This thesis analyzes the role of performativity within the domestic novel during antebellum America; specifically, the ways in which E.D.E.N. Southworth’s The Hidden Hand and Louisa May Alcott’s Behind a Mask subverted cultural and societal norms by exploring the performative nature of class and gender. Through their respective protagonists, the two authors sought to question the power dynamics of an overwhelmingly patriarchal society. By granting their protagonists agency through performance, Southworth and Alcott explored the ways in which women might alter existing power structures to reject the restrictions gender essentialism placed upon antebellum women, and to advocate for women’s rights, such as economic stability and class mobility.

Using a method of reflexive ethnography, this thesis deals with a question of masculinity performace in the Czech extreme metal milieu (to be specific I am concerned with the brutal death metal and related sub-genres). Participants of the brutal death metal subculture either in the position of performers or audience are with a very few exceptions men. Brutality, harshness, extremeness and other values are the main aesthetic criteria, which - as we can observe while doing the research - the participants connect with a coherent collection of ideas about a certain ideal of dominant manhood. To achieve these values to the greatest extent possible the musicians use particular musical features and topics of the compositions; and so does both the musicians and the audience via their visual image, with using specific kind of behaviour and having fixed movements and dancing during the music production. On the basis of an analysis of these values and means of their manifestation I am concerned with the question of what specific characteristics the masculine identity, which is performed in the given subculture, has. My research data show that these are: 1) mutual affinity with the other participants, 2) power as an ability of an aggressive attack as well as one's own endurance, and 3) coarseness, lack of...

More than 35 years ago, calls were made for research on the constitutive role of accounting. Since then, many statements have been made to specify what accounting is or is not. This study describes what accounting does, in order to amalgamate a fragmented picture of accounting in practice, instead of seeking the answer to the existential question of what accounting really is. The purpose of this study was to investigate and describe what accounting does, and how this is done on the basis of business meetings in order to contribute to a better understanding of the role of accounting in practice.This study is based on the actor-network theory approach. Particular attention hasbeen paid to accounting as named numbers, when becoming a performative participantin framed situations. The framed situations of business meetings contained three elements; 1) pure calculation, 2) qualculation which include both calculation and judgments, and 3) calqulation as a collective social process. An ethnographically inspired field studywas carried out at Eton Fashion AB, a Swedish shirt making company. Data was collected by participant observations of business meetings supported by interviews. Photography, sound recording, and field notes were used as techniques for documentation.Diagnoses of five business meetings revealed that; 1) accounting restricted time,place and content, 2) accounting brought past and future into the present, 3) accounting summarized and obscured discontinuities, 4) accounting defined people and things, and 5) accounting called for the filling of content. Accounting became an actor in these five ways as they were allied with people and things that appeared in the meetings. Accounting was in a context where people made sense of situations by making both estimates and judgments. During the meetings, an ongoing reduction of complexity was taking place. Step by step, diversity and complexity were reduced until an order filled with numbers was the only thing remaining. At the same time, something was gained, as we step by step achieved greater legibility, transportability and universality. In this way the situation could subsist. It might move to new situations and it might allow for new summaries and new situations to take place. The situation of a meeting contained elements of pure calculation representing the cold, anonymous and empty part. Oftenthough, calculation, because of its emptiness, initiated for qualculation and calqulation to begin. Accounting as an idea is a taken for granted phenomenon, with influence, often far beyond what we can see when we find ourselves in a given situation. I conclude that it could have been some other way. It is not accounting in itself, its own excellence or ability to represent the truth, which makes it successful. The success story of accounting is simply about “the others” with whom accounting is an ally. / För avläggande av ekonomie doktorsexamen i företagsekonomi som med tillstånd av Handelshögskolans fakultetsnämnd vid Göteborgs universitet framlägges för offentlig granskning fredagen den 30 mars kl. 13.15 i CGsalen vid Företagsekonomiska institutionen, Vasagatan 1, Göteborg.

