metaphors of violence and brutality as these phenomena reflect the modern world. The purpose of this master’s work is to try to ascertain why G. Patackas and V. Gedgaudas use variants of violence in their creation, how they do that and what are the meanings of these variants in their poetry. The presented work is based on the literature’s sociology. The fundamental meaning of... [to full text]

Summary The architectonics of the Biblical horizon allow to perceive, and highlight the ideological and semantical poetical kernel of the XXth century 6th decade poets’ generation. While highlighting the peculiarity of the Biblical horizon and revealing the semantical kernels of writers’ apprehension and poetical worldview, the theoretical hermeneutical principle of text reading is chosen. A reference is made to the perspective of Ricoeuras, which formulates the tradition of hermeneutical symbol and metaphor apprehension. The Biblical horizon is perceived according to the three poetical traditions of the Scripture re-creating. That would be: the structure of views proning to the logycs of rebellion and myth, the poetical principle of sensual and perceptual relation to the things, the intelectual novation of the biblical religious architectonics. The creation of these poets, representing diverse poetical traditions, idividually transform (Platelis, Kajokas, Gailius, Cieškaitė) or deform (Patackas) the notional field of the Scripture. In Patackas and Platelis poetry, representing the verse of death or reflection, for pointing out the Biblical horizon is important the mythopoetical cogitation which brings forward the dominant of rebellion, related to the sociocultural apprehension and revealing the Biblical typology of banishment from the paradise. Patackas poetry points out the perspective of the profanic paradygme, demythologization of the biblical images, semantical... [to full text]