For Christian professional youth workers, the transition from student to employee positions them at the interstices of convergent and competing discourses. This thesis argues that Christian youth workers can position themselves within these discourses by articulating an authentic faith integrated with professional practice. This positioning is produced and reproduced by performative expectations and the influence of relations of power. The notion of one, unitary professional identity is deemed futile as Christian professional youth workers mobilize a complex range of identities within a range of liminal spaces. Youth workers are suspended within an extended liminal state, which opens up different possibilities for professionalism within Christian professional youth work. This thesis contributes to knowledge particularly for the sociology of the professions and specifically with regard to training and subsequent employment of those within professional occupations. Theoretically, this thesis develops Turner’s thinking in relation to the three phases of separation, liminality and reincorporation and how they apply to the understanding of transition from training to employment. Turner’s phases appear to be incomplete for the understanding of the particular issues that individuals face in the forming of identity in late modern contexts. His thinking on separation and liminality adopt a more nuanced meaning in that the statuses are not as clearly defined as would be initially thought. Likewise, reincorporation is elusive, since Christian professional youth workers are suspended within a permanent state of liminality. This thesis redeems the notion of professionalism from a secular liberal ideal, allowing spirituality to flourish once again. A Christian professional can, and does, express an authentic sense of self within different discursive domains. The crossing of discursive boundaries allows for creativity and experimentation that enriches faith and professionalism. The two influence each other in productive ways. Professionalism as the profane becomes the sacred through the experiences of Christian professionals. Of course, professionalism becoming sacred is not the domain of the Christian only. This is pertinent for a person of any faith belonging to a professional occupation and seeking to express their faith through their work.

This two-year master thesis in Library and information science, explores how femininity is created within the librarian profession year 1900-1930 in Sweden. By using three Swedish female librarians as case studies I study how female librarians responded to norms for women within the profession. I also ask if the librarians were able to break these norms or if the standards for women formed how the librarian profession was shaped.The thesis has a queer theoretical framework and uses hermeneutic methodology together with Judith But-lers performativity theory and Gayatri Chakravorty Spivaks deconstruktivism. Queer theory and hermeneutic methodology can be used on historical sources to gain new perspectives and still be aware of the ideals and norms that existed within the historical period. I use “woman” and “femininity” as socially constructed gender categories that changes according to the context they are created within and in relation to.My main source material consists of articles and letters written by the librarians together with a rich materi-al of women’s rights history and Swedish public library history. By using the female librarians own words I try to get a first-hand perspective, described by the women who worked and lived as librarians during the first dec-ades of the 20th century. They worked in an important and ground-breaking time for public libraries and wom-en´s self-sufficiency.My thesis shows that the female librarians used different pronouns and adjectives to describe their profes-sion depending on which context they spoke or published their texts. Greta Linder, Hildur Lundberg and Maria Larsen used different strategies to survive within the profession. In some cases, it was important to emphasize the category “woman”, but in many cases their professional identity as librarians was of greater significance. As self-sufficient and unmarried librarians, they could create other possibilities than within the limited space that existed for married women.

In this essay I analyze the ways in which gender and space are shaped and made sense of through digital gameplay. Specifically in the turn based strategy game XCOM: Enemy Within for the MacBook Air with a computer mouse as the primary input device. Using a mixed methods approach consisting of gameplay sessions of XCOM and qualitative interviews with two players regarding their gameplay I argue that earlier research on space within game studies has overlooked the ways in which the shaping of space in gameplay is also gendered. Developing a theoretical framework influenced by gender studies, critical theory, affect theory, assemblage theories of space, and game theory, I argue for how the shaping of space and gender in game-play is interdependent. This in that the shaping of space and gender in digital gameplay is in constant relation and tension with societal norms and the affective capacities of bodies and digital games. In conclusion, I reflect on the possibilities to develop more empirical research based on the the theoretical framework explored in the essay.

The aim of this study is to examine how the male characters are portrayed in the television series »Livet i bokstavslandet« based on Connels (1995) theory hegemonic »masculinity« and Butlers theory »gender performativity« and examine if the male characters challenge or maintain gender. The study proceed from the following questions: Does the male characters in »Livet i bokstavslandet« challenge or reproduce traditional gender roles? Are the male characters »participant«, »subordinated« or »marginalized« based on Connells hegemonic masculinity theory? A narrative content analysis has been conducted. The theoretical framework of the examination is based on men and masculinities studies, from a post-modern influenced perspective. Butler's concepts of performativity are of importance in this study. The results of shows, in conclusion, that »Livet i bokstavslandet« does neither challenge nor negotiate new gender roles. From a performativity point of view, the conclusion is that the series maintains prevailing gender roles.

This thesis is based on a qualitative research made on a public university in La Paz, Bolivia. The aim was to examine the beliefs and perceptions of the employees regarding the ethnic anti discrimination work at the university. As the Bolivian anti discrimination law and the constitution of 2009 has been made to improve the rights for the indigenous groups in Bolivia,we also wanted to hear if the laws have been implemented in their daily work.Seven interviews were done with the help of an interpreter, and a mix of goal oriented and snowball selection was used. Through the interviews, we found out that the ethnic anti discrimination work at the university is almost non-existing. It also showed that not much has been done to follow the law and the reforms of the constitution. This can be seen as nonperformative.Even though there are regulations about discrimination, the university is not actively working on the implementation of them. The opinion if an anti discrimination work was needed varied among the employees, as some respondents said that discrimination did not even exist at their faculty. To improve the ethnic anti discrimination work many of the respondents pointed on the need of a change in the culture. One important discussion has been about the lack of communication, information and education. These facts together with the change of culture can be seen as the most important factors to make progressions within the ethnic anti discrimination work at the university.

This thesis examines the powerful appeals to psychology that are made in contemporary popular debate in Britain about parents. It focuses on the political implications of psychological discourse and the knowledge claims on which it rests. Using feminist and discourse theory, it critically examines psychological discourse, psychology as a knowledge practice, and considers the dilemmas of feminist knowledge production given the practices and relations it bolsters. Constructions of mothers and fathers in parenting magazines and news-media images of lone mothers, lesbian mothers and `absent fathers' are found to be profoundly gendered and conservative (hetero-gender normative) in spite of the rhetorical shift towards the genderneutral discourse of `parents'. Gender essentialist and identity/status-bound understandings are most striking where people's `fitness to parent' is questioned, often implicitly, which suggests that such understandings are naturalised in representations of parents who are not problematised. It is argued that the notion of `fitness to parent', rather than contributing to discussion of parent-child relationships, obscures how impoverished popular debate is, because it has little ideological coherence despite its mobilisation of judgemental scrutiny and powerful condemnation. Ideas about `unfit' parents do not, by exclusion, define a culturally ideal parent, but their implicit nature paves the way for common-sense appeals which deny their value-bases, reducing opportunities to challenge normative assumptions or superficial identity categories. `Second wave' feminist analyses of family ideology are employed, but are criticised from a feminist post-structuralist perspective which highlights the limitations of `identity' (for prematurely foreclosing understandings of subjectivity and desire), and of `social influence' as a model of individual-society relation. A critique of identity politics is employed to highlight how parental identities deployed in popular debate are imbued with psychological presumptions, without necessarily referring to psychologically/emotionally meaningful qualities of relationships between parents and children. Instead, a relational, performative approach to thinking about parents, and a psychosocial approach for considering the politics of cultural discourses are advocated. An examination of recent social policy debates suggests that the former may be gaining in persuasive value and impact on policy. Examining the authority of contemporary childrearing expertise suggests that arguments about parents are persuasive when they refer to psychological issues, whether or not they make explicit claims to expert knowledge. Paradoxically, as pop psychology becomes ubiquitous in Western cultures, the rising status attributed to the emotional realm can provide a means of contesting expert psychology, by undermining the valorisation of objectivity. However, the `psychologisation' of contemporary social life reinforces psychology's conceptual framework, which can, in turn, naturalise its conventional epistemology. This dilemma is explored in two spheres: feminist research and research with child participants. It is argued that feminists, and those critical of psychology's modernist foundations, might employ their `expert' warrant strategically in public debates about parents, but should also expose the politics of psychological knowledge. Similarly, despite theoretical limitations, identity politics might be put to good effect, such as to help children's voices be heard today. Finally, it is argued that, today, psychology is powerful, not only through experts or professionals, but as expertise, such that people draw on psychological discourses in their own reflexive projects of the self. Thus, psychological discourses, including implicit notions of fitness to parent, are implicated in the construction of contemporary parental subjectivities.

The aim of the study is to examine characters in books for children through a gender perspective. Partly I want to examine how female and male gender are constructed, partly how gender norms reproduce and/or challenges. This study proceeds from the following questions: ● How are female and male characters described in the books? ● What actions do female and male characters perform? ● How do the characters act towards characters of the opposite gender? The investigation is based on text analysis and the material consists of seven books for children. The theoretical basis is based on Butlers theory “gender performativity”, Hirdmans gender theory and Nikolajevas scheme of qualities of gender stereotypes. The result showed that the characters often seem to have gender stereotypical qualities. Female characters are more likely to behave as both male and female gender performativity and the male gender performativity and qualities of gender stereotypes are considered more valuable than female. To challenge gender norms we need to study and discuss literature, otherwise the gender norms will be maintained.